Saint Or Satyr
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Author | : Wes Williams |
Publisher | : OUP Oxford |
Total Pages | : 360 |
Release | : 2011-05-26 |
Genre | : Literary Criticism |
ISBN | : 019161789X |
To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.
Author | : Nicholas Martin |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 457 |
Release | : 2020-12-16 |
Genre | : Philosophy |
ISBN | : 3110246554 |
Friedrich Nietzsche’s intellectual autobiography Ecce Homo has always been a controversial book. Nietzsche prepared it for publication just before he became incurably insane in early 1889, but it was held back until after his death, and finally appeared only in 1908. For much of the first century of its reception, Ecce Homo met with a sceptical response and was viewed as merely a testament to its author’s incipient madness. This was hardly surprising, since he is deliberately outrageous with the ‘megalomaniacal’ self-advertisement of his chapter titles, and brazenly claims ‘I am not a man, I am dynamite’ as he attempts to explode one preconception after another in the Western philosophical tradition. In recent decades there has been increased interest in the work, especially in the English-speaking world, but the present volume is the first collection of essays in any language devoted to the work. Most of the essays are selected from the proceedings of an international conference held in London to mark the centenary of the first publication of Ecce Homo in 2008. They are supplemented by a number of specially commissioned essays. Contributors include established and emerging Nietzsche scholars from the UK and USA, Germany and France, Portugal, Sweden and the Netherlands.
Author | : Nick Haddad |
Publisher | : Princeton University Press |
Total Pages | : 264 |
Release | : 2021-04-13 |
Genre | : Nature |
ISBN | : 0691217173 |
A remarkable look at the rarest butterflies, how global changes threaten their existence, and how we can bring them back from near-extinction Most of us have heard of such popular butterflies as the Monarch or Painted Lady. But what about the Fender’s Blue? Or the St. Francis’ Satyr? Because of their extreme rarity, these butterflies are not well-known, yet they are remarkable species with important lessons to teach us. The Last Butterflies spotlights the rarest of these creatures—some numbering no more than what can be held in one hand. Drawing from his own first-hand experiences, Nick Haddad explores the challenges of tracking these vanishing butterflies, why they are disappearing, and why they are worth saving. He also provides startling insights into the effects of human activity and environmental change on the planet’s biodiversity. Weaving a vivid and personal narrative with ideas from ecology and conservation, Haddad illustrates the race against time to reverse the decline of six butterfly species. Many scientists mistakenly assume we fully understand butterflies’ natural histories. Yet, as with the Large Blue in England, we too often know too little and the conservation consequences are dire. Haddad argues that a hands-off approach is not effective and that in many instances, like for the Fender’s Blue and Bay Checkerspot, active and aggressive management is necessary. With deliberate conservation, rare butterflies can coexist with people, inhabit urban fringes, and, in the case of the St. Francis’ Satyr, even reside on bomb ranges and military land. Haddad shows that through the efforts to protect and restore butterflies, we might learn how to successfully confront conservation issues for all animals and plants. A moving account of extinction, recovery, and hope, The Last Butterflies demonstrates the great value of these beautiful insects to science, conservation, and people.
Author | : Susan Weingarten |
Publisher | : BRILL |
Total Pages | : 337 |
Release | : 2018-12-10 |
Genre | : Religion |
ISBN | : 9047407504 |
The Saint's Saints presents Jerome’s world picture as seen through his saints’ Lives. It analyses both his rhetoric and his descriptions of realia, and the way he combines classical, Christian and Jewish sources to re-write the biblical Holy Land as a new and Christian world for his readers. Susan Weingarten looks at how Jerome dovetails his literary sources with his experience of the material world of the fourth century to write the Lives of the saints Paul, Hilarion, Malchus and Paula, effectively using them to write the Life of Saint Jerome. This is the first full-length study of Jerome’s saints’ Lives. It widens the on-going debate about mutual influences in Jewish and Christian literature in the fourth century, and revises our picture of the historical geography of Palestine.
Author | : John Denison Champlin |
Publisher | : |
Total Pages | : 456 |
Release | : 1913 |
Genre | : Painters |
ISBN | : |
Author | : Lawrence J. Hatab |
Publisher | : Psychology Press |
Total Pages | : 222 |
Release | : 2005 |
Genre | : Eternal return |
ISBN | : 9780415967587 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Moritz Thausing |
Publisher | : |
Total Pages | : 384 |
Release | : 1882 |
Genre | : Art |
ISBN | : |
1882. Volume 2 of 2. No exhaustive and critical account of the life and works of Albert Durer had been previously placed before the English reading public. This is a careful translation of the German original. Durer, the German painter and engraver, was considered the foremost artist of the Renaissance. He was strongly influenced by spending several years in Italy and worked with equal mastery in painting, woodblock, copper and iron engraving. These volumes tell the story of his life and work, with many, many gorgeous illustrations. Volume 1 ISBN 0766154165.
Author | : Paul Carus |
Publisher | : |
Total Pages | : 810 |
Release | : 1923 |
Genre | : Religion |
ISBN | : |
Author | : Ebenezer Cobham Brewer |
Publisher | : |
Total Pages | : 680 |
Release | : 1901 |
Genre | : Miracles |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 68 |
Release | : 1988 |
Genre | : Art |
ISBN | : |