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| Author | : Franz Schubert |
| Publisher | : |
| Total Pages | : 30 |
| Release | : 2021-03-16 |
| Genre | : |
| ISBN | : |
This edition contains Two Impromptus opus 90 by Franz Schubert -- no. 2 in E flat major and no. 4 in A flat major.For advanced students, amateur players and professional pianists.
| Author | : Franz Schubert |
| Publisher | : Omnibus Press |
| Total Pages | : 100 |
| Release | : 1997 |
| Genre | : Piano music |
| ISBN | : 9780949789242 |
| Author | : Franz Schubert |
| Publisher | : Legare Street Press |
| Total Pages | : 0 |
| Release | : 2023-07-18 |
| Genre | : |
| ISBN | : 9781019481219 |
Schubert's Four Impromptus for Piano, Op. 142 are among his most beloved and popular works, showcasing the composer's extraordinary lyrical gifts and technical virtuosity. With their romantic melodies and delicate phrasing, these pieces are a testament to Schubert's genius and continue to captivate audiences today. This book is an ideal resource for pianists looking to study and perform these masterpieces of the piano repertoire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Franz Schubert |
| Publisher | : Read Books Ltd |
| Total Pages | : 18 |
| Release | : 2020-09-17 |
| Genre | : Music |
| ISBN | : 1528765095 |
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
| Author | : Lorraine Byrne Bodley |
| Publisher | : Cambridge University Press |
| Total Pages | : 489 |
| Release | : 2016-04-07 |
| Genre | : Music |
| ISBN | : 1316453758 |
Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.
| Author | : Suzannah Clark |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2011-09-15 |
| Genre | : Music |
| ISBN | : 1139500597 |
When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
| Author | : Charles Fisk |
| Publisher | : Univ of California Press |
| Total Pages | : 324 |
| Release | : 2001-03-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520225643 |
"Fisk's portrayal of Schubert is based on evidence from the composer's hand, both verbal (song texts and his written words) and musical (vocal and instrumental). Noting extraordinary aspects of tonality, structure, and gestural content, Fisk argues that through his music Schubert sought to alleviate his apparent sense of exile and his anticipation of early death. Fisk supports this view through close analysis of the cyclic connections within and between the works he explores, finding in them complex musical narratives that attempt to come to terms with mortality, alienation, hope, and desire."--BOOK JACKET.
| Author | : Franz Schubert |
| Publisher | : Alfred Music |
| Total Pages | : 44 |
| Release | : 2005-05-03 |
| Genre | : Music |
| ISBN | : 9781457441684 |
This concise edition contains four expressive and lively impromptus that will challenge advanced pianists. To clarify the composer's original notations on tempo, dynamics, fingering, pedaling and ornamentation, Dr. Baylor has included notes on performing each piece and provided footnotes for difficult passages. These editorial suggestions make preparing for a performance both enjoyable and educational.
| Author | : John Daverio |
| Publisher | : Oxford University Press |
| Total Pages | : 323 |
| Release | : 2002-10-03 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0195132963 |
Each discussion contributes to a portrait of these three composers as musical storytellers, each in his own way simulating the structure of lived experience in works of art."--BOOK JACKET.
| Author | : Geoffrey Holden Block |
| Publisher | : Monographs in Musicology |
| Total Pages | : 413 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 9781576472767 |
The composer Franz Schubert (1797-1828) was not bereft of early advocates, from Schumann, Liszt, and Mahler to Sir George Grove. Brahms famously heralded Schubert as "the true successor to Beethoven." Nevertheless, it was not until the end of the twentieth century that Schubert's major instrumental works finally and fully emerged from Beethoven's shadow. Critics and scholars began to reinterpret Schubert's departures from Beethoven's formal and stylistic characteristics, and to see these departures not as flaws but as strengths and hallmarks of a new paradigm. Schubert's alternate constructions of "masculine subjectivities," first described by Schumann in 1838, parallel a developing appreciation for lyricism, melody, and song-traits historically regarded as feminine. Consequently, Schubert's approach is increasingly viewed as innovative and divergent rather than defective and deviant. Schubert's Reputation from His Time to Ours tells the story of how and why this has happened.
