Excerpt from Oldtown Folks, Vol. 1 of 2: And Sam Lawson's Oldtown Fireside Stories When their attention was directed towards me, I could feel and respond to all their thoughts and feelings, and was conscious that they could in the same manner feel and respond to mine. Sometimes they would take no notice of me, but carry on a brisk conversation among themselves, principally by looks and gestures, with now and then an audible word. In fact, there were but few with whom I was very familiar. These few were much more constant and uniform in their visits than the great multitude, who were frequently changing, and too much absorbed in their own concerns to think much of me. I scarcely know how I can give an idea of their form and general appearance, for there are no objects in the material world with which I can compare them, and no language adapted to an accu rate description of their peculiarities. They exhibited all possible combinations of size, shape, proportion, and color, but their most usual appearance was with the human form and proportion, but under a shadowy outline that seemed just ready to melt into the invisible air, and sometimes liable to the most sudden and grotesque changes, and with a uniform darkly bluish color spotted with brown, or brownish-white. This was the general appearance of the multitude; but there were many exceptions to this descrip tion, particularly among my more welcome and familiar visitors, as will be seen in the sequel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.