San Rock Engravings Marking The Karoo Landscape
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Author | : John Parkington |
Publisher | : Penguin Random House South Africa |
Total Pages | : 130 |
Release | : 2012-01-27 |
Genre | : Art |
ISBN | : 1920545131 |
The vast spaces of the Karoo abound with images pecked, incised or engraved onto rock surfaces. These landscape markings, generally known simply as ‘rock engravings’, were created in the pre-colonial period by San hunter-gatherers who roamed this land in search of sustenance and water. Their engravings most commonly (though not always) depict animals such as eland, quagga or elephant, and reflect, in fascinating and unusual ways, the relationship of the San to the harsh environment of the Karoo. San Rock Engravings explores the visual legacy of these ancient artists, the signs they left on the land and the meanings that could be attached to them. Neil Rusch’s superb photographs, complemented by John Parkington’s thought-provoking text, bring to life these enigmatic markings and the way of life of their creators. Neil Rusch is an independent publisher, writer and photographer. He entered publishing after studying journalism at Rhodes University and later became the editor of SA Yachting magazine. He has produced The Mantis, the Eland and the Hunter and other books in the Follow the San series for the Krakadouw Trust and the Living Landscape Project. John Parkington is Professor of Archaeology at the University of Cape Town, and has had a lifelong research interest in southern African hunters and gatherers. He has published a number of academic papers and books on the subject and is involved in the Living Landscape Project in Clanwilliam.
Author | : Neil Rusch |
Publisher | : |
Total Pages | : 128 |
Release | : 2010 |
Genre | : Art, San |
ISBN | : 9781770078154 |
The vast spaces of the Karoo abound with images pecked, incised or engraved onto rock surfaces. These landscape markings, generally known simply as 'rock engravings', were created in the pre-colonial period by San hunter-gatherers who roamed this land in search of sustenance and water.
Author | : Bruno David |
Publisher | : Oxford University Press |
Total Pages | : 1185 |
Release | : 2018-10-17 |
Genre | : Social Science |
ISBN | : 0190844957 |
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author | : Mathias Guenther |
Publisher | : Springer Nature |
Total Pages | : 323 |
Release | : 2019-08-21 |
Genre | : Social Science |
ISBN | : 3030211827 |
Exploring a hitherto unexamined aspect of San cosmology, Mathias Guenther’s two volumes on human-animal relations in San cosmology link “new Animism” with Khoisan Studies, providing valuable insights for Khoisan Studies and San culture, but also for anthropological theory, relational ontology, folklorists, historians, literary critics and art historians. In Volume I, therianthropes and transformations, two manifestations of ontological mutability that are conceptually and phenomenologically linked, are contextualized in broader San myth. Guenther explores the pervasiveness of human-animal hybridity and transformation in San expressive culture (myth, stories and storytelling, ludic dancing and art, ancestral rock art and contemporary easel art), ritual (trance dance curing, female and male rites of passage) and hunting. Transformation is shown to be experienced by humans, particularly via rituals and dancing that evoke animal identity mergers, but also by hunters who may engage with their prey animals in terms of sympathy and inter-subjectivity, particularly through the use of “hunting medicines.”
Author | : Patricia Kramer |
Publisher | : Penguin Random House South Africa |
Total Pages | : 330 |
Release | : 2021-03-01 |
Genre | : Architecture |
ISBN | : 1432310216 |
The Karoo is big sky country; a land of vast open plains punctuated by flat-topped mountains, conical hills and secluded valleys, a land of scrubby bushes and hardy trees, where pioneers carved roads out of rock to set down roots in an unforgiving environment. Here dreams are born, legends are made, and outcasts find sanctuary. It is also an ancient place, whose story is revealed through geology, fossils and artefacts, and whose human lineage predates any written history. Today, the people who inhabit it must manifest the same fortitude that sustained those who left their footprints in the primieval mud. In Hidden Karoo you will find all this, and more. Through a series of superb photo-essays, this majestic place is revealed as a land where conservation and neglect are seldom far apart, where one town boasts splendidly restored buildings, while along a dusty back road lie forgotten villages waiting for ... something. Could it be a renewal, or a slow death? There’s nothing novel about the movement of people from country to city, and the Karoo mimics other parts of the world where rural areas become derelict as they are depopulated. Hidden Karoo presents a snapshot of the region as it is now, offering a glimpse into towns and villages, farmsteads and churches, important buildings and humble homes, all against a backdrop of awe-inspiring landscapes. Through words and pictures, it prompts us to consider what was, what is and, perhaps, what might be. One constant about the Karoo is change. A book can do no more than capture a moment in time or depict fragments of a place, but in doing so, it bears witness to the past and offers the hope that there may yet be a future for this unparalleled part of our country.
Author | : Jamie Hampson |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2016-06-16 |
Genre | : Social Science |
ISBN | : 1315420716 |
Why did the ancient artists create paintings and engravings? What did the images mean? This careful study of rock art motifs in the Trans-Pecos area of Texas and a small area in South Africa demonstrates that there are archaeological and anthropological ways of accessing the past in order to investigate and explain the significance of rock art motifs. Using two disparate regions shows the possibility of comparative rock art studies and highlights the importance of regional studies and regional variations. This is an ideal resource for students and researchers.
Author | : David Lewis-Williams |
Publisher | : Cambridge University Press |
Total Pages | : 225 |
Release | : 2019-05-23 |
Genre | : Art |
ISBN | : 1108498213 |
Providing insight into an image-making process that became extinct at the end of the nineteenth-century, this book shows that, far from being trivial, hunter-gatherer rock art was embedded in religion. It explores the complex social relations of those who made rock art and why they made it.
Author | : Mathias Guenther |
Publisher | : Springer Nature |
Total Pages | : 225 |
Release | : 2019-08-21 |
Genre | : Social Science |
ISBN | : 303021186X |
Exploring a hitherto unexamined aspect of San cosmology, Mathias Guenther’s two volumes on human-animal relations in San cosmology link “new Animism” with Khoisan Studies, providing valuable insights for Khoisan Studies and San culture, but also for anthropological theory, relational ontology, folklorists, historians, literary critics and art historians. Building from the examinations of San myth and contemporary culture in Volume I, Volume II considers the experiential implications of a cosmology in which ontological mutability—ambiguity and inconstancy—hold sway. As he considers how people experience ontological mutability and deal with profound identity issues mentally and affectively, Guenther explores three primary areas: general receptiveness to ontological ambiguity; the impact of the experience of transformation (both virtual/vicarious and actual/direct); and the intersection of the mythic, spirit world with reality. Through a comparative consideration of animistic cosmology amongst the San, Bantu-speakers and the Inuit of Canada’s eastern Arctic, alongside a discussion of animistic currents in Western humanities and ethology, Guenther clearly paints the relative strengths and weaknesses of New Animism discourse, particularly in relation to San ontology and cosmology, but with overarching relevance.
Author | : Siyakha Mguni |
Publisher | : Archaeopress Publishing Ltd |
Total Pages | : 165 |
Release | : 2016-10-24 |
Genre | : Social Science |
ISBN | : 1784914479 |
This book advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations.
Author | : Renaud Ego |
Publisher | : NYU Press |
Total Pages | : 371 |
Release | : 2019-01-01 |
Genre | : Social Science |
ISBN | : 1776142330 |
An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. Renaud Ego posits that the artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and,ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers. Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary,who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.