Saint Lucian Literature And Theatre
Download Saint Lucian Literature And Theatre full books in PDF, epub, and Kindle. Read online free Saint Lucian Literature And Theatre ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : |
| Publisher | : Author House |
| Total Pages | : 203 |
| Release | : 2013-11-13 |
| Genre | : Literary Collections |
| ISBN | : 1491818832 |
Bibliography of St. Lucian Creative Writing: Poetry, Prose, Drama by St. Lucian writers is an invaluable reference tool for those researching St. Lucian literature, including the work of internationally recognised St. Lucian-born Nobel laureate Derek Walcott. It lists published and unpublished literature by St. Lucians writing poetry, prose, and drama. Reviews and articles on St. Lucian literature are also cited in a substantial section. Also included are a listing of background readings that throw light on the literature. While the book was several years in the making, its completion was commissioned by the Cultural Development Foundation of St. Lucia.
| Author | : John Robert Lee |
| Publisher | : |
| Total Pages | : 105 |
| Release | : 2019 |
| Genre | : Reference |
| ISBN | : 9780995726314 |
This superb author index of poetry, prose and drama explores the writing landscape of Saint Lucia. Everyone - from the internationally acclaimed Derek Walcott to self-published unknowns - are there. But this bibliography is not just about literature, it also features the social, political and cultural dimensions of Saint Lucia, from scholarly essays to the ephemera of funeral pamphlets and recipe books. Foreword by Antonia MacDonald.
| Author | : Stanley French |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 1983 |
| Genre | : |
| ISBN | : |
| Author | : Minou Arjomand |
| Publisher | : Columbia University Press |
| Total Pages | : 256 |
| Release | : 2018-09-11 |
| Genre | : Philosophy |
| ISBN | : 0231545738 |
Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
| Author | : Eugene Benson |
| Publisher | : Routledge |
| Total Pages | : 1950 |
| Release | : 2004-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1134468482 |
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
| Author | : Derek Walcott |
| Publisher | : Macmillan + ORM |
| Total Pages | : 294 |
| Release | : 2014-09-09 |
| Genre | : Drama |
| ISBN | : 1466880333 |
On a Caribbean island, the morning after a full moon, Felix Hobain tears through the market in a drunken rage. Taken away to sober up in jail, all that night he is gripped by hallucinations: the impoverished hermit believes he has become a healer, walking from village to village, tending to the sick, waiting for a sign from God. In this dream, his one companion, Moustique, wants to exploit his power. Moustique decides to impersonate a prophet himself, ignoring a coffin-maker who warns him he will die and enraging the people of the island. Hobain, half-awake in his desolate jail cell, terrorized by the specter of his friend's corruption, clings to his visionary quest. He will try to transform himself; to heal Moustique, his jailer, and his jail-mates; and to be a leader for his people. Dream on Monkey Mountain was awarded the 1971 Obie Award for a Distinguished Foreign Play when it was first presented in New York, and Edith Oliver, writing in The New Yorker, called it "a masterpiece." Three of Derek's Walcott's most popular short plays are also included in this volume: Ti-Jean and His Brothers; Malcochon, or The Six in the Rain; and The Sea at Dauphin. In an expansive introductory essay, "What the Twilight Says," the playwright explains his founding of the seminal dramatic company where these works were first performed, the Trinidad Theatre Workshop. First published in 1970, Dream on Monkey Mountain and Other Plays is an essential part of Walcott's vast and important body of work.
| Author | : Daniel Balderston |
| Publisher | : Psychology Press |
| Total Pages | : 701 |
| Release | : 2004 |
| Genre | : Literary Collections |
| ISBN | : 0415306876 |
The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900-2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric. The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well as being of huge interest to those folowing Spanish or Portuguese language courses.
| Author | : James R. Lawler |
| Publisher | : Harvard University Press |
| Total Pages | : 266 |
| Release | : 1992 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780674770751 |
In a new interpretation of a poet who has swayed the course of modern poetry--in France and elsewhere--James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his identity and his art. A drama emerges in Lawler's urbane and resourceful reading. The thinking, feeling, acting Drunken Boat is an early theatrical projection of the poet's self; the Inventor, the Memorialist, and the Ing nu assume distinct roles in his later verse. It is, however, in Illuminations and Une Saison en enfer that Rimbaud enacts most powerfully his grandiose dreams. Here the poet becomes Self Creator, Self-Critic, Self-Ironist; he takes the parts of Floodmaker, Oriental Storyteller, Dreamer, Lover; and he recounts his descent into Hell in the guise of a Confessor. In delineating and exploring the poet's "theatre of the self" Lawler shows us the tragic lucidity and the dramatic coherence of Rimbaud's work.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 476 |
| Release | : 2007-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9401204845 |
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting – from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy – but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the ‘self’ (the ‘Hamlet paradigm’), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
| Author | : Richard C. Beacham |
| Publisher | : Harvard University Press |
| Total Pages | : 290 |
| Release | : 1991 |
| Genre | : History |
| ISBN | : 9780674779143 |
Provides a general account of the Roman theater and its audience, and records some of the results of the author's experiments in constructing a full-scale replica stage based upon the wall paintings at Pompeii and Herculaneum, and producing Roman plays upon it.
