Samson Agonistes A Dramatic Poem
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Samson Agonistes
Author | : John Milton |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 64 |
Release | : 2015-11-12 |
Genre | : |
ISBN | : 9781519248206 |
Samson Agonistes (Greek for "Samson the agonist") is a tragic closet drama by John Milton. It appeared with the publication of Milton's Paradise Regain'd in 1671, as the title page of that volume states: "Paradise Regained / A Poem / In IV Books / To Which Is Added / Samson Agonistes." It is generally thought that Samson Agonistes was begun around the same time as Paradise Regained but was completed after the larger work, possibly very close to the date of publishing, but there is no agreement on this. Samson Agonistes draws on the story of Samson from the Old Testament, Judges 13-16; in fact it is a dramatisation of the story starting at Judges 16:23. The drama starts in medias res. Samson has been captured by the Philistines, had his hair, the container of his strength, cut off and his eyes cut out. Samson is "Blind among enemies, O worse than chains" (line 66). Near the beginning of the play, Samson humbles himself before God by admitting that his power is not his own: "God, when he gave me strength, to show withal / How slight the gift was, hung it in my hair" (lines 58-9).
The Uncertain World of Samson Agonistes
Author | : John T. Shawcross |
Publisher | : DS Brewer |
Total Pages | : 176 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780859916097 |
Ambiguity, present in all aspects of the poem, is seen as central to Milton's authorial intentions. Shawcross proposes that the many ambiguities surrounding Milton's dramatic poem Samson Agonistes are intentional: the actual words, the dates of composition, the genre, and the characters - particularly Samson and Dalila but including Manoa, Harapha, and the Chorus. Ambiguity also lies in Milton's presentation of political issues both philosophical and practical, his treatment of gender concepts, the constant questioning of the reader, and the poem's effect. Discussing all these elements, Shawcross follows with a detailed reading of the text which argues that it remains purposefully ambiguous, reflecting Milton's own recognition of the uncertainty of the content, and suggesting that Milton himself would question some of the nice 'solutions' that modern scholarship has offered in the last two decades. JOHN SHAWCROSS is Professor of English, Emeritus, University of Kentucky.
The Complete Poetry and Essential Prose of John Milton
Author | : John Milton |
Publisher | : Modern Library |
Total Pages | : 1410 |
Release | : 2009-10-28 |
Genre | : Poetry |
ISBN | : 0307419487 |
John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
A Variorum Commentary Of The Poems Of John Milton
Author | : Merritt Yerkes Hughes |
Publisher | : Columbia University Press |
Total Pages | : 412 |
Release | : 1970 |
Genre | : |
ISBN | : 9780231088831 |
Paradise Regained
Author | : John Milton |
Publisher | : First Avenue Editions ™ |
Total Pages | : 77 |
Release | : 2014-08-01 |
Genre | : Poetry |
ISBN | : 1467775975 |
A companion to the epic poem Paradise Lost, John Milton's Paradise Regained describes the temptation of Christ. After Adam and Eve are expelled from the Garden of Eden, Satan and the fallen angels stay on earth to lead people astray. But when God sends Jesus, the promised savior, to earth, Satan prepares himself for battle. As an adult, Jesus goes into the wilderness to gain strength and courage. He fasts for 40 days and nights, after which Satan tempts him with food, power, and riches. But Jesus refuses all these things, and Satan is defeated by the glory of God. This is an unabridged version of Milton's classic work, which was first published in England in 1671.
Theatrical Milton
Author | : Brendan Prawdzik |
Publisher | : Edinburgh University Press |
Total Pages | : 264 |
Release | : 2017-04-18 |
Genre | : Literary Criticism |
ISBN | : 1474421024 |
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.