Screen Media Arts
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| Author | : Hart Cohen |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 436 |
| Release | : 2009 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
"Screen Media Arts offers students what they need to understand the complex media environment, to make their own media or to pursue a career in the media industry. The accompanying DVD is designed to interact with the text, and includes audio and video exercises, case studies, interviews, media samples, production forms, 'how-tos', wikis and website links."--BOOK JACKET.
| Author | : Stephen Monteiro |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 489 |
| Release | : 2017-01-12 |
| Genre | : Social Science |
| ISBN | : 1501311697 |
Offers key historical and interpretative texts on the development and role of "the screen" in communications and the social sphere.
| Author | : Jane Stadler |
| Publisher | : Routledge |
| Total Pages | : 359 |
| Release | : 2020-07-24 |
| Genre | : Performing Arts |
| ISBN | : 1000247252 |
Screen Media offers screen enthusiasts the analytical and theoretical vocabulary required to articulate responses to film and television. The authors emphasise the importance of 'thinking on both sides of the screen'. They show how to develop the skills to understand and analyse how and why a screen text was shot, scored, and edited in a particular way, and then to consider what impact those production choices might have on the audience. Stadler and McWilliam set production techniques and approaches to screen analysis in historical context. They demystify technological developments and explain the implications of increasing convergence of film and television technologies. They also discuss aesthetics, narrative, realism, genre, celebrity, cult media and global screen culture. Throughout they highlight the links between screen theory and creative practice. With extensive international examples, Screen Media is an ideal introduction to critical engagement with film and television. 'Screen Media offers a systematic approach to film and television analysis. The examples chosen by the authors are both appropriate and timely, and are presented in a very lively and readable form that will appeal to an international readership.' - Rebecca L. Abbott, Professor of Film, Video + Interactive Media, Quinnipiac University, USA
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 184 |
| Release | : 2021-08-04 |
| Genre | : Art |
| ISBN | : 9004495002 |
In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog) series and the Amsterdam School of Cultural Analysis (ASCA). Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski.
| Author | : Martin Rieser |
| Publisher | : British Film Inst |
| Total Pages | : 335 |
| Release | : 2002-03-29 |
| Genre | : Performing Arts |
| ISBN | : 9780851708645 |
DVD-ROM contains samples of interactive narratives by artists and interactive film-makers from around the world.
| Author | : Lisa Patti |
| Publisher | : Routledge |
| Total Pages | : 392 |
| Release | : 2019-07-30 |
| Genre | : Social Science |
| ISBN | : 1351187058 |
Writing About Screen Media presents strategies for writing about a broad range of media objects – including film, television, social media, advertising, video games, mobile media, music videos, and digital media – in an equally broad range of formats. The book’s case studies showcase media studies’ geographical and industrial breadth, with essays covering topics as varied as: Brazilian telenovelas, K-pop music videos, Bombay cinema credit sequences, global streaming services, film festivals, archives, and more. With the expertise of over forty esteemed media scholars, the collection combines personal reflections about writing with practical advice. Writing About Screen Media reflects the diversity of screen media criticism and encourages both beginning and established writers to experiment with content and form. Through its unprecedented scope, this volume will engage not only those who may be writing about film and other screen media for the first time but also accomplished writers who are interested in exploring new screen media objects, new approaches to writing about media, and new formats for critical expression.
| Author | : Anya Kamenetz |
| Publisher | : Public Affairs |
| Total Pages | : 0 |
| Release | : 2020-07-14 |
| Genre | : Families |
| ISBN | : 9781541750890 |
"Screens have become an essential part of modern childhood. This book will show you how to parent with them instead of against them."--Page 4 of cover
| Author | : Michael Hunter Vaughan |
| Publisher | : Cognella Academic Publishing |
| Total Pages | : |
| Release | : 2014-12-31 |
| Genre | : |
| ISBN | : 9781631895470 |
| Author | : Andrew Burn |
| Publisher | : UCL Institute of Education Press (University College London Institute of Education Press) |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9781782770282 |
At a time when arts education is again marginalized in school curricula, the media arts are most in danger of being lost. This lecture proposes six reasons why schools and policymakers should take the media arts more seriously. It argues for collaboration between the arts, proposing that in today's world a fusion of artistic practices is more common than a separation between them; and challenges the hierarchy of the arts that operates in society and in education. Finally, it identifies the specific role of digital media in the media arts, arguing for both continuity and innovation.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 401 |
| Release | : 2015-10-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9004308237 |
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
