San Francisco Art Institute 66 67
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Author | : Curtis Rhodes |
Publisher | : |
Total Pages | : |
Release | : 2016-08-12 |
Genre | : |
ISBN | : 9781367360471 |
Black and white photographs taken by a photography student at The San Francisco Art Institute from 1966 to 1967. From the top of the tower to the depths of the boiler room, with models filling the courtyard to outings at Muir Beach, photography is fun!
Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 12 |
Release | : 1966* |
Genre | : Art, American |
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Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 13 |
Release | : 1967* |
Genre | : Art, American |
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Author | : San Francisco Art Institute |
Publisher | : |
Total Pages | : 14 |
Release | : 1968 |
Genre | : Art, American |
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Author | : San Francisco Art Institute |
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Total Pages | : 17 |
Release | : 1965* |
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Release | : 1967 |
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Author | : Timothy Anglin Burgard |
Publisher | : Yale University Press |
Total Pages | : 258 |
Release | : 2013-07-28 |
Genre | : Art |
ISBN | : 0300190786 |
A beautiful exploration of the pivotal years in Diebenkorn's career
Author | : |
Publisher | : |
Total Pages | : 156 |
Release | : 1968 |
Genre | : Indian art |
ISBN | : |
Author | : Constance M. Lewallen |
Publisher | : Univ of California Press |
Total Pages | : 297 |
Release | : 2011-10 |
Genre | : Art |
ISBN | : 0520949870 |
State of Mind, the lavishly illustrated companion book to the exhibition of the same name, investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism’s experimental practices and an array of then-new media—performance, site-specific installations, film and video, mail art, and artists’ publications—continue to exert an enormous influence on the artists working today.
Author | : Therese Poletti |
Publisher | : Princeton Architectural Press |
Total Pages | : 268 |
Release | : 2008-09-03 |
Genre | : Architecture |
ISBN | : 9781568987569 |
The Castro Theatre, the Pacific Telephone and Telegraph Headquarters, 450 Sutter Medico-Dental Buildingthesemasterpieces of San Francisco's Art Deco heritage are the work of one man: Timothy Pflueger. An immigrant's sonwith only a grade-school education, Pflueger began practicing architecture after San Francisco's 1906 earthquake. While his contemporaries looked to Beaux-Arts traditions to rebuild the city, he brought exotic Mayan, Asian, and Egyptian forms to buildings ranging from simple cocktail lounges to the city's first skyscrapers. Pflueger was one of the city's most prolificarchitects during his 40-year career. He designed two major downtown skyscrapers, two stock exchanges, several neighborhood theaters, movie palaces for four smaller cities (including the beloved Paramount in Oakland), some ofthe city's biggest schools, and at least 50 homes. His works include the San Francisco Stock Exchange, the ever-popularTop of the Mark, the San Francisco-Oakland Bay Bridge, and the San Francisco World's Fair. It is a testament to his talentthat many of his buildings still stand and many have been named landmarks. Therese Poletti tells the fascinating story of Pflueger's life and work in Art Deco San Francisco. In lively detail, she relates how Pflueger built extravagant compositions in metal, concrete, and glass. She also tells the story behind the architecture: Pflueger's commissioning and support of muralist Diego Rivera, his association with photographer Ansel Adams and sculptor Ralph Stackpole, and his childhood friendship turned to adulthood sponsorship with San Francisco Mayor James "Sunny" Rolph Jr. Beautiful archival photography mixes with stunning new photography in this collection of a truly Californian, but ultimately American, story.