Salomania And The Representation Of Race And Gender In Modern Erotic Dance
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| Author | : Cecily Devereux |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 264 |
| Release | : 2023-04-25 |
| Genre | : Performing Arts |
| ISBN | : 1771125888 |
Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a crucial event and a turning point in the history of the modern business of erotic dance. Framing Salomania with reference to imperial ideologies of motherhood and race, it works toward better understanding the increasing value of the display of the undressed female body in the 19th and early 20th centuries. This study turns critical attention to cultures of maternity in the late 19th century, primarily with reference to the ways in which women are defined in relation to their genitals as patriarchal property and space and are valued according to reproduction as their primary labour. Erotic dance as it takes shape in the modern representation of Salome insists both that the mother is and is not visible in the body of the dancer, a contradiction this study characterizes as reproductive fetishism. Looking at a range of media, the study traces the modern figure of Salome through visual art, writing, early psychoanalysis and dance, from "hootchie kootch" to the performances dancer Maud Allan called “mimeo-dramatic” to mid-20th-century North American films such as Billy Wilder's Sunset Boulevard and Charles Lamont's Salome, Where She Danced to the 21st-century HBO series The Sopranos.
| Author | : Taille |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 93 |
| Release | : 1981 |
| Genre | : Drama |
| ISBN | : 088920120X |
Jean de La Taille's play Les Corrivaus is the comical story of the rivalry between Filadelfe and Euverte for the lovely Fleurdelys. Difficulties are resolved symmetrically, and matrimony is the order at the end of the day--though, in the best Renaissance tradition, the difficulties had appeared grave indeed. The play should appeal to anyone interested in the theatre, but it is of considerable importance to historians of Renaissance drama, since it is generally accepted as the earliest surviving French humanist comedy written in prose, and the first to be based on Italian models. In particular, La Taille draws heavily upon Le Maçon's translation of Boccaccio's Decameron. The play also amplifies understanding of numerous conventions of Renaissance drama--especially those related to stagecraft, plot, and thematic treatment--yet La Taille transcends mere conventionality in his skilled treatment of character and plot. He also manages to accomplish his didactic purpose, informing his audience of the foibles of lovers, with a minimum of sententious moralizing.
| Author | : Amber Dean |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 294 |
| Release | : 2019-01-08 |
| Genre | : Social Science |
| ISBN | : 1771123788 |
In Feminist Praxis Revisited, Women’s and Gender Studies (WGS) practitioners reflect on how the field has sought to integrate its commitment to activism and social change with community-based learning in post-secondary institutions. Teaching about and for social change has been a core value of the field since its inception, and co-op, practica, and internships have long been part of the curriculum in the professional schools. However, liberal arts faculties are increasingly under pressure to integrate community engagement practices and respond to labour market demands for greater student “employability.” That demand creates challenges and possibilities as WGS programs and instructors adapt to changing post-secondary agendas. This book examines how WGS programs can continue to prioritize the foundational critiques of inequality, power, privilege, and identity in the face of a post-secondary push toward praxis as resumé building, skills acquisition, and the bridging of town-and-gown differences. It pushes students to reflect critically on their own experiences with feminist praxis through critical reflections offered by the contributors along with examples of practical approaches to community-based/experiential learning.
| Author | : Naila Keleta-Mae |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 115 |
| Release | : 2023-06-20 |
| Genre | : Social Science |
| ISBN | : 1771124814 |
Performing Female Blackness examines race, gender, and nation in Black life using critical race, feminist and performance studies methodologies. This book examines what private and public performances of female blackness reveal about race, gender, and nation and considers how the land widely known as Canada shapes these performances. By exploring Black expressive culture in familial, literary, and performance settings, Naila Keleta-Mae theorizes that “perpetual performance” forces people who are read as female and Black to always be figuratively on stage regardless of cultural, political, or historical contexts. Written in poetry, prose, and journal form and drawing from the author’s own life and artistic works, Performing Female Blackness is ideal not only for scholars, educators, and students of the humanities, social sciences, and fine arts but also for artists and the general public too.
| Author | : Allana C. Lindgren |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 297 |
| Release | : 2021-05-11 |
| Genre | : Performing Arts |
| ISBN | : 1771124849 |
Moving Together: Dance and Pluralism in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada. Focusing on the twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism. Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada.
| Author | : Deirdre Kelly |
| Publisher | : Greystone Books Ltd |
| Total Pages | : 264 |
| Release | : 2012 |
| Genre | : Performing Arts |
| ISBN | : 1771640006 |
Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.
| Author | : Nellie L. McClung |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 398 |
| Release | : 2014-07-02 |
| Genre | : Fiction |
| ISBN | : 1554589940 |
Painted Fires, first published in 1925, narrates the trials and tribulations of Helmi Milander, a Finnish immigrant, during the years approaching the First World War. The novel serves as a vehicle for McClung’s social activism, especially in terms of temperance, woman suffrage, and immigration policies that favour cultural assimilation. In her afterword, Cecily Devereux situates Painted Fires in the context of McClung’s feminist fiction and her interest in contemporary questions of immigration and “naturalization.” She also considers how McClung’s representation of Helmi Milander’s story draws on popular culture narratives.
| Author | : Colin Starnes |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 137 |
| Release | : 2006-01-01 |
| Genre | : Philosophy |
| ISBN | : 0889205957 |
Colin Starnes radical interpretation of the long-recognized affinity of Thomas More’s Utopia and Plato’s Republic confirms the intrinsic links between the two works. Through commentary on More’s own introduction to Book I, the author shows the Republic is everywhere present as the model of the “best commonwealth,” which More must first discredit as the root cause of the dreadful evils in the collapsing political situation of sixteenth-century Europe. Starnes demonstrates how More, once having shorn the Republic of what was applicable to a society that had for a thousand years accepted and been moved by the Christian revelation, then “Christianized” it to arrive at one of the earliest and most coherent accounts of the ideal modern state: the description of Utopia in Book II. Knowing this radically new view of a long-recognized position may be questioned, the author has included a criticism and appreciation of the other major lines of interpretation concerning More’s Utopia.
| Author | : Tracy Penny Light |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 291 |
| Release | : 2015-07-31 |
| Genre | : Social Science |
| ISBN | : 1771120983 |
In this new collection, contributors from a variety of disciplines provide a critical context for the relationship between feminist pedagogy and academic feminism by exploring the complex ways that critical perspectives can be brought into the classroom. This book discusses the processes employed to engage learners by challenging them to ask tough questions and craft complex answers, wrestle with timely problems and posit innovative solutions, and grapple with ethical dilemmas for which they seek just resolutions. Diverse experiences, interests, and perspectives—together with the various teaching and learning styles that participants bring to twenty-first-century universities—necessitate inventive and evolving pedagogical approaches, and these are explored from a critical perspective. The contributors collectively consider the implications of the theory/practice divide, which remains central within academic feminism’s role as both a site of social and gender justice and as a part of the academy, and map out some of the ways in which academic feminism is located within the academy today.
| Author | : Cheryl Teelucksingh |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 212 |
| Release | : 2006-05-29 |
| Genre | : Social Science |
| ISBN | : 0889204993 |
Claiming Space: Racialization in Canadian Cities critically examines the various ways in which Canadian cities continue to be racialized despite objective evidence of racial diversity and the dominant ideology of multiculturalism. Contributors consider how spatial conditions in Canadian cities are simultaneously part of, and influenced by, racial domination and racial resistance. Reflecting on the ways in which race is systematically hidden within the workings of Canadian cities, the book also explores the ways in which racialized people attempt to claim space. These essays cover a diverse range of Canadian urban spaces and various racial groups, as well as the intersection of ethnicity, class, gender, and sexuality. Linking themes include issues related to subjectivity and space; the importance of new space that arises by challenging the dominant ideology of multiculturalism; and the relationship between diasporic identities and claims to space.
