Selected Poems Of Vittorio Sereni
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Author | : Vittorio Sereni |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 2008-09-15 |
Genre | : Poetry |
ISBN | : 0226748731 |
One of the most important Italian poets of the last century, Vittorio Sereni (1913–83) wrote with a historical awareness unlike that of any of his contemporaries. A poet of both personal and political responsibility, his work sensitively explores life under fascism, military defeat and imprisonment, and the resurgence of extreme right-wing politics, as well as the roles played by love and friendship in the survival of humanity. The first substantial translation of Sereni’s oeuvre published anywhere in the world, The Selected Poetry and Prose of Vittorio Sereni is a unique guide to this twentieth-century poet. A bilingual edition, reissued in paperback for the poet’s centenary, it collects Sereni’s poems, criticism, and short fiction with a full chronology, commentary, bibliography, and learned introduction by British poet and scholar Peter Robinson.
Author | : Vittorio Sereni |
Publisher | : |
Total Pages | : 168 |
Release | : 1990 |
Genre | : Poetry |
ISBN | : |
Vittorio Sereni (1913-1983) is widely regarded as the finest Italian poet of the generation after Montale. This volume spans the whole of his creative career, and is designed to give a sense of the structure and coherence of his work as a whole.
Author | : Francesca Southerden |
Publisher | : Oxford University Press |
Total Pages | : 308 |
Release | : 2012-01-12 |
Genre | : Literary Criticism |
ISBN | : 0199698457 |
This is the first book-length study in English on Vittorio Sereni (1913-83), a major figure in Italian 20th-century poetry. It argues that a key innovation of Sereni's poetry is the way in which it reworks the boundaries of poetic space to construct a lyric 'I' radically repositioned in the textual universe with respect to its predecessors.
Author | : Tjebbe A. Westendorp |
Publisher | : Rodopi |
Total Pages | : 220 |
Release | : 1995 |
Genre | : English literature |
ISBN | : 9789051837919 |
The rich and varied nature of twentieth-century Anglo-Irish and Irish poetry is reflected in the essays presented in Politics and the Rhetoric of Poetry: Perspectives on Modern Anglo-Irish Poetry.The linguistic and theoretical observations formulated in close readings of apparently non-political texts disclose implied political positions and suggest to what extent rhetoric and the nature of language are at the root of such questions as how should we read contemporary poetry. How can poems play a part in the resolution of the political and historic conflict? Nuala Ní Dhomhnaill's versions of The Táin,Brendan Kennelly's Cromwell, Paul Muldoon's Madocand Ciaran Carson's Belfast Confettiare analysed in detail, as is the relationship between rhetoric and politics in Seamus Heaney and Derek Mahon. Earlier twentieth-century poets such as Thomas Kinsella, John Hewitt, Patrick Kavanagh, John Montague, Louis MacNeice and Padraic Colum are also examined. The contingent nature of language is recognized by many of these poets, and the seventeen essays bring out the political charge hidden in the poetry. This includes the deliberate choice of the poetic form, the internal dialogue or the complexity of voices in the poem and a particular preoccupation with endings. These essays demonstrate Yeats's contention that Deliberation can be so intensified that it becomes synonymous with inspiration.
Author | : Claude Rawson |
Publisher | : Cambridge University Press |
Total Pages | : 580 |
Release | : 2011-01-27 |
Genre | : Literary Criticism |
ISBN | : 1107495407 |
This volume provides lively and authoritative introductions to twenty-nine of the most important British and Irish poets from Geoffrey Chaucer to Philip Larkin. The list includes, among others, Shakespeare, Donne, Milton, Wordsworth, Browning, Yeats and T. S. Eliot, and represents the tradition of English poetry at its best. Each contributor offers a new assessment of a single poet's achievement and importance, with readings of the most important poems. The essays, written by leading experts, are personal responses, written in clear, vivid language, free of academic jargon, and aim to inform, arouse interest, and deepen understanding.
Author | : John Kerrigan |
Publisher | : Liverpool University Press |
Total Pages | : 404 |
Release | : 2000-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780853235156 |
The Thing about Roy Fisher is the first critical book to be dedicated to the work of this outstanding poet, who has won many admirers for his explorations of the modem city, his experiments with perception and sensory experience, his jazz-inspired prose, and his political and cultural comedies. The collection brings together a distinguished group of contributors: poets and critics, from several generations, active on both sides of the Atlantic. In a dozen newly commissioned essays they discuss the entire range of Roy Fisher’s work, from its fraught beginnings in the 1950s through such major texts of the 1960s and 1970s as City, The Ship’s Orchestra and Wonders of Obligation, to A Furnace, his 1980s masterpiece, and beyond. The essays are closely engaged with the fabric of Fisher’s verse, but they also bring into view a fascinating array of connections between contemporary poetry and philosophy, psychology; the visual arts and jazz. The Thing about Roy Fisher ends with a full and up-to-date bibliography; an essential starting point for further study of this versatile and complex writer, whose centrality and importance within modern English and European poetry is now more than ever apparent. Kerrigan and Robinson’s collection provides a helpful introduction to Roy Fisher’s work, and will be necessary reading for anyone with a live interest in modern poetry. "If you haven’t been introduced before, meet Roy Fisher; a major figure of twentieth century literature-inventive, exciting and unpredictable."—Eleanor Cooke, Raw Edge "Roy Fisher’s work is something altogether rare in contemporary British poetry."—David Sexton, The Sunday Times
Author | : Sean Pryor |
Publisher | : Cambridge University Press |
Total Pages | : 367 |
Release | : 2024-06-06 |
Genre | : Literary Criticism |
ISBN | : 100949886X |
What is a poem? What ideas about the poem as such shape how readers and audiences encounter individual poems? To explore these questions, the first section of this Companion addresses key conceptual issues, from singularity and genre to the poem's historical exchanges with the song and the novel. The second section turns to issues of form, focusing on voice, rhythm, image, sound, diction, and style. The third section considers the poem's social and cultural lives. It examines the poem in the archive and in the digital sphere, as well as in relation to decolonization and global capitalism. The chapters in this volume range across both canonical and non-canonical poems, poems from the past and the present, and poems by a diverse set of poets. This book will be a key resource for students and scholars studying the poem.
Author | : Peter Robinson |
Publisher | : Liverpool University Press |
Total Pages | : 209 |
Release | : 2010-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1846312183 |
`The conviction, pleasures and gratitude of committed reading are evident in his affirmation of the poetic contract between readers and writers.' Andrea Brady, Poetry Review --
Author | : John Roe |
Publisher | : Peter Lang |
Total Pages | : 364 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9783039103140 |
While Plato extols inspired poetry (as opposed to poetry produced by means of technique), Aristotle conceives of poetry only in terms of technê. Underlying the opposition between inspiration and technique are two different approaches to 'form': inspiration is concerned with the impression of ideas or forms within the poet's psyche (the author's forma mentis), whereas technique deals with the transposition of the artist's idea into the material form of the work (the forma operis). This dual view of form, and of its complex relation to matter, may be said to lie at the basis of a dual approach to aesthetic issues - a psychological and a textual one. Taking their cue from this opposition, the essays gathered here explore some of the most momentous phases in the history of aesthetics, from Graeco-Roman philosophy and oratory to Renaissance poetry and literary criticism, from neoclassical poetics to Romantic and Victorian views on inspired visions, to recent issues in neuroaesthetics, philosophy of art and literary linguistics. In so doing, they collectively point to the irremediable and continuing dualism of a critical tradition that has alternately emphasized the ideal elements of beauty and the material constituents of art.
Author | : Robin Healey |
Publisher | : University of Toronto Press |
Total Pages | : 1104 |
Release | : 2019-03-07 |
Genre | : Literary Criticism |
ISBN | : 1487502923 |
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.