Sculpture Journal
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The Art-journal
Author | : |
Publisher | : |
Total Pages | : 524 |
Release | : 1905 |
Genre | : Art |
ISBN | : |
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Sculpture and Its Reproductions
Author | : Anthony Hughes |
Publisher | : Reaktion Books |
Total Pages | : 222 |
Release | : 1997 |
Genre | : Sculpture |
ISBN | : 9781861890023 |
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
Life and Bronze
Author | : Ruth Abernethy |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9781926991733 |
Part memoir, part secrets of the sculptors craft, part celebration of Canadian culture and talent Life and Bronze is the story behind Ruth Abernethys rich and varied artistic career. The author describes each of her sculpting projects from opening discussion to creation to installation and public unveiling.We discover what the public chooses to commemorate, how a sculptor resolves clear expressions of character, and how the entire process fits into a full family life. We become privy to Ruths unique methods, which are greatly influenced by her years of stagecraft at the Stratford Festival and across Canada. We meet prime ministers, musicians, doctors, athletes, and a huge Manitoba black bear named Duke. Ruths Canadian commissions include Glenn Gould at CBC Toronto, Oscar Peterson and Mario Bernardi at the National Arts Centre Ottawa, military Physician and poet John McCrae (In Flanders Fields) at Ottawa and Guelph, and Sir John A. Macdonald in both Picton and Baden, Ontario. Ruths bronze installations honour outstanding theatre artists in Stratford, Waterloo and Winnipeg and exceptional scientists and engineers in Kentville, Wolfville and in Vancouver. Life and Bronze is a lavishly illustrated record of bronze portraits created in the privacy of Ruths studio and let loose to lie on the streetscapes of Canada.
Sculpture and the Garden
Author | : Patrick Eyres |
Publisher | : Routledge |
Total Pages | : 197 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549588 |
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
The Art Journal
Author | : |
Publisher | : |
Total Pages | : 434 |
Release | : 1873 |
Genre | : Art |
ISBN | : |
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Sculpture and Touch
Author | : Peter Dent |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549456 |
Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.
"The British School of Sculpture, c.1760-1832 "
Author | : Sarah Burnage |
Publisher | : Routledge |
Total Pages | : 279 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351545833 |
The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.