Saint Jerome In His Study By Joos Van Cleve
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| Author | : Anne Dubois |
| Publisher | : Peeters Publishers |
| Total Pages | : 344 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9789042917767 |
Ces Actes du Colloque XV pour l'etude du dessin sous-jacent et de la technologie dans la peinture (Bruges, 11-13 septembre 2003), reunissent trente-six etudes traitant d'oeuvres d'art flamand, espagnol, portugais, italien et francais. Ces etudes sont suivies, comme dans les Actes precedents, d'une bibliographie de l'infrarouge.Depuis de nombreuses annees on sait que la peinture ancienne est constituee - outre d'oeuvres dites "originales" - de copies, de repliques et de pastiches, produites dans des ateliers actifs qui faisaient appel a des collaborations. Les bases sur lesquelles on avait fonde jadis les catalogues des maitres sont ebranlees. De nombreuses attributions doivent etre revues. Les auteurs du present volume ont porte leur effort dans ce sens, examinant d'un oeil critique le statut des peintures et les indices qui permettent de reconnaitre l'original de la copie. Certains auteurs traitent de procedes de copies, de l'usage de cartons, modeles et papiers perfores, mais egalement de couleurs, d'encres, d'enduits, de technique picturale ... D'autres auteurs tentent de preciser le nombre de collaborateurs dans les ateliers. D'autres encore s'interessent a une methode d'examen, comme la radiographie, pour l'exploiter afin de distinguer au mieux la main du maitre de celle du copiste.
| Author | : John Oliver Hand |
| Publisher | : Yale University Press |
| Total Pages | : 251 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300105789 |
"Joos van Cleve (active 1505/08-1540/41), an accomplished and influential Netherlandish artist, and a superb technician and sensitive colorist, created some of the most attractive and endearing images in northern Renaissance painting. In this book - the first major study of Joos in nearly eighty years - the foremost authority on the artist provides a complete and up-to-date account of Joos's life and works." "John Hand discusses events in the artist's career, the increasing obscurity of his works in the centuries after his death, and their rediscovery in the nineteenth century. Hand then examines specific paintings in Joos's oeuvre, addressing a broad spectrum of topics concerning the artist's style, chronology, iconography, influences, and the wide range of his commission."--Jacket.
| Author | : |
| Publisher | : Yale University Press |
| Total Pages | : 364 |
| Release | : 2006-01-01 |
| Genre | : Diptychs |
| ISBN | : 0300121555 |
| Author | : Eugene F. Rice |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Penny Howell Jolly |
| Publisher | : |
| Total Pages | : 34 |
| Release | : 1983 |
| Genre | : Christian saints in art |
| ISBN | : |
| Author | : Vincent Ilardi |
| Publisher | : American Philosophical Society |
| Total Pages | : 408 |
| Release | : 2007 |
| Genre | : Business & Economics |
| ISBN | : 9780871692597 |
Deals with the history of eyeglasses from their invention in Italy ca. 1286 to the appearance of the telescope three cent. later. "By the end of the 16th cent. eyeglasses were as common in western and central Europe as desktop computers are in western developed countries today." Eyeglasses served an important technological function at both the intellectual and practical level, not only easing the textual studies of scholars but also easing the work of craftsmen/small bus. During the 15th cent. two crucial developments occurred: the ability to grind convex lenses for various levels of presbyopia and the ability to grind concave lenses for the correction of myopia. As a result, eyeglasses could be made almost to prescription by the early 17th cent. Illus.
| Author | : Leah Kardos |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 265 |
| Release | : 2021-12-16 |
| Genre | : Music |
| ISBN | : 1501365401 |
Blackstar Theory takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.
| Author | : Christel Stalpaert |
| Publisher | : Academia Press |
| Total Pages | : 228 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9789076645025 |
The critical essays collected in this volume reflect Greenaway's relocation of The Tempest along the fundamentally unstable boundaries between different discursive formations.
| Author | : Catherine Larson |
| Publisher | : Indiana University Press |
| Total Pages | : 303 |
| Release | : 1999-05-22 |
| Genre | : Literary Criticism |
| ISBN | : 0253109051 |
“This thoughtfully crafted . . . insightful and informative [anthology] elucidates an overlooked, essential component of the Latin American literary canon” (Choice). Latin American Women Dramatists sheds much-needed light on the significant contributions made by these pioneering authors during the last half of the twentieth century. Contributors discuss fifteen works of Latin-American playwrights, delineate the artistic lives of women dramatists from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela. Looking at these writers and their work from political, historical, and feminist perspectives, this anthology also underscores the problems inherent in writing under repressive governments. “The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English.” —Times Literary Supplement, UK
| Author | : Lisa Jardine |
| Publisher | : Princeton University Press |
| Total Pages | : 301 |
| Release | : 2015-06-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1400866170 |
The name Erasmus of Rotterdam conjures up a golden age of scholarly integrity and the disinterested pursuit of knowledge, when learning could command public admiration without the need for authorial self-promotion. Lisa Jardine, however, shows that Erasmus self-consciously created his own reputation as the central figure of the European intellectual world. Erasmus himself—the historical as opposed to the figural individual—was a brilliant, maverick innovator, who achieved little formal academic recognition in his own lifetime. What Jardine offers here is not only a fascinating study of Erasmus but also a bold account of a key moment in Western history, a time when it first became possible to believe in the existence of something that could be designated "European thought."
