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| Author | : Joseph E. Sanzo |
| Publisher | : Mohr Siebeck |
| Total Pages | : 240 |
| Release | : 2014-02-24 |
| Genre | : Religion |
| ISBN | : 9783161529658 |
Originally presented as the author's thesis (doctoral - Los Angeles) under the title: In the beginnings: the apotropaic use of scriptural incipits in late antique Egypt.
| Author | : Theodore de Bruyn |
| Publisher | : Oxford University Press |
| Total Pages | : 294 |
| Release | : 2018-01-26 |
| Genre | : Religion |
| ISBN | : 0191075906 |
Making Amulets Christian: Artefacts, Scribes, and Contexts examines Greek amulets with Christian elements from late antique Egypt in order to discern the processes whereby a customary practice--the writing of incantations on amulets--changed in an increasingly Christian context. It considers how the formulation of incantations and amulets changed as the Christian church became the prevailing religious institution in Egypt in the last centuries of the Roman empire. Theodore de Bruyn investigates what we can learn from incantations and amulets containing Christian elements about the cultural and social location of the people who wrote them. He shows how incantations and amulets were indebted to rituals or ritualizing behaviour of Christians. This study analyzes different types of amulets and the ways in which they incorporate Christian elements. By comparing the formulation and writing of individual amulets that are similar to one another, one can observe differences in the culture of the scribes of these materials. It argues for 'conditioned individuality' in the production of amulets. On the one hand, amulets manifest qualities that reflect the training and culture of the individual writer. On the other hand, amulets reveal that individual writers were shaped, whether consciously or inadvertently, by the resources they drew upon-by what is called 'tradition' in the field of religious studies.
| Author | : Craig A. Evans |
| Publisher | : Hendrickson Publishers |
| Total Pages | : 647 |
| Release | : 2021-10-05 |
| Genre | : Religion |
| ISBN | : 1683073606 |
Jesus and the Manuscripts, by popular author and Bible scholar Craig A. Evans, introduces readers to the diversity and complexity of the ancient literature that records the words and deeds of Jesus. This diverse literature includes the familiar Gospels of the New Testament, the much less familiar literature of the Rabbis and of the Qur’an, and the extracanonical narratives and brief snippets of material found in fragments and inscriptions. This book critically analyzes important texts and quotations in their original languages and engages the current scholarly discussion. Evans argues that the Gospel of Thomas is not early or independent of the New Testament Gospels but that it should be dated to the late second century. He also argues that Secret Mark, like the recently published Gospel of Jesus’ Wife, is probably a modern forgery. Of special interest is the question of how long the autographs of New Testament writings remained in circulation. Evans argues that the evidence suggests that most of these autographs remained available for copying and study for more than one hundred years and thus stabilized the text. Key points and features:Written by popular author and Bible scholar Craig A. EvansIncludes 20+ pages of high-quality color photosWalks readers through the various works of ancient literature, both biblical and non-biblical, that mention JesusCritically analyzes important texts and quotations in their original languages and engages the current scholarly discussion
| Author | : Monika Amsler |
| Publisher | : Cambridge University Press |
| Total Pages | : 567 |
| Release | : 2023-04-06 |
| Genre | : Religion |
| ISBN | : 1009297309 |
In this book, Monika Amsler explores the historical contexts in which the Babylonian Talmud was formed in an effort to determine whether it was the result of oral transmission. Scholars have posited that the rulings and stories we find in the Talmud were passed on from one generation to the next, each generation adding their opinions and interpretations of a given subject. Yet, such an oral formation process is unheard of in late antiquity. Moreover, the model exoticizes the Talmud and disregards the intellectual world of Sassanid Persia. Rather than taking the Talmud's discursive structure as a sign for orality, Amsler interrogates the intellectual and material prerequisites of composers of such complex works, and their education and methods of large-scale data management. She also traces and highlights the marks that their working methods inevitably left in the text. Detailing how intellectual innovation was generated, Amsler's book also sheds new light on the content of the Talmud. This title is also available as Open Access on Cambridge Core.
| Author | : David Frankfurter |
| Publisher | : Princeton University Press |
| Total Pages | : 344 |
| Release | : 2021-06-08 |
| Genre | : History |
| ISBN | : 0691216789 |
How does a culture become Christian, especially one that is heir to such ancient traditions and spectacular monuments as Egypt? This book offers a new model for envisioning the process of Christianization by looking at the construction of Christianity in the various social and creative worlds active in Egyptian culture during late antiquity. As David Frankfurter shows, members of these different social and creative worlds came to create different forms of Christianity according to their specific interests, their traditional idioms, and their sense of what the religion could offer. Reintroducing the term “syncretism” for the inevitable and continuous process by which a religion is acculturated, the book addresses the various formations of Egyptian Christianity that developed in the domestic sphere, the worlds of holy men and saints’ shrines, the work of craftsmen and artisans, the culture of monastic scribes, and the reimagination of the landscape itself, through processions, architecture, and the potent remains of the past. Drawing on sermons and magical texts, saints’ lives and figurines, letters and amulets, and comparisons with Christianization elsewhere in the Roman empire and beyond, Christianizing Egypt reconceives religious change—from the “conversion” of hearts and minds to the selective incorporation and application of strategies for protection, authority, and efficacy, and for imagining the environment.
| Author | : Sean V. Leatherbury |
| Publisher | : Routledge |
| Total Pages | : 424 |
| Release | : 2019-07-26 |
| Genre | : History |
| ISBN | : 1000023338 |
Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.
| Author | : Laura Salah Nasrallah |
| Publisher | : |
| Total Pages | : 354 |
| Release | : 2023-11-30 |
| Genre | : Religion |
| ISBN | : 1009405756 |
Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.
| Author | : Sean A. Adams |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 286 |
| Release | : 2018-04-19 |
| Genre | : Religion |
| ISBN | : 0567665062 |
This is the second of two volumes that investigate the phenomenon of composite citations. The first collection of essays evaluated the use of composite citations in Early Jewish, Graeco-Roman, and Early Christian authors. This volume builds on the findings of the first and provides a fresh investigation of all the composite citations by New Testament authors. The following topics are covered: (1) the question of whether the quoting author created the composite text or found it already constructed as such; (2) the question of the rhetorical and/or literary impact of the quotation in its present textual location, as opposed to simply unpacking how the author appears to be interpreting the source text; and (3) the question of whether the intended audiences would have recognized and 'reverse engineered' the composite citation in question and as a result engaged with the original context of each of the component parts.
| Author | : Edwin M. Yamauchi |
| Publisher | : Hendrickson Publishers |
| Total Pages | : 2591 |
| Release | : 2021-10-05 |
| Genre | : Religion |
| ISBN | : 1683073622 |
The Dictionary of Daily Life in Biblical & Post-Biblical Antiquity is a unique reference work that provides background cultural and technical information on the world of the Hebrew Bible and New Testament from 4000 BC to approximately AD 600. Also available as a 4-volume set (ISBN 9781619708617), this complete one-volume edition covers topics from A-Z. This dictionary casts light on the culture, technology, history, and politics of the periods of the Hebrew Bible and the New Testament. Written and edited by a world-class historian and a highly respected biblical scholar, with contributions by many others, this unique reference work explains details of domestic life, technology, culture, laws, and religious practices, with extensive bibliographic material for further exploration. There are 115 articles ranging from 5-20 pages long. Scholars, pastors, and students (and their teachers) will find this to be a useful resource for biblical study, exegesis, and sermon preparation. “This is not your standard Bible dictionary, but one that focuses on aspects of daily life in Bible times, addressing interesting and sometimes puzzling topics that are often overlooked in other encyclopedias. I highly recommend the Dictionary of Daily Life in Biblical and Post-Biblical Antiquity and will be giving it ‘shout-outs’ in my classes in the years to come.” —James K. Hoffmeier, Professor of Old Testament and Near Eastern Archaeology, Trinity Evangelical Divinity School “This wonderful resource is much more than a dictionary. It is a compendium of substantive essays on numerous facets of daily life in the ancient world. I am frequently asked by pastors and students for recommendations on books that illuminate the manners, customs, and cultural practices of the biblical world. Now I have the ideal set of books to recommend.” —Clinton E. Arnold, Dean and Professor of New Testament, Talbot School of Theology, Biola University
| Author | : Marc Lauxtermann |
| Publisher | : Routledge |
| Total Pages | : 402 |
| Release | : 2020-02-05 |
| Genre | : History |
| ISBN | : 100003223X |
In spite of the striking abundance of extant primary material, Byzantine epigraphy remains uncharted territory. The volume of the Proceedings of the 49th SPBS Spring Symposium aims to promote the field of Byzantine epigraphy as a whole, and topics and subjects covered include: Byzantine attitudes towards the inscribed word, the questions of continuity and transformation, the context and function of epigraphic evidence, the levels of formality and authority, the material aspect of writing, and the verbal, visual and symbolic meaning of inscribed texts. The collection is intended as a valuable scholarly resource presenting and examining a substantial quantity of diverse epigraphic material, and outlining the chronological development of epigraphic habits, and of individual epigraphic genres in Byzantium. The contributors also discuss the methodological questions of collecting, presenting and interpreting the most representative Byzantine inscriptional material, and addressing epigraphic material to make it relevant to a wider scholarly community.
