Science is Fiction
Author | : Andy Masaki Bellows |
Publisher | : MIT Press |
Total Pages | : 240 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9780262523189 |
Essays examining the work of maverick scientific documentary filmmaker Jean Painleve.
Download Science Is Fiction full books in PDF, epub, and Kindle. Read online free Science Is Fiction ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Andy Masaki Bellows |
Publisher | : MIT Press |
Total Pages | : 240 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9780262523189 |
Essays examining the work of maverick scientific documentary filmmaker Jean Painleve.
Author | : Edmund J. Farrell |
Publisher | : |
Total Pages | : 412 |
Release | : 1974 |
Genre | : Readers (Secondary) |
ISBN | : 9780673034076 |
Author | : Peter Nicholls |
Publisher | : Crescent |
Total Pages | : 210 |
Release | : 1987 |
Genre | : Science |
ISBN | : 9780517653357 |
Author | : Dan Koboldt |
Publisher | : Penguin |
Total Pages | : 273 |
Release | : 2018-10-16 |
Genre | : Language Arts & Disciplines |
ISBN | : 1440353387 |
Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. This book brings together scientists, physicians, engineers, and other experts to help you: • Understand the basic principles of science, technology, and medicine that are frequently featured in fiction. • Avoid common pitfalls and misconceptions to ensure technical accuracy. • Write realistic and compelling scientific elements that will captivate readers. • Brainstorm and develop new science- and technology-based story ideas. Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, Putting the Science in Fiction will have something to help every writer craft better fiction. Putting the Science in Fiction collects articles from "Science in Sci-fi, Fact in Fantasy," Dan Koboldt's popular blog series for authors and fans of speculative fiction (dankoboldt.com/science-in-scifi). Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.
Author | : Gary Westfahl |
Publisher | : McFarland |
Total Pages | : 271 |
Release | : 2014-01-10 |
Genre | : Literary Criticism |
ISBN | : 0786484764 |
Science fiction has always challenged readers with depictions of the future. Can the genre actually provide glimpses of the world of tomorrow? This collection of fifteen international and interdisciplinary essays examines the genre's predictions and breaks new ground by considering the prophetic functions of science fiction films as well as SF literature. Among the texts and topics examined are classic stories by Murray Leinster, C. L. Moore, and Cordwainer Smith; 2001: A Space Odyssey and its sequels, Japanese anime and Hong Kong cinema; and electronic fiction.
Author | : Matthew Brenden Wood |
Publisher | : Nomad Press |
Total Pages | : 254 |
Release | : 2017-02-20 |
Genre | : Juvenile Nonfiction |
ISBN | : 1619304686 |
Early science fiction imagined a world with space travel, video calls, and worldwide access to information, things we now know as NASA’s human spaceflight program, Skype, and the Internet. What next? Could we really bring back the dinosaurs, travel to a distant star, or live on Mars? In The Science of Science Fiction, readers ages 12 to 15 explore the science behind classic and modern science fiction stories, including artificial intelligence, androids, and the search for alien life. They learn how cutting edge concepts, including time dilation and genetic manipulation, influence today’s fiction. The Science of Science Fiction promotes critical thinking skills through inquiry, discovery, research, analysis, and reflection of key scientific ideas and concepts made popular by many titles in science fiction. Each chapter features informative sidebars and video and website links for an in-depth look at key topics. Science-minded experiments include a simple demonstration of artificial gravity using a bucket of water and calculating the speed of light using chocolate in a microwave. This variety of resources ensures the material is accessible to students with diverse learning styles.
Author | : Sherryl Vint |
Publisher | : MIT Press |
Total Pages | : 226 |
Release | : 2021-02-16 |
Genre | : Literary Criticism |
ISBN | : 0262361965 |
How science fiction has been a tool for understanding and living through rapid technological change. The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. It focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.
Author | : George Mann |
Publisher | : |
Total Pages | : 414 |
Release | : 2009 |
Genre | : Fiction |
ISBN | : |
A collection of short fiction and novellas showcases the work of such popular science fiction writers as Alastair Reynolds, Stephen Baxter, and John Meaney.
Author | : J P. Telotte |
Publisher | : University of Illinois Press |
Total Pages | : 235 |
Release | : 2008-06-18 |
Genre | : Performing Arts |
ISBN | : 0252033272 |
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.
Author | : Andrew May |
Publisher | : Springer |
Total Pages | : 188 |
Release | : 2016-09-13 |
Genre | : Science |
ISBN | : 3319426052 |
Aliens, flying saucers, ESP, the Bermuda Triangle, antigravity ... are we talking about science fiction or pseudoscience? Sometimes it is difficult to tell the difference. Both pseudoscience and science fiction (SF) are creative endeavours that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. Yet like SF, and unlike real science, pseudoscience is driven by a desire to please an audience – in this case, people who “want to believe”. This has led to significant cross-fertilization between the two disciplines. SF authors often draw on “real” pseudoscientific theories to add verisimilitude to their stories, while on other occasions pseudoscience takes its cue from SF – the symbiotic relationship between ufology and Hollywood being a prime example of this. This engagingly written, well researched and richly illustrated text explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF. Andrew May has a degree in Natural Sciences from Cambridge University and a PhD in astrophysics from Manchester University. After many years in academia and the private sector, he now works as a freelance writer and scientific consultant. He has written pocket biographies of Newton and Einstein, as well as contributing to a number of popular science books. He has a lifelong interest in science fiction, and has had several articles published in Fortean Times magazine