Scandinavian Themes In American Fiction
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| Author | : Naja Marie Aidt |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2019-03-21 |
| Genre | : Bereavement |
| ISBN | : 9781787475373 |
'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.
| Author | : Paula Arvas |
| Publisher | : University of Wales Press |
| Total Pages | : 322 |
| Release | : 2011-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1783164379 |
This collection of articles studies the development of crime fiction in Denmark, Finland, Iceland, Norway and Sweden since the 1960s, offering the first English-language study of this widely read and influential form. Since the first Martin-Beck novel of Maj Sjöwall and Per Wahlöö appeared in 1965, the socially-critical crime novel has figured prominently in Scandinavian culture, and found hundreds of millions of readers outside Scandinavia. But is there truly a Scandinavian crime novel tradition? Scandinavian Crime Fiction identifies distinct features and changes in the Scandinavian crime tradition through analysis of some of its most well-known writers: Henning Mankell, Stieg Larsson, Anne Holt, Liza Marklund, Leena Lehtolainen, and Arnaldur Indriðason, among others. Focusing on Scandinavian crime fiction’s snowballing prominence since the 1990s, articles zoom in on the transformation of the genre’s social criticism, study the significance of cultural and geographical place in the tradition, and analyze the cultural politics of crime fiction, including struggles over gender equity, sexuality, ethnicity, history, and the fate of the welfare state. Scandinavian Crime Fiction maps out the contribution of Scandinavian crime writers to contemporary European culture and society, making the volume valuable to scholars and the interested public.
| Author | : Clarence Gohdes |
| Publisher | : Duke University Press |
| Total Pages | : 284 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : 9780822305927 |
This fifth revised edition features approximately 1,900 items, most of which are annotated. It addresses several interdisciplinary studies that have become prominent in the last decade, especially on popular culture, racial and other minorities, Native Americans and Chicanos, and literary regionalism. It allots more space to computer aids, science fiction, children's literature, literature of the sea, film and literature, and linguistic studies of American English and includes a new section on psychology. The appendix lists the biography of each of 135 deceased American authors. ISBN 0-8223-0592-5 : $22.50 (For use only in the library).
| Author | : Clarence Edwin Baker |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 1943 |
| Genre | : Scandinavia |
| ISBN | : |
| Author | : Wendy Lesser |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 288 |
| Release | : 2020-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 9780374216979 |
An in-depth and personal exploration of Scandinavian crime fiction as a way into Scandinavian culture at large For nearly four decades, Wendy Lesser's primary source of information about three Scandinavian countries—Sweden, Norway, and Denmark—was mystery and crime novels, and the murders committed and solved in their pages. Having never visited the region, Lesser constructed a fictional Scandinavia of her own making, something between a map, a portrait, and a cultural history of a place that both exists and does not exist. Lesser’s Scandinavia is disproportionately populated with police officers, but also with the stuff of everyday life, the likes of which are relayed in great detail in the novels she read: a fully realized world complete with its own traditions, customs, and, of course, people. Over the course of many years, Lesser’s fictional Scandinavia grew more and more solidly visible to her, yet she never had a strong desire to visit the real countries that corresponded to the made-up ones. Until, she writes, “between one day and the next, that no longer seemed sufficient.” It was time to travel to Scandinavia. With vivid storytelling and an astonishing command of the literature, Wendy Lesser’s Scandinavian Noir: In Pursuit of a Mystery illuminates the vast, peculiar world of Scandinavian noir—first as it appears on the page, then as it grows in her mind, and finally, in the summer of 2018, as it exists in reality. Guided by sharp criticism, evocative travel writing, and a whimsical need to discover “the difference between existence and imagination, reality and dream,” Scandinavian Noir is a thrilling and inventive literary adventure from a masterful writer and critic.
| Author | : Kristina Malmio |
| Publisher | : Springer Nature |
| Total Pages | : 315 |
| Release | : 2019-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 3030233537 |
This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.
| Author | : George LeRoy White |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 1937 |
| Genre | : American fiction |
| ISBN | : |
| Author | : Steven P. Sondrup |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 765 |
| Release | : 2017-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 9027265054 |
Nordic Literature: A comparative history is a multi-volume comparative analysis of the literature of the Nordic region. Bringing together the literature of Finland, continental Scandinavia (Sweden, Norway, Denmark, and Sápmi), and the insular region (Iceland, Greenland, and the Faroe Islands), each volume of this three-volume project adopts a new frame through which one can recognize and analyze significant clusters of literary practice. This first volume, Spatial nodes, devotes its attention to the changing literary figurations of space by Nordic writers from medieval to contemporary times. Organized around the depiction of various “scapes” and spatial practices at home and abroad, this approach to Nordic literature stretches existing notions of temporally linear, nationally centered literary history and allows questions of internal regional similarities and differences to emerge more strongly. The productive historical contingency of the “North” as a literary space becomes clear in this close analysis of its literary texts and practices.
| Author | : Ole Edvart Rølvaag |
| Publisher | : |
| Total Pages | : 506 |
| Release | : 1927 |
| Genre | : Dakota Territory |
| ISBN | : |
A narrative of pioneer hardship and heroism on the boundless Dakota prairie, as a Norwegian-American immigrant family passed through Ellis Island and worked to eke out a living in America's midwest.
| Author | : Geraldine Barnes |
| Publisher | : Boydell & Brewer |
| Total Pages | : 216 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780859916080 |
Viking America examined through the writing and rewriting of the Vinland story from the middle ages to the twentieth century. The accounts in the Vinland sagas of the great voyages to the northeast coast of America in the early years of the eleventh century have often been obscured by detailed argument over the physical identity of the West Atlantic landwhich its Scandinavian discoverers named Vinland. Geraldine Barnes leaves archaeological evidence aside and returns to the Old Norse narratives, Groenlendinga saga (Saga of Greenlanders) and Eiriks saga rauda(Saga of Eric the Red), in her study of the writing and rewriting of the Vinland story from the middle ages to the late twentieth century. She sets the sagas in the context of Iceland's transition from paganism to Christianity; later chapters explore the Vinland story in relation to issues of regional pride and national myths of foundation in nineteenth- and early twentieth-century America, to the ethos of popular imperialism during the same periodin English literature, and, in the late twentieth century, to postcolonial concerns. GERALDINE BARNES is associate professor of English, University of Sydney.
