Science And Spectacle
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Author | : Bernadette Bensaude-Vincent |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 188 |
Release | : 2008 |
Genre | : Science |
ISBN | : 9780754663706 |
The essays in this volume consider the interplay of science and spectacle in eighteenth-century Europe, describing the variety of public demonstrations of science in sites ranging from academies and laboratories to shops and streets.
Author | : Bernadette Bensaude-Vincent |
Publisher | : Routledge |
Total Pages | : 188 |
Release | : 2016-12-05 |
Genre | : History |
ISBN | : 1351901877 |
Air-pumps, electrical machines, colliding ivory balls, coloured sparks, mechanical planetariums, magic mirrors, hot-air balloons - these are just a sample of the devices displayed in public demonstrations of science in the eighteenth century. Public and private demonstrations of natural philosophy in Europe then differed vastly from today's unadorned and anonymous laboratory experiments. Science was cultivated for a variety of purposes in many different places; scientific instruments were built and used for investigative and didactic experiments as well as for entertainment and popular shows. Between the culture of curiosities which characterized the seventeenth century and the distinction between academic and popular science that gradually emerged in the nineteenth, the eighteenth century was a period when scientific activities took place in a variety of sites, ranging from academies, and learned societies to salons and popular fairs, shops and streets. This collection of case studies describing public demonstrations in Britain, Germany, Italy and France exemplifies the wide variety of settings for scientific activities in the European Enlightenment. Filled with sparks and smells, the essays raise broader issues about the ways in which modern science established its legitimacy and social acceptability. They point to two major features of the cultures of science in the eighteenth-century: entertainment and utility. Experimental demonstrations were attended by apothecaries and craftsmen for vocational purposes. At the same time, they had to fit in with the taste of both polite society and market culture. Public demonstrations were a favourite entertainment for ladies and gentlemen and a profitable activity for instrument makers and booksellers.
Author | : John Agar |
Publisher | : Routledge |
Total Pages | : 283 |
Release | : 2014-02-04 |
Genre | : History |
ISBN | : 1317743032 |
Science and Spectacle relates the construction of the telescope to the politics and culture of post-war Britain. From radar and atomic weapons, to the Festival of Britain and, later, Harold Wilson's rhetoric of scientific revolution, science formed a cultural resource from which post-war careers and a national identity could be built. The Jodrell Bank Radio Telescope was once a symbol of British science and a much needed prestigious project for the Department of Scientific and Industrial Research, but it also raised questions regarding the proper role of universities as sites for scientific research.
Author | : John Agar |
Publisher | : Routledge |
Total Pages | : 292 |
Release | : 2014-02-04 |
Genre | : History |
ISBN | : 1317743024 |
Science and Spectacle relates the construction of the telescope to the politics and culture of post-war Britain. From radar and atomic weapons, to the Festival of Britain and, later, Harold Wilson's rhetoric of scientific revolution, science formed a cultural resource from which post-war careers and a national identity could be built. The Jodrell Bank Radio Telescope was once a symbol of British science and a much needed prestigious project for the Department of Scientific and Industrial Research, but it also raised questions regarding the proper role of universities as sites for scientific research.
Author | : Lilia Moritz Schwarcz |
Publisher | : Hill and Wang |
Total Pages | : 369 |
Release | : 1999-09-08 |
Genre | : Social Science |
ISBN | : 0809087898 |
Schwarcz illustrates how the work of these "men of science" was crucial to Brazil's modernization and to the development of its sense of national destiny."--BOOK JACKET.
Author | : Guy Debord |
Publisher | : Bread and Circuses Publishing |
Total Pages | : 164 |
Release | : 2012-10-01 |
Genre | : Political Science |
ISBN | : 1617508306 |
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author | : Al Coppola |
Publisher | : Oxford University Press |
Total Pages | : 281 |
Release | : 2016 |
Genre | : History |
ISBN | : 0190269715 |
The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science. It analyzes eighteenth-century theatrical representations of science in order to demonstrate how experimental natural philosophy was itself a kind of performing art that was shaped by a wider culture of spectacle in the Enlightenment.
Author | : Pascal Blanchard |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : History |
ISBN | : 9781846311239 |
"Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this volume underlines the ways in which these exhibitions affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo." "Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. This is a unique book on a crucial phenomenon, which takes us to the heart of Western fantasies and allows us to understand the genesis of identity in Japan, Europe and North America."--BOOK JACKET.
Author | : Carin Berkowitz |
Publisher | : University of Pittsburgh Press |
Total Pages | : 349 |
Release | : 2017-07-19 |
Genre | : Science |
ISBN | : 0822982757 |
The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums. The science museum as we know it—an institution of expert knowledge built to inform a lay public—was still very much in formation during this dynamic period. Science Museums in Transition provides a nuanced, comparative study of the diverse places and spaces in which science was displayed at a time when science and spectacle were still deeply intertwined; when leading naturalists, curators, and popular showmen were debating both how to display their knowledge and how and whether they should profit from scientific work; and when ideals of nationalism, class politics, and democracy were permeating the museum's walls. Contributors examine a constellation of people, spaces, display practices, experiences, and politics that worked not only to define the museum, but to shape public science and scientific knowledge. Taken together, the chapters in this volume span the Atlantic, exploring private and public museums, short and long-term exhibitions, and museums built for entertainment, education, and research, and in turn raise a host of important questions, about expertise, and about who speaks for nature and for history.
Author | : Lauren Goodwin Slaughter |
Publisher | : University Press of Florida |
Total Pages | : 99 |
Release | : 2022-05-03 |
Genre | : Poetry |
ISBN | : 0991640470 |
In Spectacle, Lauren Goodwin Slaughter's second full-length collection, the poet deepens her commitment to the enduring and eternal subjects of womanhood, motherhood, and family, and deftly considers how those devotions intersect in ways joyful, mysterious, and cruel within personal and political landscapes. Slaughter’s poems seek out and explore authentic, raw humanity, at times employing the gaze of Dutch photographer and artist, Rineke Dijkstra—several of whose photographic portraits are included in the collection alongside ekphrastic poems—as a lens to view what Dijkstra calls the "uninhibited moment.” When artistic eye meets the fierceness of subject, the result is poetry deeply rooted in its lyricism and empathy, grounded in its depth of emotion, and unflinching in its alertness to the poet's beloveds and world.