Science Fiction Of The British Empire
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| Author | : George Tomkyns Chesney |
| Publisher | : |
| Total Pages | : 774 |
| Release | : 2020-09-09 |
| Genre | : |
| ISBN | : |
The British Empire was largely accidental. During the 17th and 18th centuries, a small island nation accrued a patchwork scattering of commercial monopolies, isolated ports, utopian experiments, and surrendered colonies. By the time of Queen Victoria's Diamond Jubilee in 1897, the British Empire was the largest the world had ever seen. The shape of the Empire was amorphous, its machinery unwieldy, its values contradictory, and its legacy ambivalent. Science fiction developed along with it, to celebrate and critique the imperial project. This volume features rarely reprinted stories from across the United Kingdom, India, Bangladesh, Australia, New Zealand, and Canada, including the "Poet of the Empire" Rudyard Kipling, Indian nationalist Shoshee Chunder Dutt, New Zealand Prime Minister Sir Julius Vogel, Catholic theologian G.K. Chesterton, Muslim feminist Begum Rokeya Sakhawat Hussain, Canadian satirist Stephen Leacock, military alarmist George Tomkyns Chesney, and "Jeeves and Wooster" creator P.G. Wodehouse.
| Author | : John Rieder |
| Publisher | : Wesleyan University Press |
| Total Pages | : 201 |
| Release | : 2013-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0819573809 |
This groundbreaking study explores science fiction's complex relationship with colonialism and imperialism. In the first full-length study of the subject, John Rieder argues that the history and ideology of colonialism are crucial components of science fiction's displaced references to history and its engagement in ideological production. With original scholarship and theoretical sophistication, he offers new and innovative readings of both acknowledged classics and rediscovered gems. Rider proposes that the basic texture of much science fiction—in particular its vacillation between fantasies of discovery and visions of disaster—is established by the profound ambivalence that pervades colonial accounts of the exotic “other.” Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells.
| Author | : Sarah Irving |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2015-09-30 |
| Genre | : History |
| ISBN | : 1317315227 |
Represents a history of the British Empire that takes account of the sense of empire as intellectual as well as geographic dominion: the historiography of the British Empire, with its preoccupation of empire as geographically unchallenged sovereignty, overlooks the idea of empire as intellectual dominion.
| Author | : Patricia Kerslake |
| Publisher | : Liverpool University Press |
| Total Pages | : 226 |
| Release | : 2007-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1846310245 |
From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies
| Author | : Christopher G. Nuttall |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 2016-03-06 |
| Genre | : |
| ISBN | : 9781909636132 |
Dive into the hottest new movement in British science fiction with this anthology featuring some of its biggest stars. This bundle contains four science fiction novels from bestselling British authors, three exclusive short stories, one of which is lavishly illustrated by award-winning artist Andy Bigwood, and two essays. Find out more at www.empireatwar.co.uk THE NOVELS- Their Darkest Hour by Christopher G. Nuttall. Aliens take control of Britain's cities and force the remainder of the British military to go on the run. With the government destroyed, the population must choose between fighting and collaborating with the alien overlords. Discovery of the Saiph by P.P. Corcoran. The Marco Polo leads mankind to Proxima Centauri outside Earth's Solar System where the ship's scientists detect power readings they are artificial, alien and emanate from Planet III... a wasteland that suffered a devastating nuclear bombardment many thousands of years before. Archaeologists discover an alien library deep underground and are astonished to unlock its secrets with human DNA. C.R.O.W. by Phillip Richards. Andy Moralee knew that life with his new company of Dropship Infantry would be hard, but nothing could prepare him for life in one of the toughest units in the Union army. New arrivals, nicknamed 'Crow' by their platoons, are the lowest form of life in his Company, and he finds himself at the mercy of unforgiving commanders and bullies, all the time knowing that the real enemy are waiting for him at the end of his journey through the void. The enemy know that the Union are coming, they have dug in and fortified, and they are ready Marine Cadet by Tim C. Taylor. 2565 A.D. When seventeen-year old Marine Cadet, Arun McEwan, forges an unlikely friendship with an alien scribe, he crashes into a world of treachery and conspiracy. How can he possibly survive three more years until graduation when every day brings a new deadly threat? But survive he must because his new alien allies show him glimpses of his destiny -- a vision of a better future that only he can forge. A dream called the Human Legion THE EXCLUSIVE SHORT STORIES- Haven One-Eight by P.P. Corcoran. A relentless foe seeks to murder the Faithful in their haven, but who are these unstoppable servants of Satan? The answer will shock you. The President's Son by Tim C. Taylor. The characters in the Human Legion series have been isolated from the rest of humanity for centuries, but their distant ancestors were taken as children from Earth. In The President's Son, a short story exclusive to this collection, we hear the story of that first group of slave children. Fallen Witness - artwork by Andy Bigwood and words by Tim C. Taylor. The third short story in the collection is special. The sumptuous cover artwork for The Empire at War was produced by Andy Bigwood, whose cover art has twice before won the best artwork award from the British Science Fiction Association. Andy has supplied seven fantastic pieces of artwork that are interspersed with the other stories. Box Set Exclusive Preview- Phillip Richards presents an intriguing peak at his new SF series with the opening chapters of Escape from the Hive. AND FINALLY, WORDS FROM TIM C. TAYLOR- SitRep: The State of British Military SF Roll Call: British Military SF authors.
| Author | : Bruce J. Hunt |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2022-12-15 |
| Genre | : Science |
| ISBN | : 9781108828543 |
In the second half of the nineteenth century, British firms and engineers built, laid, and ran a vast global network of submarine telegraph cables. For the first time, cities around the world were put into almost instantaneous contact, with profound effects on commerce, international affairs, and the dissemination of news. Science, too, was strongly affected, as cable telegraphy exposed electrical researchers to important new phenomena while also providing a new and vastly larger market for their expertise. By examining the deep ties that linked the cable industry to work in electrical physics in the nineteenth century - culminating in James Clerk Maxwell's formulation of his theory of the electromagnetic field - Bruce J. Hunt sheds new light both on the history of the Victorian British Empire and on the relationship between science and technology.
| Author | : Lawrence James |
| Publisher | : Little Brown GBR |
| Total Pages | : 352 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 9780316851473 |
Great Britain's geopolitical role in the global scheme of things has undergone many radical changes over the last four centuries. Once a maritime superpower and ruler of half the world, Britain's current position as an isolated, economically fragile island squabbling with her European neighbours often seems difficult to accept, if not comprehend. Spanning four centuries and six continents, Lawrence James' THE RISE AND FALL OF THE BRITISH EMPIRE examines the imperial experience and its legacy with tremendous verve and perception. In this new edition his original work has been abridged and illustrated with meticulously researched photographs, paintings and ephemera to create a comprehensive and visually stunning and accessible summary of the era.
| Author | : Matthew Jones |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 241 |
| Release | : 2017-11-30 |
| Genre | : Performing Arts |
| ISBN | : 1501322540 |
For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.
| Author | : Arleen Schäfer |
| Publisher | : GRIN Verlag |
| Total Pages | : 19 |
| Release | : 2021-04-28 |
| Genre | : Literary Collections |
| ISBN | : 3346396266 |
Seminar paper from the year 2020 in the subject Literature - Modern Literature, grade: 1,7, University of Bremen, course: Transnationale Literaturwissenschaft, language: English, abstract: Postmodern SiFi series like "The 100" or "Snowpiercer" also employ methods of colonialism and imperialism reminiscent of classic novels like "The Time Machine". Class societies and discrimination seem to be firmly linked to the genre. This thesis compares "The 100" series to "The Time Machine", focusing on the aspects of the narrative that are shaped by colonialism and imperialism. Auch in postmodernen SiFi Serien wie "The 100" oder "Snowpiercer" werden Methoden des Kolonialismus und Imperialismus angewendet, die an Klassiker wie "The Time Machine" erinnern. Klassengesellschaften und Diskriminierung scheinen fest mit dem Genre verbunden zu sein. Diese Arbeit vergleicht die Serie "The 100" mit "The Time Machine" und fokussiert sich dabei auf die Aspekte der Narration, die von Kolonialismus und Imperialismus geprägt sind.
| Author | : Mary Ellis Gibson |
| Publisher | : Anthem Press |
| Total Pages | : 186 |
| Release | : 2019-03-30 |
| Genre | : Literary Collections |
| ISBN | : 1783088648 |
"Science Fiction in Colonial India, 1835–1905" shows, for the first time, how science fiction writing developed in India years before the writings of Jules Verne and H. G. Wells. The five stories presented in this collection, in their cultural and political contexts, help form a new picture of English language writing in India and a new understanding of the connections among science fiction, modernity and empire. [NP] Speculative fiction developed early in India in part because the intrinsic dysfunction and violence of colonialism encouraged writers there to project alternative futures, whether utopian or dystopic. The stories in "Science Fiction in Colonial India, 1835–1905," created by Indian and British writers, responded to the intellectual ferment and political instabilities of colonial India. They add an important dimension to our understanding of Victorian empire, science fiction and speculative fictional narratives. They provide new examples of the imperial and the anti-imperial imaginations at work.
