Selected Plays Of Mj Molloy
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Author | : Michael Joseph Molloy |
Publisher | : CUA Press |
Total Pages | : 416 |
Release | : 1998 |
Genre | : Drama |
ISBN | : 9780813209340 |
Michael Joseph Molloy (1917-1994) was born and died in Milltown, Co. Galway. He originally intended to join the priesthood but was struck down by tuberculosis. It was during the long periods he spent in the hospital that he started writing plays, having been inspired by a childhood visit to the Abbey Theatre, Dublin. His first play, Old Road, was produced at the Abbey in 1943, as were The Visiting House in 1946 and The King of Friday's Men in 1948. When the old theatre burned down and the company moved to the Queen's Theatre, his The Wood of the Whispering and The Paddy Pedlar were produced there, followed by The Will and the Way, The Right Rose Tree, and The Wooing of Duvesa. After the company's return to the rebuilt theatre in 1966 his plays -- with their romantic plots and Syngean dialogue -- did not find favor with the new Abbey, and, with the exception of Petticoat Loose in 1979, none of his later works were performed professionally. This selection contains The King of Friday's Men, The Paddy Pedlar,,The Wood of the Whispering, Daughter from Over the Water, Petticoat Loose, and the previously unpublished The Bachelor's Daughter. The volume includes a bibliographical checklist of Molloy's writings.
Author | : P. Murphy |
Publisher | : Springer |
Total Pages | : 273 |
Release | : 2015-12-04 |
Genre | : Literary Criticism |
ISBN | : 0230583857 |
Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
Author | : Rutherford Mayne |
Publisher | : CUA Press |
Total Pages | : 288 |
Release | : 2000 |
Genre | : Drama |
ISBN | : 9780813209791 |
Samuel J. Waddell (1878-1967), who took on the stage-name Rutherford Mayne when he embarked on a theatrical career, was the most prolific, versatile, and successful playwright that the Irish Literary Revival in Ulster brought forth. In the course of his career as a dramatist, from 1906 to 1934, he wrote thirteen plays -- ten plays for the Ulster Literary Theatre, one for the Dublin-based Theatre of Ireland, and two for the Abbey Theatre. Especially his early realist Ulster peasant plays were very successful, among them The Drone (1908), the most popular Irish folk comedy of the first half of the twentieth century. He also acted a great number of main parts in plays of his own and of other writers, to great acclaim, mainly in Belfast and Dublin but also on tours to England and Scotland, from 1904 until late in his life. His plays disappeared from the stage in the 1950s, and, when he died, his artistic achievements were almost forgotten. Wolfgang Zach's introduction to this volume is the first attempt to give a lengthy survey of Mayne's life and works, with particular emphasis on a discussion of all his plays, their critical reception, stage history, and specific features. As to the selection of Rutherford Mayne's plays contained in this volume, seven of his eight published plays -- his most important ones -- have been included in this edition. Two important prose pieces (one of Mayne's essays and an interview), have been added to his reprinted plays as they provide direct insight into his personality, views, and career. In the biographical and critical section of the Checklist appended to this book, publications have also been included that do not solely concentrate on RutherfordMayne but are of great significance to any student of his life and plays.
Author | : Dion Boucicault |
Publisher | : CUA Press |
Total Pages | : 420 |
Release | : 1987 |
Genre | : Drama |
ISBN | : 9780813206172 |
The selection of Boucicault's work in this volume stresses his consummate craft as a writer for the theatre in the age of actor-managers and melodrama. It also reminds us of that Irish verve, charm and adroitness which made him the best playwright of his generation in England and America as well as Ireland. Arguably the father of both the Irish and American drama, his characteristic plotting and taste for sensation suggest that another of his heirs was the early movie industry.
Author | : Micheál Mac Liammóir |
Publisher | : CUA Press |
Total Pages | : 356 |
Release | : 1998 |
Genre | : Ireland |
ISBN | : 9780813208893 |
Although Micheál mac Liammóir is best known as an actor and, with Hilton Edwards, founder of Dublin's Gate Theatre, he was also an artist and stage and costume designer of great talent and an accomplished playwright. The present selection contains five of his plays as well as some of his writings 'On Plays and Players,' and a bibliographical checklist. Contents: Where Stars Walk, Ill Met by Moonlight, The Mountains Look Different, The Liar, and Prelude in Kazbek Street
Author | : Mary Trotter |
Publisher | : Polity |
Total Pages | : 246 |
Release | : 2008-11-10 |
Genre | : Language Arts & Disciplines |
ISBN | : 0745633420 |
Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
Author | : Mary Luckhurst |
Publisher | : John Wiley & Sons |
Total Pages | : 608 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470751479 |
This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Author | : Shaun Richards |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 2004-01-29 |
Genre | : Drama |
ISBN | : 9780521008730 |
Author | : Shaun Richards |
Publisher | : Taylor & Francis |
Total Pages | : 208 |
Release | : 2022-08-25 |
Genre | : Performing Arts |
ISBN | : 1000631273 |
Fifty Key Irish Plays charts the progression of modern Irish drama from Dion Boucicault’s entry on to the global stage of the Irish diaspora to the contemporary dramas created by the experiences of the New Irish. Each chapter provides a brief plot outline along with informed analysis and, alert to the cultural and critical context of each play, an account of the key roles that they played in the developing story of Irish drama. While the core of the collection is based on the critical canon, including work by J. M. Synge, Lady Gregory, Teresa Deevy, and Brian Friel, plays such as Tom Mac Intyre’s The Great Hunger and ANU Productions’ Laundry, which illuminate routes away from the mainstream, are also included. With a focus on the development of form as well as theme, the collection guides the reader to an informed overview of Irish theatre via succinct and insightful essays by an international team of academics. This invaluable collection will be of particular interest to undergraduate students of theatre and performance studies and to lay readers looking to expand their appreciation of Irish drama.
Author | : Lionel Pilkington |
Publisher | : Routledge |
Total Pages | : 276 |
Release | : 2002-01-22 |
Genre | : Performing Arts |
ISBN | : 1134914652 |
This major new study presents a political and cultural history of some of Ireland's key national theatre projects from the 1890s to the 1990s. Impressively wide-ranging in coverage, Theatre and the State in Twentieth-Century Ireland: Cultivating the People includes discussions on: *the politics of the Irish literary movement at the Abbey Theatre before and after political independence; *the role of a state-sponsored theatre for the post-1922 unionist government in Northern Ireland; *the convulsive effects of the Northern Ireland conflict on Irish theatre. Lionel Pilkington draws on a combination of archival research and critical readings of individual plays, covering works by J. M. Synge, Sean O'Casey, Lennox Robinson, T. C. Murray, George Shiels, Brian Friel, and Frank McGuinness. In its insistence on the details of history, this is a book important to anyone interested in Irish culture and politics in the twentieth century.