Self Instructor In The Art Of Hair Work
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Self-Instructor in the Art of Hair Work
| Author | : Mark active 19th century Campbell |
| Publisher | : Good Press |
| Total Pages | : 233 |
| Release | : 2023-09-18 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
Mark Campbell's 'Self-Instructor in the Art of Hair Work' serves as a comprehensive guide for individuals interested in learning the intricate craft of creating jewelry and decorative pieces using hair. Written in the 19th century, the book not only provides step-by-step instructions on various techniques but also delves into the historical and cultural significance of hair art during that time period. Campbell's writing style is meticulous and detailed, making it an essential resource for both beginners and experienced practitioners of hair work. In the context of the 19th century, hair work was a popular form of sentimental art, often used to commemorate loved ones or as a form of mourning jewelry. Campbell's book offers invaluable insights into this unique art form, shedding light on its techniques and symbolism. As an expert in the field of hair work, Campbell's expertise and passion for the craft shine through in this informative and engaging book. 'Self-Instructor in the Art of Hair Work' is a must-read for anyone interested in learning about this fascinating aspect of Victorian culture and design.
Love Entwined
| Author | : Helen Sheumaker |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 286 |
| Release | : 2007-05-29 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780812203400 |
Using a wide array of evidence drawn from poetry, fiction, diaries, letters, and examples of hairwork, Love Entwined traces the widespread popularity of the craft from the late eighteenth to the early twentieth century.
Commodifying Everything
| Author | : Susan Strasser |
| Publisher | : Routledge |
| Total Pages | : 310 |
| Release | : 2013-12-16 |
| Genre | : Business & Economics |
| ISBN | : 1136706925 |
Commodification refers most explicitly to the activities of turning things into commodities and of commercializing that which is not commercial in essence. The mass marketing of pets, the rise of the coffin industry, the conversion of preacher into salesmen, and the globalization of Taleggio cheese are some of the exciting but surprising topics in this volume that show how friendship, death, spirituality, and artisanship all have a price after being commodified. This unique collection of essays is a fascinating take on creating consumer products and consumer identities when what's for sale goes well beyond the thing itself. It will be a course-in-a-box for instructors who want to teach their students about commodification.
Making History
| Author | : Tim Betz |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 135 |
| Release | : 2023 |
| Genre | : Historic sites |
| ISBN | : 1538169037 |
While first person interpretation and historic crafts have long been part of the museum world, current movements in the maker movement in libraries and schools have occurred mostly outside of the museum world. Instead, Makerspace in Museums: Hands-On History in Museums and Historic Sites shows the importance of the Maker Movement for museums and historic sites, and presents a roadmap to building, planning, researching, and using a makerspace alongside more traditional museum programming. It calls for a revitalization of living history, which can be done through makerspaces and the maker movement. Highlights include: Why museums and makerspaces are a natural fit together Ways to organize and create a makerspace in a museum of any budget Creating a makerspace and culture of making that is inclusive and for the entirety of the community Strategies for researching historic making techniques and adapting them to the modern world Creating meaningful makerspace-centered programming The processes and methods explored in this book will help produce a sustainable makerspace that will help the museum or historic site that adopts it reach new audiences, creating growth and new museums stakeholders. Likewise, through calling for a recalibration of living history through the language of the makerspace, this project calls for new approaches to living history. Thus, it is a call for a disruption to the status quo and a push towards sustainable and meaningful living history.
Perfect Likeness
| Author | : Cincinnati Art Museum |
| Publisher | : Yale University Press |
| Total Pages | : 356 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 0300115806 |
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.
The Culture and Art of Death in 19th Century America
| Author | : D. Tulla Lightfoot |
| Publisher | : McFarland |
| Total Pages | : 267 |
| Release | : 2019-03-11 |
| Genre | : Art |
| ISBN | : 1476665370 |
Nineteenth-century Victorian-era mourning rituals--long and elaborate public funerals, the wearing of lavishly somber mourning clothes, and families posing for portraits with deceased loved ones--are often depicted as bizarre or scary. But behind many such customs were rational or spiritual meanings. This book offers an in-depth explanation at how death affected American society and the creative ways in which people responded to it. The author discusses such topics as mediums as performance artists and postmortem painters and photographers, and draws a connection between death and the emergence of three-dimensional media.
Cutting for All!
| Author | : Kevin L. Seligman |
| Publisher | : SIU Press |
| Total Pages | : 380 |
| Release | : 1996 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780809320066 |
Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.
Novel Craft
| Author | : Talia Schaffer |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2011-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 0199781052 |
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each features various handicrafts that subtly aim to subvert the socioeconomic changes being wrought by industrialization. Schaffer goes beyond straightforward textual analysis by shaping each chapter around the individual craft at the center of each novel (paper for Cranford, flowers and related arts in The Daisy Chain, rubbish and salvage in Our Mutual Friend, and the contrasting ethos of arts and crafts connoisseurship in Phoebe Junior). The domestic handicraft also allows for self-referential analysis of the text itself; in scenes of craft production (and destruction), the authors articulate the work they hope their own fictions perform. The handicraft also becomes a locus for critiquing contemporary aesthetic trends, with the novels putting forward an alternative vision of making value and understanding art. A work that combines cultural history and literary studies, Novel Craft highlights how attention to the handicraft movement's radically alternative views of materiality, consumption, production, representation, and subjectivity provides a fresh perspective on the major changes that shaped the Victorian novel as a whole.
Beyond Vanity
| Author | : Elizabeth L. Block |
| Publisher | : MIT Press |
| Total Pages | : 246 |
| Release | : 2024-09-10 |
| Genre | : Design |
| ISBN | : 0262049058 |
From the award-winning author of Dressing Up, a riveting and diverse history of women’s hair that reestablishes the cultural power of hairdressing in nineteenth-century America. In the nineteenth century, the complex cultural meaning of hair was not only significant, but it could also impact one’s place in society. After the Civil War, hairdressing was also a growing profession and the hair industry a mainstay of local, national, and international commerce. In Beyond Vanity, Elizabeth Block expands the nascent field of hair studies by restoring women’s hair as a cultural site of meaning in the early United States. With a special focus on the places and spaces in which the hair industry operated, Block argues that the importance of hair has been overlooked due to its ephemerality as well as its misguided association with frivolity and triviality. As Block clarifies, hairdressing was anything but frivolous. Using methods of visual and material culture studies informed by concepts of cultural geography, Block identifies multiple substantive categories of place and space within which hair acted. These include the preparatory places of the bedroom, hair salon, and enslaved peoples’ quarters, as well as the presentation places of parties, fairs, stages, and workplaces. Here are also the untold stories of business owners, many of whom were women of color, and the creators of trendsetting styles like the pompadour and Gibson Girl bouffant. Block’s ground-breaking study examines how race and racism affected who participated in the presentation and business of hair, and according to which standards. The result of looking closely at the places and spaces of hair is a reconfiguration that allows a new understanding of the cultural power of hair in the period.
