Screen World Vol 8 1957
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| Author | : John Willis |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 440 |
| Release | : 2005-06-01 |
| Genre | : Performing Arts |
| ISBN | : 9781557836380 |
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 55 provides an illustrated listing of every American and foreign film released in the United States in 2003, all documented with more than 1,000 photographs. The 2004 edition of Screen World features such notable films as Peter Jackson's The Lord of the Rings: The Return of the King , which won all 11 Academy Awards it was nominated for, including Best Picture, tying a record; Clint Eastwood's Mystic River , which won Academy Awards for Best Actor Sean Penn and Best Supporting Actor Tim Robbins; Sofia Coppola's Lost in Translation , Academy Award-winner for Best Original Screenplay; and Peter Weir's Master and Commander: The Far Side of the World . Also featured are Patty Jenkins' Monster , featuring Academy Award-winner for Best Actress Charlize Theron, and independent successes such as Gurinder Chadha's Bend It like Beckham and Tom McCarthy's The Station Agent . As always, Screen World 's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Now featuring 16 pages of color photos!
| Author | : John Willis |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 482 |
| Release | : 2006-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9781557837066 |
Covers American and foreign films released in the United States each year, with listings of credits and profiles of screen personalities and award winners
| Author | : Marietta Chicorel |
| Publisher | : |
| Total Pages | : 464 |
| Release | : 1975 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Nicholas Evan Sarantakes |
| Publisher | : Texas A&M University Press |
| Total Pages | : 300 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780890969694 |
"In reaching his conclusions about U.S. foreign policy. Sarantakes uses recently declassified documents to craft a careful consideration of America's larger strategic purposes. His examination of the American administration of Okinawa and the problems it posed for relations between the two nations focuses on their interaction "on the ground" in the Ryuku Islands. Several factors caused the Americans to falter, while Okinawan and Japanese resistance helped speed along the return of the islands."--BOOK JACKET.
| Author | : María del Mar Azcona |
| Publisher | : Taylor & Francis |
| Total Pages | : 103 |
| Release | : 2023-06-26 |
| Genre | : Social Science |
| ISBN | : 1000932168 |
This book offers a fresh analysis of Before Sunrise that reframes its romance within the contexts of transnational culture and cinema. The book highlights the symbolic value of the film’s construction of transnational youth in the building of a trans-European culture. Engaging with the film’s critical history, this book focuses on its specific view of youth and young love. Before Sunrise: Young Love on the Move examines young love within the cultural context of the 1990s in the US and its links with Generation X and the slacker culture. Within a wider scope, it also looks at the history and theory of romantic comedy and its connections with independent cinema. In considering the film a transnational text, this analysis underlines the parallels between a narrative of young love at the end of the 20th century and the construction of a young, or rejuvenated, Europe. Before Sunrise: Young Love on the Move provides an invaluable insight into this beloved film for students and researchers in film studies, transnational cinema and youth culture.
| Author | : Consortium of University Film Centers |
| Publisher | : |
| Total Pages | : 1680 |
| Release | : 1986 |
| Genre | : Catalogs, Union |
| ISBN | : |
| Author | : Library of Congress. Copyright Office |
| Publisher | : Copyright Office, Library of Congress |
| Total Pages | : 966 |
| Release | : 1959 |
| Genre | : Copyright |
| ISBN | : |
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
| Author | : Noah Tsika |
| Publisher | : Oxford University Press |
| Total Pages | : 369 |
| Release | : 2021 |
| Genre | : Performing Arts |
| ISBN | : 0197577725 |
"American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. Understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement. Today, commercial filmmaking is heavily reliant on public policing-and vice versa. How such a working relationship was forged and sustained across the long twentieth century is the subject of this book"--
| Author | : |
| Publisher | : |
| Total Pages | : 1334 |
| Release | : 1966 |
| Genre | : Antiquarian booksellers |
| ISBN | : |
| Author | : Angela S. Beauchamp |
| Publisher | : McFarland |
| Total Pages | : 280 |
| Release | : 2023-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1476651078 |
Eleanor Roosevelt recognized the power of film and television, especially as educational tools to reach young people. She hosted three political talk shows in the 1950s and early 1960s, often appearing in guest spots to promote the United Nations, Democratic candidates, and progressive issues with Ed Sullivan, Bob Hope, Frank Sinatra, Mike Wallace, and Edward R. Murrow. In the 1930s and '40s, fan magazines such as Photoplay and Modern Screen published her opinions on the movies, and she boldly appeared in an interventionist prologue to the 1940 anti-Nazi film Pastor Hall. During World War II, she contributed to civil defense films and became a staple joke in Hollywood comedies. She also negotiated postwar representations of FDR on the big screen, culminating in 1960's Sunrise at Campobello, which portrayed her as the perfect wife. This book is the first to address Eleanor Roosevelt's moving image record and her relationship to film and television in the three decades from the 1932 presidential campaign to her death in 1962.
