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| Author | : Delmore Schwartz |
| Publisher | : New Directions Publishing |
| Total Pages | : 244 |
| Release | : 1967 |
| Genre | : Poetry |
| ISBN | : 9780811201919 |
"Every point of view, every kind of knowledge and every kind of experience is limited and ignorant: nevertheless so far as l know, this volume seems to me to be as representative as it could be.---Delmore Schwartz
| Author | : Delmore Schwartz |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 515 |
| Release | : 2024-04-02 |
| Genre | : Poetry |
| ISBN | : 0374604312 |
The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”
| Author | : Delmore Schwartz |
| Publisher | : New Directions Publishing |
| Total Pages | : 305 |
| Release | : 2016-05-03 |
| Genre | : Fiction |
| ISBN | : 0811224333 |
The publication of this book restores a missing chapter in the history of twentieth-century American literature With his New Directions debut in 1938, the twenty-five-year-old Delmore Schwartz was hailed as a genius and among the most promising writers of his generation. Yet he died in relative obscurity in 1966, wracked by mental illness and substance abuse. Sadly, his literary legacy has been overshadowed by the story of his tragic life. Among poets, Schwartz was a prototype for the confessional movement made famous by his slightly younger friends Robert Lowell and John Berryman. While his stories and novellas about Jewish American experience laid the groundwork for novels by Saul Bellow (whose Humboldt’s Gift is based on Schwartz’s life) and Philip Roth. Much of Schwartz’s writing has been out of print for decades. This volume aims to restore Schwartz to his proper place in the canon of American literature and give new readers access to the breadth of his achievement. Included are selections from the in-print stories and poems, as well as excerpts from his long unavailable epic poem Genesis, a never-completed book-length work on T. S. Eliot, and unpublished poems from his archives.
| Author | : A. Runchman |
| Publisher | : Springer |
| Total Pages | : 325 |
| Release | : 2014-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 1137394382 |
Taking as its starting point Delmore Schwartz's self-appointment as both a 'poet of the Hudson River' and 'laureate of the Atlantic,' this book comprehensively reassesses the poetic achievement of a critically neglected writer. Runchman reads Schwartz's poetry in relation to its national and international perspectives.
| Author | : David Bosworth |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 249 |
| Release | : 2014-08-27 |
| Genre | : History |
| ISBN | : 1630874108 |
Although the financial disaster of 2008 proved devastatingly quick, the evolution of the bad faith that drove the collapse is a more gradual story, and one that David Bosworth powerfully narrates in The Demise of Virtue in Virtual America: The Moral Origins of the Great Recession, his sweeping history of the forces driving ethical, political, and economic change over the last sixty years. Here, Bosworth traces how the commercialization of public spaces and electronic information has created a new and enclosed American place. Chapter by chapter, he then shows how the materialist values of this Virtual America have suffused our everyday lives, co-opting the themes of our narratives, the planks of our parties, the practices of our professions, and the most intimate aspects of our personal lives, including our beliefs about God, marriage, and childcare. From Ronald Reagan and Disneyland to modern pharmacology and "prosperity theology," from the phony conservatism of Wall Street to the faux rebellion of "transgressive" art, Bosworth's alternative story of American life since 1950 relentlessly challenges today's dominant narratives--narratives that, as he reveals, made both the calamitous invasion of Iraq and the economic collapse of 2008 all too likely.
| Author | : Benjamin Schreier |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 286 |
| Release | : 2009-10-02 |
| Genre | : Literary Criticism |
| ISBN | : 1443815276 |
The premise of Studies in Irreversibility: Texts and Contexts is that there is a big difference between phenomena, practices, processes, and events that are irreversible and those that are reversible, and moreover that this difference and its manifold implications remain underappreciated so long as the analysis of culture continues to anchor itself in an emphasis on the capacities of human agency. If messianic modes posit a future to justify the present, and so interpret the influence of the past, the papers in this collection are devoted to examining the present of experience from the perspective of its uncompromising and irreducible past, finding in irreversibility a key to an interpretation of futurity. Together, these papers outline a method of examining experience as something more—or at least other—than the desire to know it, and in so doing they shed light on the powerful role of normativity in the narratives we construct in and about culture. Through novel analyses from the disciplines of literature, art criticism, history, philosophy, ethnic studies, and ethics, the contributors to this book address key questions about the nature of irreversibility: What differentiates the experience of the irreversible from the experience of the reversible? How is irreversibility recognized? What happens when we acknowledge something to be irreversible? How has society contended with irreversibility, and what sorts of tools exist today to interpret its significance? Wary of impetuously fixing the meaning of a still-elusive concept, this volume collects papers that employ a wide array of methodologies, mindful that no one critical approach may yet have proved itself. Irreversibility is not simply a quality of the texts examined in this volume, nor is it strictly speaking a lens through which otherwise coherent or stable texts are examined; rather, it emerges as a model that brings together texts and the thinking of them. By together outlining a method of examining culture that moves beyond reliance on tropes such as functionalism, teleology, and chance, tropes that have dominated twentieth century cultural analysis, these papers help to inaugurate a new paradigm in the study of culture.
| Author | : Victoria Aarons |
| Publisher | : University of Delaware Press |
| Total Pages | : 192 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780874139013 |
What Happened to Abraham? Reinventing the Covenant in American Jewish Fiction examines the ways in which contemporary American Jewish writers reinvent and reconfigure stories of the Hebraic covenant as a way of conceiving, negotiating, and redefining Jewish identity in America. In attempting to locate a place for Jewish identity at the end of the twentieth century and the beginning of the twenty-first, American Jewish writers look to an imaginary memory to reengage a defining, central Jewish history that has, post-World War II, become diluted in American culture.
| Author | : Eric L. Haralson |
| Publisher | : Routledge |
| Total Pages | : 2479 |
| Release | : 2014-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1317763211 |
The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.
