Seeing The Text
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| Author | : Mary H. Schertz |
| Publisher | : |
| Total Pages | : 220 |
| Release | : 2001 |
| Genre | : Religion |
| ISBN | : 9780687091140 |
Seeing the Text integrates language study with theories and methods of interpretation. The purpose of the book is to help students increase their facility with the biblical languages while at the same time incorporating exegetical and literary skills and methods. The book thus not only provides a wider theoretical and methodological horizon for language study but also builds a solid, text-based foundation for further biblical studies. Because it is increasingly the case that seminarians do not have the opportunity to study both Greek and Hebrew, examples in both languages are included whenever possible to create a metalinguistic theoretical understanding. The book is, therefore, designed and suitable for both intermediate Hebrew students and intermediate Greek students. Finally, the book includes suggestions for using the computer to facilitate language learning and exegetical work in order to help students develop the skills necessary to sustain their language skills with the aid of computer software when they are no longer engaged in formal study. For further information about author Mary Schertz, click here.
| Author | : Carol Burnell |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9781636350288 |
An interactive, multimedia text that introduces students to reading and writing at the college level.
| Author | : Douglas Fisher |
| Publisher | : Corwin Press |
| Total Pages | : 217 |
| Release | : 2016-01-28 |
| Genre | : Education |
| ISBN | : 150634397X |
There is a big difference between assigning complex texts and teaching complex texts No matter what discipline you teach, learn how to use complexity as a dynamic, powerful tool for sliding the right text in front of your students’ at just the right time. Updates to this new edition include How-to’s for measuring countable features of any written work A rubric for analyzing the complexity of both literary and informational texts Classroom scenarios that show the difference between a healthy struggle and frustration The authors’ latest thinking on teacher modeling, close reading, scaffolded small group reading, and independent reading
| Author | : Zac Miller |
| Publisher | : ZML Corp LLC |
| Total Pages | : 57 |
| Release | : |
| Genre | : Family & Relationships |
| ISBN | : 1393128025 |
―――――――――――― Finally! A Useful Guide on How to Text Girls ―――――――――――― Hi, my name is Zac Miller, and in my book The Art of The Text, I go over everything when it comes to how to text a girl. When you are done reading this book, you will know the right words to text to girls and the right time to say it. Girls will feel a sense of urgency to reply to your texts. You will get more dates and less flakes. You will understand exactly what to text girls! Here's What You'll Learn In My Book: ━━━━━━▼━━━━━━ • Why texting is such a BIG DEAL in today's society and how it can make or break your chances with girls! • Use the equation on this page to GUARANTEE you won't ever get flaked on for a date again. • My 3-step system for texting girls that has been time tested and it WORKS. • I devout all of Chapter 3 to explaining the easiest ways to get a girl's number. • Learn how to build attraction with women and what your main focus of texting should be. • Should you use emoticons? • Don't be another guy making this very common mistake! • If a girl puts any of these items in her text messages, she's into you. • Violation of this rule will kill your chances with a girl faster than anything else. • Use this copy and paste line after you get a girl's number to introduce yourself. • The two MAIN reasons guys mess up with texting AND with girls in general. • Use any of these TWENTY NINE "copy and paste" example opener messages to start texting girls right away. • I've found doing this one thing is the best chance you have if a girl isn't responding to your text messages. • Flip a common technique girls use on guys and have her thinking about you all day. • A HUGE list of example nicknames you can assign to different girls you are texting. • The science of projecting messages into the future. • In chapter 6 I teach you how to ask girls on dates by giving you lines you can use via texts or on the phone. I don't leave you hanging either, I give you tons of great first date ideas and how to handle texts after the date. • And so much MORE! ―――――――――――― As a complimentary bonus, only for book buyers, you'll receive my special report titled Subconscious Attraction, which teaches you 3 techniques which attract women on a subconscious level. This report is not available to the general public. ―――――――――――― If you'd like more dates with more girls, buy this book. If you want to stop wasting time on text conversations that go nowhere… then buy this book. What are you waiting for? Click the "Buy Now" button at the top of this page and get your copy of The Art of The Text Now!
| Author | : Keith A. Smith |
| Publisher | : SIGMA Foundation |
| Total Pages | : 134 |
| Release | : 1989 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
| Author | : Stefan Titscher |
| Publisher | : SAGE |
| Total Pages | : 288 |
| Release | : 2000-07-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1446232840 |
′This volume is the most comprehensive overview to date of sociologically orientated approaches to text and discourse analysis and is worth reading even for those who are interested only in purely linguistiv approaches to text and discourse. Its main merit, I think, is that it intorduces approaches which up to now have hardley been admitted into the universe of scientific discourse′ - Discourse Studies Methods of Text and Discourse Analysis provides the most comprehensive overview currently available of linguistic and sociological approaches to text and discourse analysis. Among the 10 linguistic and sociological models surveyed in this book some of the more important are Grounded Theory, Content Analysis, Conversation Analysis and Critical Discourse Analysis. The book presents each approach according to a standardised format, which allows for direct systematic comparisons. The fully annotated lists of sources provide readers with an additional means of evaluation of the competing analytical methods. Interdisciplinary and international in its aims, Methods of Text and Discourse Analysis suggests the benefits both linguists and sociologists will derive from a more intimate knowledge of each others′ methods and procedures.
| Author | : Julia Silge |
| Publisher | : "O'Reilly Media, Inc." |
| Total Pages | : 193 |
| Release | : 2017-06-12 |
| Genre | : Computers |
| ISBN | : 1491981628 |
Chapter 7. Case Study : Comparing Twitter Archives; Getting the Data and Distribution of Tweets; Word Frequencies; Comparing Word Usage; Changes in Word Use; Favorites and Retweets; Summary; Chapter 8. Case Study : Mining NASA Metadata; How Data Is Organized at NASA; Wrangling and Tidying the Data; Some Initial Simple Exploration; Word Co-ocurrences and Correlations; Networks of Description and Title Words; Networks of Keywords; Calculating tf-idf for the Description Fields; What Is tf-idf for the Description Field Words?; Connecting Description Fields to Keywords; Topic Modeling.
| Author | : Michael A. Fishbane |
| Publisher | : Schocken Books Incorporated |
| Total Pages | : 176 |
| Release | : 1979 |
| Genre | : Literary Collections |
| ISBN | : |
| Author | : Frode Hegland |
| Publisher | : |
| Total Pages | : 498 |
| Release | : 2020-11-09 |
| Genre | : |
| ISBN | : |
This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and technology. We hope you will be as inspired as we are as to the potential power of text truly unleashed. Contributions by Adam Cheyer * Adam Kampff * Alan Kay * Alessio Antonini * Alex Holcombe * Amaranth Borsuk * Amira Hanafi * Amos Paul Kennedy Jr. * Anastasia Salter * Andy Matuschak & Michael Nielsen * Ann Bessemans & María Pérez Mena * Andries Van Dam * Anne-Laure Le Cunff * Anthon Botha * Azlen Ezla * Barbara Beeton * Belinda Barnet * Ben Shneiderman * Bernard Vatant * Bob Frankston * Bob Horn * Bob Stein * Catherine C. Marshall * Charles Bernstein * Chris Gebhardt * Chris Messina * Christian Bök * Christopher Gutteridge * Claus Atzenbeck * Daniel Russel * Danila Medvedev * Danny Snelson * Daveed Benjamin * Dave King * Dave Winer * David De Roure * David Jablonowski * David Johnson * David Lebow * David M. Durant * David Millard * David Owen Norris * David Price * David Weinberger * Dene Grigar * Denise Schmandt-Besserat * Derek Beaulieu * Doc Searls * Don Norman * Douglas Crockford * Duke Crawford * Ed Leahy * Elaine Treharne * Élika Ortega * Esther Dyson * Esther Wojcicki * Ewan Clayton * Fiona Ross * Fred Benenson & Tyler Shoemaker * Galfromdownunder, aka Lynette Chiang * Garrett Stewart * Gyuri Lajos * Harold Thimbleby * Howard Oakley * Howard Rheingold * Ian Cooke * Iian Neil * Jack Park * Jakob Voß * James Baker * James O'Sullivan * Jamie Blustein * Jane Yellowlees Douglas * Jay David Bolter * Jeremy Helm * Jesse Grosjean * Jessica Rubart * Joe Corneli * Joel Swanson * Johanna Drucker * Johannah Rodgers * John Armstrong * John Cayle * John-Paul Davidson * Joris J. van Zundert * Judy Malloy * Kari Kraus & Matthew Kirschenbaum * Katie Baynes * Keith Houston * Keith Martin * Kenny Hemphill * Ken Perlin * Leigh Nash * Leslie Carr * Lesia Tkacz * Leslie Lamport * Livia Polanyi * Lori Emerson * Luc Beaudoin & Daniel Jomphe * Lynette Chiang * Manuela González * Marc-Antoine Parent * Marc Canter * Mark Anderson * Mark Baker * Mark Bernstein * Martin Kemp * Martin Tiefenthaler * Maryanne Wolf * Matt Mullenweg * Michael Joyce * Mike Zender * Naomi S. Baron * Nasser Hussain * Neil Jefferies * Niels Ole Finnemann * Nick Montfort * Panda Mery * Patrick Lichty * Paul Smart * Peter Cho * Peter Flynn * Peter Jenson & Melissa Morocco * Peter J. Wasilko * Phil Gooch * Pip Willcox * Rafael Nepô * Raine Revere * Richard A. Carter * Richard Price * Richard Saul Wurman * Rollo Carpenter * Sage Jenson & Kit Kuksenok * Shane Gibson * Simon J. Buckingham Shum * Sam Brooker * Sarah Walton * Scott Rettberg * Sofie Beier * Sonja Knecht * Stephan Kreutzer * Stephanie Strickland * Stephen Lekson * Stevan Harnad * Steve Newcomb * Stuart Moulthrop * Ted Nelson * Teodora Petkova * Tiago Forte * Timothy Donaldson * Tim Ingold * Timur Schukin & Irina Antonova * Todd A. Carpenter * Tom Butler-Bowdon * Tom Standage * Tor Nørretranders * Valentina Moressa * Ward Cunningham * Dame Wendy Hall * Zuzana Husárová. Student Competition Winner Niko A. Grupen, and competition runner ups Catherine Brislane, Corrie Kim, Mesut Yilmaz, Elizabeth Train-Brown, Thomas John Moore, Zakaria Aden, Yahye Aden, Ibrahim Yahie, Arushi Jain, Shuby Deshpande, Aishwarya Mudaliar, Finbarr Condon-English, Charlotte Gray, Aditeya Das, Wesley Finck, Jordan Morrison, Duncan Reid, Emma Brodey, Gage Nott, Aditeya Das and Kamil Przespolewski. Edited by Frode Hegland.
| Author | : Brill Harper |
| Publisher | : Brill Harper |
| Total Pages | : 69 |
| Release | : 2019-03-13 |
| Genre | : Fiction |
| ISBN | : 1386249823 |
So wrong it's right… When grumpy firefighter Leo finally answers the wrong number text he's been getting for several days, he has no idea pixels on a screen could be so hot—or make him want things he's never wanted before. Dixie has always been quiet, shy, and reserved. Until she "meets" Leo. He's got the once shy librarian shedding her inhibitions and growing her confidence in their texts and calls—and it even starts spilling out into her everyday life. Part of her revels in her secret life—but part of her secretly wishes for more. They never share more than first names, but each texting encounter gets hotter and hotter—and more intimate than either of them ever imagined. But you can't trust a stranger on the phone. Not really. You can't ache for something you've never had. And you certainly can't fall in love with someone you've never even met, can you? Author Confession: Welcome to Brazen Bay, a small town I crafted just to explore that feeling of so wrong it's right. Just because something is forbidden or taboo doesn't make it wrong, does it? (You'd have to see the pictures on their phones to answer that.) Gruff Leo and sweet Dixie are perfect strangers and perfectly naughty when they let their guards down with someone for the first time. What starts as an innocent wrong number turns into something much more daring. Bonus points if you read this wrong number romance on your phone.
