Secondary Heroines in Nineteenth-Century British and American Novels

Secondary Heroines in Nineteenth-Century British and American Novels
Author: Jennifer Camden
Publisher: Routledge
Total Pages: 190
Release: 2016-04-01
Genre: Literary Criticism
ISBN: 1317058488

Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Because she is often a far more vivid character than the heroine of the marriage plot, the secondary heroine inevitably engages the reader's interest in her plight. That the narrative apparently seeks to suppress her creates tension and points to the secondary heroine as a site of contested identity who represents an ideology of womanhood and nationhood at odds with the national ideals represented by the primary heroine, whom the reader is asked to embrace. In showing how the anxiety produced by these ideals is displaced onto the secondary heroine, Camden's study represents an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.

Secondary Heroines in Nineteenth-Century British and American Novels

Secondary Heroines in Nineteenth-Century British and American Novels
Author: Dr Jennifer Camden
Publisher: Ashgate Publishing, Ltd.
Total Pages: 194
Release: 2013-04-28
Genre: Literary Criticism
ISBN: 1409475743

Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Because she is often a far more vivid character than the heroine of the marriage plot, the secondary heroine inevitably engages the reader's interest in her plight. That the narrative apparently seeks to suppress her creates tension and points to the secondary heroine as a site of contested identity who represents an ideology of womanhood and nationhood at odds with the national ideals represented by the primary heroine, whom the reader is asked to embrace. In showing how the anxiety produced by these ideals is displaced onto the secondary heroine, Camden's study represents an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.

Problematic Identities in Women's Fiction of the Sri Lankan Diaspora

Problematic Identities in Women's Fiction of the Sri Lankan Diaspora
Author: Alexandra Watkins
Publisher: BRILL
Total Pages: 244
Release: 2015-06-02
Genre: Literary Criticism
ISBN: 9004299270

Women novelists of the Sri Lankan diaspora make a significant contribution to the field of South Asian postcolonial studies. Their writing is critical and subversive, particularly concerned as it is with the problematic of identity. This book engages in insightful readings of nine novels by women writers of the Sri Lankan diaspora: Michelle de Kretser’s The Hamilton Case (2003); Yasmine Gooneratne’s A Change of Skies (1991), The Pleasures of Conquest (1996), and The Sweet and Simple Kind (2006); Chandani Lokugé’s If the Moon Smiled (2000) and Turtle Nest (2003); Karen Roberts’s July (2001); Roma Tearne’s Mosquito (2007); and V.V. Ganeshananthan’s Love Marriage (2008). These texts are set in Sri Lanka but also in contemporary Australia, England, Italy, Canada, and North America. They depict British colonialism, the Tamil–Sinhalese conflict, neocolonial touristic predation, and the double-consciousness of diaspora. Despite these different settings and preoccupations, however, this body of work reveals a consistent and vital concern with identity, as notably gendered and expressed through resonant images of mourning, melancholia, and other forms of psychic disturbance. This is a groundbreaking study of a neglected but powerful body of postcolonial fiction. “This is an excellent study that I believe makes a significant and timely contribution to the fields of postcolonial literature, Sri Lankan anglophone literature, diasporic literature, women’s studies, and world literature. It was a stimulating and thought-provoking read.” Dr Maryse Jayasuriya, The University of Texas at El Paso.

Secondary Heroines in Nineteenth-Century British and American Novels

Secondary Heroines in Nineteenth-Century British and American Novels
Author: Jennifer Camden
Publisher: Routledge
Total Pages: 213
Release: 2016-04-01
Genre: Literary Criticism
ISBN: 131705847X

Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of female characters who, while embodying the qualities associated with heroines, fail to achieve this status in the story. These "secondary heroines," often the friend or sister of the primary heroine, typically disappear from the action of the novel as the courtship plot progresses, only to return near the conclusion of the action with renewed demands on the reader's attention. Accounting for this persistent pattern, Camden suggests, reveals the cultural work performed by these unusual figures in the early history of the novel. Because she is often a far more vivid character than the heroine of the marriage plot, the secondary heroine inevitably engages the reader's interest in her plight. That the narrative apparently seeks to suppress her creates tension and points to the secondary heroine as a site of contested identity who represents an ideology of womanhood and nationhood at odds with the national ideals represented by the primary heroine, whom the reader is asked to embrace. In showing how the anxiety produced by these ideals is displaced onto the secondary heroine, Camden's study represents an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.

Legacy

Legacy
Author:
Publisher:
Total Pages: 130
Release: 2006
Genre: American literature
ISBN: