Salon Caricature in Second Empire Paris
Author | : Julia Langbein (Art historian) |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Caricatures and cartoons |
ISBN | : |
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Author | : Julia Langbein (Art historian) |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Caricatures and cartoons |
ISBN | : |
Author | : Elizabeth Anne McCauley |
Publisher | : |
Total Pages | : 6 |
Release | : 1983 |
Genre | : Art and photography |
ISBN | : |
Author | : Rachel Esner |
Publisher | : Springer |
Total Pages | : 279 |
Release | : 2018-01-31 |
Genre | : Social Science |
ISBN | : 3319662309 |
This book offers trans-historical and trans-national perspectives on the image of “the artist” as a public figure in the popular discourse and imagination. Since the rise of notions of artistic autonomy and the simultaneous demise of old systems of patronage from the late eighteenth century onwards, artists have increasingly found themselves confronted with the necessity of developing a public persona. In the same period, new audiences for art discovered their fascination for the life and work of the artist. The rise of new media such as the illustrated press, photography and film meant that the needs of both parties could easily be satisfied in both words and images. Thanks to these “new” media, the artist was transformed from a simple producer of works of art into a public figure. The aim of this volume is to reflect on this transformative process, and to study the specific role of the media themselves. Which visual media were deployed, to what effect, and with what kind of audiences in mind? How did the artist, critic, photographer and filmmaker interact in the creation of these representations of the artist’s image?
Author | : Julia Langbein |
Publisher | : Bloomsbury Publishing |
Total Pages | : 297 |
Release | : 2022-02-24 |
Genre | : Art |
ISBN | : 1350186872 |
Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press. This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.
Author | : Christopher Parsons |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 1986-06-26 |
Genre | : Art |
ISBN | : 9780521321495 |
This 1986 bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (salons) held during the Second Empire, 1852-70. It includes an extensive list of references each presented in a standard format, with titles, dates and ordering codes based on the holdings of the Bibliothèque Nationale in Paris. It is indexed by authors and by periodicals. The catalogued essays and articles are of fundamental importance in establishing a picture of contemporary reactions to art in mid-eighteenth-century France. Tourneux's standard work Salons et expositions d'art ... Paris 1801-70 has long been out of print. By incorporating and correcting the relevant material from Tourneux, and adding many new references from unpublished and newspaper sources, the compilers have achieved a substantial increase in the amount and range of criticism available for analysis by cultural and literary historians.
Author | : Jean-Auguste-Dominique Ingres |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 610 |
Release | : 1999 |
Genre | : Drawing, French |
ISBN | : 0870998919 |
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author | : Hollis Clayson |
Publisher | : University of Chicago Press |
Total Pages | : 239 |
Release | : 2019-05-16 |
Genre | : Art |
ISBN | : 022659386X |
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.
Author | : Elizabeth Anne McCauley |
Publisher | : |
Total Pages | : 46 |
Release | : 1985 |
Genre | : Caricatures and cartoons |
ISBN | : |
Author | : Stanley Mazaroff |
Publisher | : JHU Press |
Total Pages | : 342 |
Release | : 2018-04-16 |
Genre | : Architecture |
ISBN | : 1421424444 |
Cover -- Half Title -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Prologue -- CHAPTER ONE: The Cultivation of Lucas -- CHAPTER TWO: The Wandering Road to Paris -- CHAPTER THREE: Lucas and Paris in a Time of Transition -- CHAPTER FOUR: Lucas and Whistler -- CHAPTER FIVE: The Links to Lucas -- CHAPTER SIX: From Ecouen to Barbizon -- CHAPTER SEVEN: M, Eugène, and Maud -- CHAPTER EIGHT: When Money Is No Object -- CHAPTER NINE: The Lucas Collection -- CHAPTER TEN: The Final Years -- CHAPTER ELEVEN: The Terms of Lucas's Will -- CHAPTER TWELVE: A Collection in Search of a Home -- CHAPTER THIRTEEN: The Shot across the Bow -- CHAPTER FOURTEEN: The Glorification of Lucas -- CHAPTER FIFTEEN: In Judge Kaplan's Court -- CHAPTER SIXTEEN: Lucas Saved -- Postscript -- Appendix -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z