Screening Politics
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Author | : Purnima Mankekar |
Publisher | : Duke University Press |
Total Pages | : 452 |
Release | : 1999 |
Genre | : Performing Arts |
ISBN | : 9780822323907 |
An ethnography of urban women television viewers in India, and their reception of particular shows, especially in relation to issues of gender and nation.
Author | : Harry Keyishian |
Publisher | : Scarecrow Press |
Total Pages | : 228 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 9780810858824 |
This reference guide provides detailed discussions of over 50 movies about American politics and politicians, from Mr. Smith Goes to Washington (1939) and All the King's Men (1949) to Air Force One (1997) and Thirteen Days (2001).
Author | : Gareth M. Thomas |
Publisher | : Routledge |
Total Pages | : 251 |
Release | : 2017-03-16 |
Genre | : Health & Fitness |
ISBN | : 1317338200 |
Nominated for the Foundation of Sociology of Health and Illness Book Prize 2018 In the UK and beyond, Down’s syndrome screening has become a universal programme in prenatal care. But why does screening persist, particularly in light of research that highlights pregnant women’s ambivalent and problematic experiences with it? Drawing on an ethnography of Down’s syndrome screening in two UK clinics, Thomas explores how and why we are so invested in this practice and what effects this has on those involved. Informed by theoretical approaches that privilege the mundane and micro practices, discourses, materials, and rituals of everyday life, Down’s Syndrome Screening and Reproductive Politics describes the banal world of the clinic and, in particular, the professionals contained within it who are responsible for delivering this programme. In so doing, it illustrates how Down’s syndrome screening is ‘downgraded’ and subsequently stabilised as a ‘routine’ part of a pregnancy. Further, the book captures how this routinisation is deepened by a systematic, but subtle, framing of Down’s syndrome as a negative pregnancy outcome. By unpacking the complex relationships between professionals, parents, technology, policy, and clinical practice, Thomas identifies how and why screening is successfully routinised and how it is embroiled in both new and familiar debates surrounding pregnancy, ethics, choice, diagnosis, care, disability, and parenthood. The book will appeal to academics, students, and professionals interested in medical sociology, medical anthropology, science and technology studies (STS), bioethics, genetics, and/or disability studies.
Author | : Michael Flynn |
Publisher | : Columbia University Press |
Total Pages | : 327 |
Release | : 2012-09-18 |
Genre | : Social Science |
ISBN | : 0231526970 |
Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
Author | : Lisa Funnell |
Publisher | : State University of New York Press |
Total Pages | : 308 |
Release | : 2022-04-01 |
Genre | : Performing Arts |
ISBN | : 1438487614 |
Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.
Author | : Oliver Gruner |
Publisher | : Springer |
Total Pages | : 317 |
Release | : 2016-09-17 |
Genre | : Performing Arts |
ISBN | : 1137496339 |
This book provides a detailed and engaging account of how Hollywood cinema has represented and ‘remembered’ the Sixties. From late 1970s hippie musicals such as Hair and The Rose through to recent civil rights portrayals The Help and Lee Daniels’ The Butler, Oliver Gruner explores the ways in which films have engaged with broad debates on America’s recent past. Drawing on extensive archival research, he traces production history and script development, showing how a group of politically engaged filmmakers sought to offer resonant contributions to public memory. Situating Hollywood within a wider series of debates taking place in the US public sphere, Screening the Sixties offers a rigorous and innovative study of cinema’s engagement with this most contested of epochs.
Author | : Ceron, Andrea |
Publisher | : Edward Elgar Publishing |
Total Pages | : 357 |
Release | : 2022-10-11 |
Genre | : Political Science |
ISBN | : 1800374267 |
The Elgar Encyclopedia of Technology and Politics is a landmark resource that offers a comprehensive overview of the ways in which technological development is reshaping politics. Providing an unparalleled starting point for research, it addresses all the major contemporary aspects of the field, comprising entries written by over 90 scholars from 33 different countries on 5 continents.
Author | : Hiroshi Kitamura |
Publisher | : Cornell University Press |
Total Pages | : 284 |
Release | : 2010 |
Genre | : History |
ISBN | : 9780801445996 |
Shows how the US's expansive attempt at cultural globalization helped transform Japan into one of Hollywood's key markets. He also demonstrates the prominent role American cinema played in the political reeducation and reorientation of the Japanese.
Author | : Hector Amaya |
Publisher | : University of Illinois Press |
Total Pages | : 250 |
Release | : 2010-09-09 |
Genre | : History |
ISBN | : 0252035593 |
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Author | : Bruce E. Altschuler |
Publisher | : Lexington Books |
Total Pages | : 195 |
Release | : 2017-11-22 |
Genre | : Political Science |
ISBN | : 149855749X |
Although films affect and reflect the way Americans look at politics, they have received far less attention than television or newspapers. This is changing, particularly on college campuses, where courses on politics and film are growing in popularity. This book consists of short essays on approximately fifty American political films. It is distinctive in two ways. Firstly, it defines politics broadly enough to include a range of films, not only on obviously political topics such as the presidency, congress, and elections, but also on the media, law and courts, war and peace, and a variety of policy issues. Secondly, it goes beyond plot and dialogue to discuss the language of film, including visual aspects, sound, mise-en-scène, and other ways that films communicate their messages to audiences. Each chapter begins with a brief introduction to the films included. The essays also explain the political context of each film and, when films are based on historical events, discuss the accuracy of their depictions. References to additional sources are included at the end of each essay. This book explores the extent to which films take on the political issues of the day and their influence on public perceptions of politics. Do films support the status quo or do they challenge it?