Science In The Renaissance
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Author | : Marie Boas Hall |
Publisher | : Courier Corporation |
Total Pages | : 408 |
Release | : 2013-04-02 |
Genre | : Science |
ISBN | : 0486144992 |
A noted historian of science examines the Coperican revolution, the anatomical work of Vesalius, the work of Paracelsus, Harvey's discovery of the circulatory system, the effects of Galileo's telescopic discoveries, more.
Author | : Susan B. Puett |
Publisher | : Penn State Press |
Total Pages | : 274 |
Release | : 2016-08-25 |
Genre | : Art |
ISBN | : 0271091320 |
The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.
Author | : Lisa Mullins |
Publisher | : Crabtree Publishing Company |
Total Pages | : 36 |
Release | : 2009 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780778745945 |
Discusses scientific advances during the Renaissance, ranging from the printing press to the discovery of gravity.
Author | : Brian W. Ogilvie |
Publisher | : University of Chicago Press |
Total Pages | : 402 |
Release | : 2008-09-15 |
Genre | : Science |
ISBN | : 0226620867 |
Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.
Author | : George Saliba |
Publisher | : MIT Press |
Total Pages | : 329 |
Release | : 2011-01-21 |
Genre | : Science |
ISBN | : 0262516152 |
The rise and fall of the Islamic scientific tradition, and the relationship of Islamic science to European science during the Renaissance. The Islamic scientific tradition has been described many times in accounts of Islamic civilization and general histories of science, with most authors tracing its beginnings to the appropriation of ideas from other ancient civilizations—the Greeks in particular. In this thought-provoking and original book, George Saliba argues that, contrary to the generally accepted view, the foundations of Islamic scientific thought were laid well before Greek sources were formally translated into Arabic in the ninth century. Drawing on an account by the tenth-century intellectual historian Ibn al-Naidm that is ignored by most modern scholars, Saliba suggests that early translations from mainly Persian and Greek sources outlining elementary scientific ideas for the use of government departments were the impetus for the development of the Islamic scientific tradition. He argues further that there was an organic relationship between the Islamic scientific thought that developed in the later centuries and the science that came into being in Europe during the Renaissance. Saliba outlines the conventional accounts of Islamic science, then discusses their shortcomings and proposes an alternate narrative. Using astronomy as a template for tracing the progress of science in Islamic civilization, Saliba demonstrates the originality of Islamic scientific thought. He details the innovations (including new mathematical tools) made by the Islamic astronomers from the thirteenth to sixteenth centuries, and offers evidence that Copernicus could have known of and drawn on their work. Rather than viewing the rise and fall of Islamic science from the often-narrated perspectives of politics and religion, Saliba focuses on the scientific production itself and the complex social, economic, and intellectual conditions that made it possible.
Author | : Hilary Gatti |
Publisher | : Cornell University Press |
Total Pages | : 276 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780801487859 |
The Renaissance philosopher Giordano Bruno was a notable supporter of the new science that arose during his lifetime; his role in its development has been debated ever since the early seventeenth century. Hilary Gatti here reevaluates Bruno's contribution to the scientific revolution, in the process challenging the view that now dominates Bruno criticism among English-language scholars. This argument, associated with the work of Frances Yates, holds that early modern science was impregnated with and shaped by Hermetic and occult traditions, and has led scholars to view Bruno primarily as a magus. Gatti reinstates Bruno as a scientific thinker and occasional investigator of considerable significance and power whose work participates in the excitement aroused by the new science and its methods at the end of the sixteenth century. Her original research emphasizes the importance of Bruno's links to the magnetic philosophers, from Ficino to Gilbert; Bruno's reading and extension of Copernicus's work on the motions of the earth; the importance of Bruno's mathematics; and his work on the art of memory seen as a picture logic, which she examines in the light of the crises of visualization in present-day science. She concludes by emphasizing Bruno's ethics of scientific discovery.
Author | : Allen G. Debus |
Publisher | : Cambridge University Press |
Total Pages | : 180 |
Release | : 1978-10-31 |
Genre | : History |
ISBN | : 9780521293280 |
An introduction to science and medicine during the earlier phrases of the scientific revolution.
Author | : Domenico Laurenza |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 52 |
Release | : 2012 |
Genre | : Anatomy, Artistic |
ISBN | : 1588394565 |
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author | : Britannica Educational Publishing |
Publisher | : Britannica Educational Publishing |
Total Pages | : 185 |
Release | : 2012-12-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 1615308849 |
The ingenuity evidenced during the Renaissance was not just limited to the fine arts. A number of scientists and inventors also made astonishing breakthroughs in astronomy, medicine, physics, and more. Readers examine the scientific revolution, profiling Isaac Newton, Nicolaus Copernicus, Galileo, and many other great thinkers who transformed the scientific and mechanical worlds.
Author | : W.G.L. Randles |
Publisher | : Routledge |
Total Pages | : 370 |
Release | : 2022-01-27 |
Genre | : History |
ISBN | : 1000553175 |
The transformation of the medieval European image of the world in the period following the Great Discoveries of the 15th and 16th centuries is the subject of this volume. The first studies deal specifically with the emergence of the concept of the terraqueous globe. In the following pieces Dr Randles looks at the advances in Portuguese navigation and cartography that helped sailors overcome the obstacles to the circumnavigation of Africa and the crossing of the Atlantic, and at the impact of the Discoveries on European culture and science. Other articles are concerned with Portuguese naval artillery, and with attempts to classify the indigenous societies of the newly-discovered lands and to map the interior of Africa.