Schlock Quarterly: Volume 3, Issue 2
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 148 |
Release | : |
Genre | : |
ISBN | : 0244343098 |
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Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 148 |
Release | : |
Genre | : |
ISBN | : 0244343098 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 62 |
Release | : |
Genre | : |
ISBN | : 0244324182 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 70 |
Release | : 2019-04-25 |
Genre | : Fiction |
ISBN | : 0244479925 |
This spring, Schlock! Webzine (schlock.co.uk) celebrates eight years of online horror. Schlock Quarterly is a youngster comparatively, and will turn six this autumn. But it's still providing a compilation of the best stories to feature recently in the webzine!
Author | : Gavin Chappell |
Publisher | : Lulu.com |
Total Pages | : 186 |
Release | : |
Genre | : |
ISBN | : 0244515514 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 69 |
Release | : 2019-01-17 |
Genre | : Fiction |
ISBN | : 0244451206 |
In this winter edition of Schlock Quarterly we have a collection of the best stories to feature online in Schlock! Webzine. Beginning on Mars, where Gregory KH Bryant's long-running sword and planet saga reaches dramatic new heights with battle on the ochre plains.
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 82 |
Release | : |
Genre | : |
ISBN | : 0244828970 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 75 |
Release | : |
Genre | : |
ISBN | : 1326937251 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 74 |
Release | : |
Genre | : |
ISBN | : 1326819100 |
Author | : Rogue Planet Press |
Publisher | : Lulu.com |
Total Pages | : 55 |
Release | : |
Genre | : |
ISBN | : 1326990799 |
Author | : Rick Altman |
Publisher | : Bloomsbury Publishing |
Total Pages | : 256 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838715800 |
Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.