Secwana Dictionary
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Exegesis in the Making
Author | : Anna Runesson |
Publisher | : BRILL |
Total Pages | : 275 |
Release | : 2010-12-07 |
Genre | : Religion |
ISBN | : 9004188363 |
Known for its fresh approaches as well as for its complex theoretical foundations, postcolonial studies is one of the most dynamic contributions to the field of biblical studies today. The present book is a pedagogically structured introduction to this emerging field for both scholar and student.
[Re]Gained in Translation II
Author | : Sabine Dievenkorn |
Publisher | : Frank & Timme GmbH |
Total Pages | : 555 |
Release | : 2024-02-26 |
Genre | : |
ISBN | : 3732907902 |
Times are changing, and with them, the norms and notions of correctness. Despite a wide-spread belief that the Bible, as a “sacred original,” only allows one translation, if any, new translations are constantly produced and published for all kinds of audiences and purposes. The various paradigms marked by the theological, political, and historical correctness of the time, group, and identity and bound to certain ethics and axiomatic norms are reflected in almost every current translation project. Like its predecessor, the current volume brings together scholars working at the intersection of Translation Studies, Bible Studies, and Theology, all of which share a special point of interest concerning the status of the Scriptures as texts fundamentally based on the act of translation and its recurring character. It aims to breathe new life into Bible translation studies, unlock new perspectives and vistas of the field, and present a bigger picture of how Bible [re]translation works in society today.
Postcoloniality, Translation, and the Bible in Africa
Author | : Musa W. Dube |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 237 |
Release | : 2017-07-14 |
Genre | : History |
ISBN | : 1498295142 |
This book is critically important for Bible translation theorists, postcolonial scholars, church leaders, and the general public interested in the history, politics, and nature of Bible translation work in Africa. It is also useful to students of gender studies, political science, biblical studies, and history-of-colonization studies. The book catalogs the major work that has been undertaken by African scholars. This work critiques and contests colonial Bible translation narratives by privileging the importance African oral vitality in rewriting the meaning of biblical texts in the African sociopolitical, political, and cultural contexts.
An International Bibliography of African Lexicons
Author | : Melvin K. Hendrix |
Publisher | : Scarecrow Press |
Total Pages | : 382 |
Release | : 1982 |
Genre | : Foreign Language Study |
ISBN | : 9780810814783 |
Contains 3,500 entries, representing almost 700 African languages and over 200 dialects, spanning over 400 years of African lexicographical writing and research.
Mfecane Aftermath
Author | : Carolyn Hamilton |
Publisher | : NYU Press |
Total Pages | : 595 |
Release | : 1995-01-01 |
Genre | : History |
ISBN | : 1776142969 |
The idea that the period of social turbulence in the nineteenth century was a consequence of the emergence of the powerful Zulu kingdom under Shaka has been written about extensively as a central episode of southern African history. Considerable dynamic debate has focused on the idea that this period – the ‘mfecane’- left much of the interior depopulated, thereby justifying white occupation. One view is that ‘the time of troubles’ owed more to the Delagoa Bay Slave trade and the demands of the labour-hungry Cape colonists than to Shaka’s empire building. But is there sufficient evidence to support the argument? The Mfecane Aftermath investigates the very nature of historical debate and examines the uncertain foundations of much of the previous historiography.
The Musical Instruments of the Indigenous People of South Africa
Author | : Percival Kirby |
Publisher | : NYU Press |
Total Pages | : 501 |
Release | : 2013-08-01 |
Genre | : Music |
ISBN | : 1868148289 |
A detailed collection of information about the playing and making of the instruments of indigenous peoples' in South Africa. Percival Kirby was a musician and ethnomusicologist and for many years head of the music department at the University of the Witwatersrand, Johannesburg. Between 1923 and 1933 he undertook more than nine expeditions as well as many shorter excursions around South Africa. He was hosted by local chiefs and taught to play the instruments he encountered. He managed to purchase many of them, and this collection, now known as the Kirby Collection, is housed at the South African College of Music, University of Cape Town. First published as Musical Instruments of the Native Races of South Africa in 1934, the book was the culmination of research trips undertaken by Percival Kirby. It became the standard reference on indigenous South African musical instruments. The bulk of the material is concerned with detailed information on the making and playing of each instrument, and is accompanied by a large number of musical examples. This third edition contains an introduction by Mike Nixon, Head of the Ethnomusicology and African Music at the South African College of Music, and new reproductions of the valuable historic photographs, but leaves Kirby's original text unchanged.