Selected Vocal Works Of Luigi Dallapiccola
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The Twelve-tone Music of Luigi Dallapiccola
Author | : Brian Alegant |
Publisher | : University Rochester Press |
Total Pages | : 338 |
Release | : 2010 |
Genre | : Music |
ISBN | : 1580463258 |
Reveals the great twentieth-century Italian composer's innovative handling of harmony, form, and text setting.
The Music of Luigi Dallapiccola
Author | : Raymond Fearn |
Publisher | : Boydell & Brewer |
Total Pages | : 344 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9781580460781 |
"Most prominent of these is the three-movement Canti di prigionia (Songs of imprisonment), in which the composer created a powerful piece of "protest music" against the oppressions of fascism by setting prayers by three prisoners awaiting execution: Mary Stuart, Boethius, and Savonarola. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine."
Luigi Dallapiccola and Musical Modernism in Fascist Italy
Author | : Ben Earle |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2013-08-15 |
Genre | : History |
ISBN | : 0521844037 |
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Nostalgia for the Future
Author | : Luigi Nono |
Publisher | : University of California Press |
Total Pages | : 502 |
Release | : 2018-10-23 |
Genre | : Music |
ISBN | : 0520291204 |
Nostalgia for the Future is the first collection in English of the writings and interviews of Luigi Nono (1924–1990). One of the most prominent figures in the development of new music after World War II, he is renowned for both his compositions and his utopian views. His many essays and lectures reveal an artist at the center of the analytical, theoretical, critical, and political debates of the time. This selection of Nono’s most significant essays, articles, and interviews covers his entire career (1948–1989), faithfully mirroring the interests, orientations, continuities, and fractures of a complex and unique personality. His writings illuminate his intensive involvements with theatre, painting, literature, politics, science, and even mysticism. Nono’s words make vividly evident his restless quest for the transformative possibilities of a radical musical experience, one that is at the same time profoundly engaged with its performers and spaces, its audiences, and its human and social motivations and ramifications.
Singing in Signs
Author | : Gregory J. Decker |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 2020-01-23 |
Genre | : Music |
ISBN | : 0190620633 |
Singing in Signs: New Semiotic Explorations of Opera offers a bold and refreshing assessment of the state of opera study as seen through the lens of semiotics. At its core, the volume responds to Carolyn Abbate and Roger Parker's Analyzing Opera, utilizing a semiotic framework to embrace opera on its own terms and engage all of its constituent elements in interpretation. Chapters in this collection resurrect the larger sense of serious operatic study as a multi-faceted, interpretive discipline, no longer in isolation. Contributors pay particular attention to the musical, dramatic, cultural, and performative in opera and how these modes can create an intertext that informs interpretation. Combining traditional and emerging methodologies, Singing in Signs engages composer-constructed and work-specific music-semiotic systems, broader socio-cultural music codes, and narrative strategies, with implications for performance and staging practices today.
Historical Dictionary of Modern and Contemporary Classical Music
Author | : Nicole V. Gagné |
Publisher | : Rowman & Littlefield |
Total Pages | : 545 |
Release | : 2019-07-17 |
Genre | : Music |
ISBN | : 1538122987 |
The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
New Makers of Modern Culture
Author | : Wintle Justin |
Publisher | : Routledge |
Total Pages | : 906 |
Release | : 2013-05-13 |
Genre | : History |
ISBN | : 1134094531 |
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salmon Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida, Julia Kristeva with Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
New Makers of Modern Culture
Author | : Justin Wintle |
Publisher | : Routledge |
Total Pages | : 1812 |
Release | : 2016-04-22 |
Genre | : Biography & Autobiography |
ISBN | : 1136768823 |
New Makers of Modern Culture will be widely acquired by both higher education and public libraries. Bibliographies are attached to entries and there is thorough cross- referencing.