Selected Poems Of Frederick Goddard Tuckerman
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| Author | : Frederick Goddard Tuckerman |
| Publisher | : Harvard University Press |
| Total Pages | : 246 |
| Release | : 2010-04-15 |
| Genre | : Literary Collections |
| ISBN | : 9780674050488 |
Unlike Whitman, Dickinson, or Wordsworth, Frederick Goddard Tuckerman (1821–1873) never wanted to start a revolution in poetry. Nor did he—like Longfellow or his friend Tennyson—capture or ever try to represent the spirit of his age. Yet he remains one of America’s most passionate, moving, and technically accomplished poets of the nineteenth century: a New Englander through and through, a poet of the outdoors, wandering fields and wooded hillsides by himself, driven to poetry and the solitude of nature by the loss of his beloved wife. This is the persona we encounter again and again in Tuckerman’s sonnets and stanzaic lyric poetry. Correcting numerous errors in previous editions, this is the first reliable reading edition of Tuckerman’s poetry. Ben Mazer has painstakingly re-edited the poems in this selection from manuscripts at the Houghton Library. Included in this generous selection are several important poems omitted in The Complete Poems of Frederick Goddard Tuckerman. In her introduction to the volume, Stephanie Burt celebrates an extraordinary poet of mourning and nature—an anti-Transcendental—who in many ways seems closer to writers of our own century than to, say, Emerson or even Thoreau. Readers who enjoy the verse of Richard Wilbur, Anthony Hecht, or Mary Oliver will find much to admire in Tuckerman’s poetry.
| Author | : Michelle Kohler |
| Publisher | : Cambridge University Press |
| Total Pages | : 351 |
| Release | : 2019-05-16 |
| Genre | : Literary Criticism |
| ISBN | : 1108570313 |
This collection presents new approaches to Emily Dickinson's oeuvre. Informed by twenty-first-century critical developments, the Dickinson that emerges here is embedded in and susceptible to a very physical world, and caught in unceasing interactions and circulation that she does not control. The volume's essays offer fresh readings of Dickinson's poetry through such new critical lenses as historical poetics, ecocriticism, animal studies, sound studies, new materialism, posthumanism, object-oriented feminism, disability studies, queer theory, race studies, race and contemporary poetics, digital humanities, and globalism. These essays address what it means to read Dickinson in braille, online, graffitied, and internationally, alongside the work of poets of color. Taken together, this book widens our understanding of Dickinson's readerships, of what the poems can mean, and for whom.
| Author | : Dora Malech |
| Publisher | : University of Iowa Press |
| Total Pages | : 384 |
| Release | : 2023-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1609388712 |
"The American Sonnet: An Anthology of Poems and Essays showcases the diversity of the American sonnet. 800 years after the sonnet's invention, this volume celebrates the extraordinary development of the sonnet in the hands of American poets-and those living under US empire-from traditional to experimental, political and personal. Edited by poet and scholar team Dora Malech and Laura T. Smith, this anthology collects and foregrounds an impressive range of 20th and 21st century sonnets, including formal and formally subversive sonnets by established and emerging poets, and presents these alongside a selection of earlier American sonnets, highlighting connections across literary moments and movements. The critical essays likewise draw together diverse voices, methodologies, and historical and theoretical perspectives that represent the burgeoning field of American sonnet studies. Malech and Smith capture the central questions for American sonneteers. Who belongs to the tradition of the American sonnet? How do translation and multicultural and transnational identities complicate the Americanness of the "American" sonnet? How do Black, queer, trans, neurodiverse, working class, Appalachian, and Deaf poets claim the sonnet and how does it serve them? How do American poets experiment with meter, stanza, rhyme, lineation, and visuality to make the sonnet their own? And how are American sonneteers writing about love, loss, and trauma in new ways that change the sonnet tradition? The American Sonnet shows the form continuing to function as a poetic bellwether as centuries of poets use its peculiar confines to negotiate questions of nation, race, class, gender, sexuality, diaspora, and poetic tradition"--
| Author | : Stephen Gencarella |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 297 |
| Release | : 2018-05-01 |
| Genre | : History |
| ISBN | : 1493032674 |
Incredible Stories of the Prophets, Vagabonds, Fortune-Tellers, Hermits, Lords, and Poets Who Shaped New England New England has been a lot of things—an economic hub, a cultural center, a sports mecca—but it is also home to many of the strangest individuals in America. Wicked Weird & Wily Yankees explores and celebrates the eccentric personalities who have left their mark in a way no other book has before. Some folks are known, others not so much, but the motley cast of characters that emerges from these pages represents a fascinating cross-section of New England’s most peculiar denizens. Look inside to find: Tales of the Leather Man and the Old Darned Man, who both spent years crisscrossing the highways and byways of the northeast, their origins and motivation to remain forever unknown. The magnificent homes of William Gillette and Madame Sherri, famed socialites who constructed enormous castles in the New England countryside. William Sheldon’s apocalyptic prophecies and wild claims including that the American Revolution had hastened the end of the world and that he could—through his mastery of the “od-force”—prevent cholera across the eastern United States. The mysterious fortune-teller Moll Pitcher whose predictions, some say, were sought by European royalty and whose fame made her the subject of poems, plays, and novels long after her death. Stretching back to the colonial era and covering the development and evolution of New England society through the beginning of the twenty-first century, this book captures the rebel spirit, prickly demeanors, and wily attitudes that have made the region the hotbed for oddity it is today. *All Royalties Donated to the Education and Youth Programs at the Connecticut River Museum*
| Author | : Jason Guriel |
| Publisher | : The Porcupine's Quill |
| Total Pages | : 276 |
| Release | : 2013-12-03 |
| Genre | : Literary Collections |
| ISBN | : 0889848076 |
The Pigheaded Soul presents a series of witty, intelligent, and sometimes controversial essays in which talented newcomers and avowed masters alike find themselves within the literary crosshairs of acclaimed poet and critic Jason Guriel. Guriel does not shy away from the negative review, nor does he begrudge praise where praise is due. He applauds the innovative and evocative, rails against the lazy and the imprecise, and critiques the ‘hipster’ mentality of so-called avant-gardists who use the same tired tricks as shortcuts to perceived innovation. But far from providing only reviews and critical readings, The Pigheaded Soul serves up amusing insider anecdotes about the poetry community, from intelligent examinations of inspiration and imagination, to gonzo reportage of high-profile – and occasionally absurd – literary events. Wry, engaging, and astute, Guriel writes with a confidence and panache that enlivens the often dry and dusty field of literary criticism.
| Author | : Stephen Regan |
| Publisher | : Oxford University Press |
| Total Pages | : 448 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0192893076 |
The Sonnet provides a comprehensive study of one of the oldest and most popular forms of poetry, widely used by Shakespeare, Milton and Wordsworth, and still used today by poets such as Seamus Heaney, Tony Harrison and Carol Ann Duffy. This book traces the development of the sonnet from its origins in medieval Italy to its widespread acceptance in modern Britain, Ireland and America. It shows how the sonnet emerges from the aristocratic courtly centres of Renaissance Europe and gradually becomes the chosen form of radical political poets such as Milton. The book draws on detailed critical analysis of some of the best-known sonnets written in English to explain how the sonnet functions as a poetic form, and it argues that the flexibility and versatility of the sonnet have given it a special place in literary history and tradition.
| Author | : Stephen Burt |
| Publisher | : Harvard University Press |
| Total Pages | : 472 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 9780674048140 |
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
| Author | : Delmore Schwartz |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 515 |
| Release | : 2024-04-02 |
| Genre | : Poetry |
| ISBN | : 0374604312 |
The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”
| Author | : Eric L. Haralson |
| Publisher | : Routledge |
| Total Pages | : 598 |
| Release | : 2014-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1317763246 |
With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Centry provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.
| Author | : Alfred Bendixen |
| Publisher | : Cambridge University Press |
| Total Pages | : 1442 |
| Release | : 2014-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 1316123308 |
The Cambridge History of American Poetry offers a comprehensive exploration of the development of American poetic traditions from their beginnings until the end of the twentieth century. Bringing together the insights of fifty distinguished scholars, this literary history emphasizes the complex roles that poetry has played in American cultural and intellectual life, detailing the variety of ways in which both public and private forms of poetry have met the needs of different communities at different times. The Cambridge History of American Poetry recognizes the existence of multiple traditions and a dramatically fluid canon, providing current perspectives on both major authors and a number of representative figures whose work embodies the diversity of America's democratic traditions.
