History of New Braunfels and Comal County, Texas, 1844-1946

History of New Braunfels and Comal County, Texas, 1844-1946
Author: Oscar Haas
Publisher:
Total Pages: 338
Release: 1968
Genre: Comal County (Tex.)
ISBN:

Founded 1845, became gateway to the Texan western wilderness. Could have been founded on the Medina or the San Saba, Llano, or San Antonio River, but was founded by an 'omen' on the Comal and Guadalupe rivers. Prince Carl Solms, founder, who was from Branfels on the Lahn River, Germany, wrote: "I myself with a troop of twenty-five men proceeded inland to find a place suitable for a town and to make the necessary preparations and investigations, especially as to whether or not there were hostile Indians in that region. It was on such an excursion that I found snow in my tent one morning, which, though it could be rolled in the hand, by noon had melted. Taking this as a good omen, we established our German colony here to which I gave the name New Braunfels." Much has been written about New Braunfels and Comal County. Much still remains to be written. May this boo9k add to incentives.

New Braunfels, Comal County, Texas

New Braunfels, Comal County, Texas
Author: Roger Nuhn
Publisher: Walsworth Publishing Company
Total Pages: 192
Release: 1993
Genre: Business
ISBN: 9780898658798

This book strives to give a glimpse into the past of New Braunfels and its environs through priceless pictures.

Historic Comal County

Historic Comal County
Author: Rebecca Lombardo
Publisher: Historical Pub Network
Total Pages: 94
Release: 2005-01-01
Genre: History
ISBN: 9781893619517

Texas Furniture, Volume One

Texas Furniture, Volume One
Author: Lonn Taylor
Publisher: University of Texas Press
Total Pages: 393
Release: 2012-05-10
Genre: Antiques & Collectibles
ISBN: 0292742126

The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas Furniture and its makers. They spent more than a decade working with museums and private collectors throughout the state to examine and photograph representative examples. They also combed census records, newspapers, and archives for information about cabinetmakers. These efforts resulted in the 1975 publication of Texas Furniture, which quickly became the authoritative reference on this subject. Now updated with an expanded Index of Texas Cabinetmakers that includes information that has come to light since the original publication and corrects errors, Texas Furniture presents a catalog of more than two hundred pieces of furniture, each superbly photographed and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. The book also includes chapters on the material culture of nineteenth-century Texas and on the tools and techniques of nineteenth-century Texas cabinetmakers, with a special emphasis on the German immigrant cabinetmakers of the Hill Country and Central Texas. The index of Texas cabinetmakers contains biographical information on approximately nine hundred men who made furniture in Texas, and appendices list information on the state’s largest cabinet shops taken from the United States census records.

Texas Furniture, Volume Two

Texas Furniture, Volume Two
Author: Lonn Taylor
Publisher: University of Texas Press
Total Pages: 351
Release: 2013-04-15
Genre: Antiques & Collectibles
ISBN: 0292745818

The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas furniture and its makers. After more than a decade of investigation, they published Texas Furniture in 1975, and it quickly became the authoritative reference on this subject. An updated edition, Texas Furniture, Volume One, was issued in the spring of 2012. Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans’ desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.

Bees in America

Bees in America
Author: Tammy Horn
Publisher: University Press of Kentucky
Total Pages: 350
Release: 2006-04-21
Genre: History
ISBN: 0813172063

Honey bees—and the qualities associated with them—have quietly influenced American values for four centuries. During every major period in the country's history, bees and beekeepers have represented order and stability in a country without a national religion, political party, or language. Bees in America is an enlightening cultural history of bees and beekeeping in the United States. Tammy Horn, herself a beekeeper, offers a varied social and technological history from the colonial period, when the British first introduced bees to the New World, to the present, when bees are being used by the American military to detect bombs. Early European colonists introduced bees to the New World as part of an agrarian philosophy borrowed from the Greeks and Romans. Their legacy was intended to provide sustenance and a livelihood for immigrants in search of new opportunities, and the honey bee became a sign of colonization, alerting Native Americans to settlers' westward advance. Colonists imagined their own endeavors in terms of bees' hallmark traits of industry and thrift and the image of the busy and growing hive soon shaped American ideals about work, family, community, and leisure. The image of the hive continued to be popular in the eighteenth century, symbolizing a society working together for the common good and reflecting Enlightenment principles of order and balance. Less than a half-century later, Mormons settling Utah (where the bee is the state symbol) adopted the hive as a metaphor for their protected and close-knit culture that revolved around industry, harmony, frugality, and cooperation. In the Great Depression, beehives provided food and bartering goods for many farm families, and during World War II, the War Food Administration urged beekeepers to conserve every ounce of beeswax their bees provided, as more than a million pounds a year were being used in the manufacture of war products ranging from waterproofing products to tape. The bee remains a bellwether in modern America. Like so many other insects and animals, the bee population was decimated by the growing use of chemical pesticides in the 1970s. Nevertheless, beekeeping has experienced a revival as natural products containing honey and beeswax have increased the visibility and desirability of the honey bee. Still a powerful representation of success, the industrious honey bee continues to serve both as a source of income and a metaphor for globalization as America emerges as a leader in the Information Age.