British Drama 1533-1642: A Catalogue

British Drama 1533-1642: A Catalogue
Author: Martin Wiggins
Publisher: Oxford University Press, USA
Total Pages: 537
Release: 2012-09-13
Genre: Drama
ISBN: 0199265720

Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

Re-Reading Sappho

Re-Reading Sappho
Author: Ellen Greene
Publisher: Univ of California Press
Total Pages: 276
Release: 1996
Genre: Fiction
ISBN: 9780520206038

The essays in this volume review the seemingly endless permutations wrought on Sappho through centuries of readings and re-writings.

Sappho in Early Modern England

Sappho in Early Modern England
Author: Harriette Andreadis
Publisher: University of Chicago Press
Total Pages: 276
Release: 2001-07-02
Genre: Language Arts & Disciplines
ISBN: 9780226020082

In Sappho in Early Modern England, Harriette Andreadis examines public and private expressions of female same-sex sexuality in sixteenth- and seventeenth-century England. Before the language of modern sexual identities developed, a variety of discourses in both literary and extraliterary texts began to form a lexicon of female intimacy. Looking at accounts of non-normative female sexualities in travel narratives, anatomies, and even marital advice books, Andreadis outlines the vernacular through which a female same-sex erotics first entered verbal consciousness. She finds that "respectable" women of the middle classes and aristocracy who did not wish to identify themselves as sexually transgressive developed new vocabularies to describe their desires; women that we might call bisexual or lesbian, referred to in their day as tribades, fricatrices, or "rubsters," emerged in erotic discourses that allowed them to acknowledge their sexuality and still evade disapproval.

The Elizabethan Stage: Staging in the theatres: Seventeenth Century

The Elizabethan Stage: Staging in the theatres: Seventeenth Century
Author: Edmund Kerchever Chambers
Publisher:
Total Pages: 538
Release: 1923
Genre: Actors
ISBN:

E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.