Schubert

Schubert
Author: John Bell Young
Publisher: Hal Leonard Corporation
Total Pages: 180
Release: 2009
Genre: Performing Arts
ISBN: 9781574671773

A survey of Schubert's instrumental music. It asks questions such as: Did the prolific composer of the "C major String Quintet" and more than a thousand other masterpieces manage to achieve so much in a career that spanned less than two decades?

Ensemble!

Ensemble!
Author: Abram Loft
Publisher:
Total Pages: 368
Release: 1992
Genre: Music
ISBN:

As performer, coach, teacher, scholar, and author, Abram Loft has devoted himself to chamber music for almost half a century. In this useful and diverting book, he draws on his vast experience to guide the reader through thirty compositions, from piano trio to string sextet, from Haydn to Britten. The treatment by this master teacher is both detailed and serious, but far from solemn. Bowings, fingerings, tone color, dynamics, tempo, balance, rubato, phrasing, repeats--these are among the many facets of rehearsal and performance that Loft touches on in his discussions. He relates every element to the movement at hand, and to the musical logic of the composition as a whole. He lets us know when to heat up the melody, and when to exit laughing. He draws us into the composer's perspective and attunes us to the significant musical events as they unfold. His enjoyment and respect for the work are evident. And always there is the good-humored understanding that his own approach--highly informed though it is--is but one among a number of possible concepts. His aim is to encourage each ensemble to arrive at its own thoughtful interpretation of the composition under study. Ensemble! speaks to the professionally oriented group, the serious student ensemble, and the amateur enthusiast of chamber music. This book can supplement the advice and observation of the live instructor and also serve as a surrogate coach and tutor. Ensemble! guides the reader through the challenges and around the pitfalls of a most demanding pursuit: the playing of fine chamber music. Convincing and confident performance is the attainable goal.

Nineteenth-Century Chamber Music

Nineteenth-Century Chamber Music
Author: Stephen Hefling
Publisher: Routledge
Total Pages: 454
Release: 2004-03-01
Genre: Music
ISBN: 1135887616

Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.

Chamber Music of Haydn and Schubert

Chamber Music of Haydn and Schubert
Author: Franz Joseph Haydn
Publisher: Alfred Music
Total Pages: 340
Release:
Genre: Music
ISBN: 9781457471186

A collection of chamber ensembles, composed by Franz Joseph Haydn and Franz Schubert.

Schubert's Beethoven Project

Schubert's Beethoven Project
Author: John M. Gingerich
Publisher: Cambridge University Press
Total Pages: 446
Release: 2014-05-22
Genre: Music
ISBN: 1139952080

Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.

Franz Schubert and His World

Franz Schubert and His World
Author: Christopher H. Gibbs
Publisher: Princeton University Press
Total Pages: 385
Release: 2014-08-17
Genre: Biography & Autobiography
ISBN: 0691163804

The life, times, and music of Franz Schubert During his short lifetime, Franz Schubert (1797–1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music. Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert’s music and the popular theater of the day, his strategies for circumventing censorship, the musical and narrative relationships linking his song settings of poems by Gotthard Ludwig Kosegarten, and musical tributes he composed to commemorate the death of Beethoven just twenty months before his own. The book also includes translations of excerpts from a literary journal produced by Schubert’s classmates and of Franz Liszt’s essay on the opera Alfonso und Estrella. In addition to the editors, the contributors are Leon Botstein, Lisa Feurzeig, John Gingerich, Kristina Muxfeldt, and Rita Steblin.

Drama in the Music of Franz Schubert

Drama in the Music of Franz Schubert
Author: Joe Davies
Publisher:
Total Pages: 0
Release: 2019
Genre: Music
ISBN: 9781783273652

This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama. It is commonly assumed that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies, and chamber music, lacked comparable talent for drama. Challenging this view, Drama in the Music of Franz Schubert provides a timely re-evaluation of Schubert's operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered 'dramatic' within the composer's music and offers new perspectives for its analysis and interpretation. Drama in the Music of Franz Schubert will be of interest to musicologists, music theorists, composers, and performers, as well as scholars working in cultural studies, theatre, and aesthetics. JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University. Contributors: Brian Black, Lorraine Byrne Bodley, Joe Davies, Xavier Hascher, Marjorie Hirsch, Anne Hyland, Christine Martin, Clive McClelland, James William Sobaskie, Lauri Suurpää, Laura Tunbridge, Susan Wollenberg, Susan Youens