Screaming Divas
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Author | : Suzanne Kamata |
Publisher | : Simon and Schuster |
Total Pages | : 237 |
Release | : 2014-04-18 |
Genre | : Young Adult Fiction |
ISBN | : 1440572801 |
As seen on MTV.com At sixteen, Trudy Baxter is tired of her debutante mom, her deadbeat dad, and her standing reservation at the juvenile detention center. Changing her name to Trudy Sin, she cranks up her major chops as a singer and starts a band, gathering around other girls ill at ease in their own lives. Cassie Haywood, would-have-been beauty queen, was scarred in an accident in which her alcoholic mom was killed. But she can still sing and play her guitar, even though she seeks way too much relief from the pain in her body and her heart through drugs, and way too much relief from loneliness through casual sex. Still, it's Cassie who hears former child prodigy Harumi Yokoyama playing in a punk band at a party, and enlists her, outraging Harumi's overbearing first-generation Japanese parents. The fourth member is Esther Shealy, who joins as a drummer in order to be close to Cassie--the long-time object of her unrequited love--and Harumi, her estranged childhood friend. Together, they are Screaming Divas, and they're quickly swept up as a local sensation. Then, just as they are about to achieve their rock-girl dreams, a tragedy strikes.
Author | : Elizabeth G. Peck |
Publisher | : SUNY Press |
Total Pages | : 312 |
Release | : 1998-01-01 |
Genre | : Social Science |
ISBN | : 9780791435120 |
This examination of feminist collaboration reconceptualizes ideas about creativity, cooperation, and competition in higher education.
Author | : Marjorie Stone |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 392 |
Release | : 2007-07-02 |
Genre | : Biography & Autobiography |
ISBN | : 9780299217648 |
This innovative collection challenges the traditional focus on solitary genius by examining the rich diversity of literary couplings and collaborations from the early modern to the postmodern period. Literary Couplings explores some of the best-known literary partnerships—from the Sidneys to Boswell and Johnson to Sylvia Plath and Ted Hughes—and also includes lesser-known collaborators such as Daphne Marlatt and Betsy Warland. The essays place famous authors such as Samuel Coleridge, Oscar Wilde, and William Butler Yeats in new contexts; reassess overlooked members of writing partnerships; and throw new light on texts that have been marginalized due to their collaborative nature. By integrating historical studies with authorship theory, Literary Couplings goes beyond static notions of the writing "couple" to explore literary couplings created by readers, critics, historians, and publishers as well as by writers themselves, thus expanding our understanding of authorship.
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Publisher | : Rodopi |
Total Pages | : 156 |
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Author | : Bette London |
Publisher | : Cornell University Press |
Total Pages | : 254 |
Release | : 2002-01-01 |
Genre | : Literary Criticism |
ISBN | : 0801474663 |
Although Roland Barthes and Michel Foucault announced the death of the author several decades ago, critics have been slow to abandon the idea of the solitary writer. Bette London maintains that this notion has blinded us to the reality that writing is seldom an individual activity and that it has led us to overlook both the frequency with which women authors have worked together and the significance of their collaborative undertakings as a form of professional activity. In Writing Double, the first full-length treatment of women's literary partnerships, she goes to the heart of issues surrounding authorial identity. What is an author? Which forms of authorship are sanctioned and which forms marginalized? Which of these forms have particularly attracted women? Such questions are central to London's analysis of the challenge that women's literary collaboration presents to accepted notions of authorship. Focusing on British texts from the nineteenth and twentieth centuries, she considers a fascinating variety of works by largely noncanonical, and in some instances highly unconventional, authors—from the enormously popular novels composed by writing teams at the turn of the century, to the Brontë juvenilia and the occult scripts of Georgie Yeats and W. B. Yeats, to automatic writings produced by mediums purporting to be in communication with the spirit world.
Author | : Lesley Wheeler |
Publisher | : Cornell University Press |
Total Pages | : 252 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780801474422 |
This book is a study of voice in poetry, beginning in the 1920s when modernism rose to the surface of poetry and other arts, and when radio expanded suddenly in the United States.
Author | : Linda H. Peterson |
Publisher | : Princeton University Press |
Total Pages | : 316 |
Release | : 2021-06-08 |
Genre | : Literary Criticism |
ISBN | : 1400833256 |
During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? Becoming a Woman of Letters examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession. Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the practices of their male counterparts and wrote for periodicals before producing a best seller; others, like Mary Howitt and Alice Meynell, began in literary partnerships with their husbands and pursued independent careers later in life; and yet others, like Charlotte Brontë, and her successors Charlotte Riddell and Mary Cholmondeley, wrote from obscure parsonages or isolated villages, hoping an acclaimed novel might spark a meteoric rise to fame. Peterson considers these women authors' successes and failures--the critical esteem that led to financial rewards and lasting reputations, as well as the initial successes undermined by publishing trends and pressures. Exploring the burgeoning print culture and the rise of new genres available to Victorian women authors, this book provides a comprehensive account of the flowering of literary professionalism in the nineteenth century.
Author | : |
Publisher | : |
Total Pages | : 144 |
Release | : 1998-06 |
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ISBN | : |
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Author | : Alasdair Pettinger |
Publisher | : Routledge |
Total Pages | : 855 |
Release | : 2019-07-30 |
Genre | : Literary Criticism |
ISBN | : 1317041194 |
Showcasing established and new patterns of research, The Routledge Research Companion to Travel Writing takes an interdisciplinary approach to scholarship and to travel texts themselves. The volume adopts a thematic approach, with each contributor considering a specific aspect of travel writing – a recurrent motif, an organising principle or a literary form. All of the essays include a discussion of representative travel texts, to ensure that the volume as a whole represents a broad historical and geographical range of travel writing. Together, the 25 essays and the editors’ introduction offer a comprehensive and authoritative reflection of the state of travel writing criticism and lay the ground for future developments.
Author | : Ernie Blackmore |
Publisher | : Taylor & Francis |
Total Pages | : 824 |
Release | : 2024-11-27 |
Genre | : Social Science |
ISBN | : 1040045200 |
The Routledge Handbook of Indigenous Film is dedicated to bringing the work of Indigenous filmmakers around the world to a larger audience. By giving voice to transnational and transcultural Indigenous perspectives, this collection makes a significant contribution to the discourse on Indigenous filmmaking and provides an accessible overview of the contemporary state of Indigenous film. Comprising 37 chapters by an international team of contributors, the Handbook is divided into six parts: Decolonial Intermedialities and Revisions of Western Media Colonial Histories, Trauma, Resistances Indigenous Lands, Communities, Bodies Queer Cultures and Border Crossings Youth Cultures and Emancipation Art, Comedy, and Music. Within these sections Indigenous and non-Indigenous experts from around the world examine various aspects of Indigenous film cultures, analyze the works of Indigenous directors and producers worldwide, and focus on readings (contextual, historical, political, aesthetic, and activist) of individual Indigenous films. The Handbook specifically explores Indigenous film in Canada, Mexico, the United States, Central and South America, Northern Europe, Australia, New Zealand, the Pacific, and the Philippines. This richly interdisciplinary volume is an essential resource for students and scholars of Indigenous Studies, Cultural Studies, Area Studies, Film and Media Studies, Feminist and Queer Studies, History, and anyone interested in Indigenous cultures and cinema.