Folklore and traditional history

Folklore and traditional history
Author: Richard M. Dorson
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 120
Release: 2018-11-05
Genre: Language Arts & Disciplines
ISBN: 311155953X

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Scenes and Legends of the North of Scotland, Or the Traditional History of Cromarty

Scenes and Legends of the North of Scotland, Or the Traditional History of Cromarty
Author: Hugh Miller
Publisher: Legare Street Press
Total Pages: 0
Release: 2023-07-18
Genre:
ISBN: 9781021332356

Written in the mid-19th century by Hugh Miller, a self-taught Scottish geologist and writer, this book offers a fascinating glimpse into the history, folklore, and culture of the Highlands of Scotland. Miller describes the landscape, the people, and the traditions of the region in vivid detail. He also explores the geological history of the area and the impact of the Industrial Revolution on its economy and society. This book is an excellent resource for anyone interested in Scottish history and culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

British Short Fiction in the Early Nineteenth Century

British Short Fiction in the Early Nineteenth Century
Author: Tim Killick
Publisher: Routledge
Total Pages: 200
Release: 2016-05-23
Genre: Literary Criticism
ISBN: 1317171462

In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.