Selection From The Drawing And Watercolor Collection
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Author | : Marc Holmes |
Publisher | : |
Total Pages | : 100 |
Release | : 2018-02-15 |
Genre | : |
ISBN | : 9781979762021 |
For the last ten years, urban sketcher Marc Taro Holmes has been on a mission to travel the world drawing and painting on location. Thousands of loyal readers worldwide have been following his award-winning blog at CitizenSketcher.com, learning from his freely shared articles featuring hundreds of sketchbook drawings and watercolor paintings, his first-hand experiments with field-sketching gear, free downloadable art-workshops, and numerous over-the-shoulder, step-by-step demonstrations Along the way Marc wrote the instant classic: The Urban Sketcher: Techniques for Seeing and Drawing on Location (4.6 stars 180+ reviews). Marc is also the presenter of two online courses: Travel Sketching in Mixed Media and Sketching People in Motion (available from Craftsy.com). With his latest book, Direct Watercolor Marc brings you a retrospective collection of over eighty of his watercolor paintings, painted side-by-side with fellow urban sketchers in ten different countries. This is the work of a plein-air painter at the top of his game, seen for the first time as a single body of work, and accompanied with his latest thoughts on the medium of watercolor. Also included - six completely new step-by-step demonstrations, systematically explaining his deceptively simple approach to painting. Marc shows you how to paint rapidly, with little or no preparation and the minimum of supplies, unlocking the secrets of spontaneous, expressive watercolor, with a unique personal vision. Whether you're already one of Marc's readers or are about to discover his boldly expressive approach, Direct Watercolor offers you the keys to unlocking your own adventures as a sketchbook artist, traveling watercolorist, or unconventional studio painter. Please note: This ebook version of Direct Watercolor is only suitable for full-color displays such as the Kindle Fire, or the Kindle app for tablets, phones, laptops, and computers.
Author | : Matthew Thomas Simms |
Publisher | : |
Total Pages | : 248 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Cézanne's watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of Cézanne's watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting--the movement between the pencil and the paintbrush--that attracted Cézanne to watercolor. Watercolor allowed Cézanne to express what he termed his "sensations" in two distinct modes that become a record of his shifting and spontaneous responses to his subject. Combining close visual analysis and examination of historical context, Simms focuses on the counterpoint of drawing and color in Cézanne's watercolors over the course of his career and as viewed in relation to his oil paintings. More than a tool for sketching or preparing for oil paintings, Simms contends, watercolor was a unique means of expression in its own right that allowed Cézanne to combine in one place the two otherwise opposed mediums of drawing and painting.
Author | : John Singer Sargent |
Publisher | : Mfa Publications |
Total Pages | : 247 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9780878467914 |
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Author | : Rosalie Haizlett |
Publisher | : Page Street Publishing |
Total Pages | : 168 |
Release | : 2021-11-30 |
Genre | : Art |
ISBN | : 1645674150 |
Capture the Natural World with Vibrant Works of Art Nature illustrator Rosalie Haizlett has hiked through countless forests with her sketchbook and watercolors, documenting the plants, animals and landscapes that she encounters. She has also taught tens of thousands of students to paint and appreciate nature’s beauty through her popular online classes and in-person workshops. In this book, Rosalie provides step-by-step instruction on how to paint 20 realistic insects, fungi, birds, botanicals and mammals in her vibrant wet- on-dry watercolor style. Pick up the skills you need to become a better observer in the outdoors, take your own reference photos and paint a wide variety of subjects so that you can continue to draw inspiration from nature long after you finish the projects in this book. You’ll also learn some fun nature facts along the way! Whether you’re a total beginner or ready to take your skills to the next level, Rosalie is here to walk you through every step of the process.
Author | : State University of New York at Binghamton. University Art Gallery |
Publisher | : |
Total Pages | : 186 |
Release | : 1970 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 230 |
Release | : 1986 |
Genre | : Art |
ISBN | : |
Author | : Kevin J. Avery |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 426 |
Release | : 2002 |
Genre | : Drawing |
ISBN | : 1588390608 |
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Author | : Agnes Mongan |
Publisher | : |
Total Pages | : 206 |
Release | : 1968 |
Genre | : Dessin américain |
ISBN | : |
Author | : Paul Laseau |
Publisher | : W. W. Norton & Company |
Total Pages | : 113 |
Release | : 2012-03-27 |
Genre | : Architecture |
ISBN | : 0393733483 |
A step-by-step course in creating watercolor sketches.
Author | : Carol Armstrong |
Publisher | : Getty Publications |
Total Pages | : 166 |
Release | : 2004-11-01 |
Genre | : Art |
ISBN | : 0892366230 |
In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.