Ryan Mcginley
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| Author | : Nora Burnett Abrams |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2017-03-07 |
| Genre | : Photography |
| ISBN | : 0847859703 |
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.
| Author | : Ryan McGinley |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2018-10-16 |
| Genre | : Photography |
| ISBN | : 0847863476 |
Ryan McGinley, one of the most important photographers of his generation, asks his friends and colleagues to take the camera into their own hands. Following instructions given to them by the artist, a group of individuals explore their own image. Ryan McGinley, since the earliest days of his unparalleled career, has chronicled his friends and cohorts. Whether on the now legendary annual road trips he has organized with a large coterie of twentysomethings documenting summertime exploits or documenting the early gritty years in downtown New York, McGinley is known as the consummate storyteller about freedom and abandon of youth. A few years ago, however, he wanted to challenge his creative habits and asked more than one hundred of his friends and colleagues--guided by detailed instructions and a camera given to them by the artist--to take nude self-portraits using mirrors and other props. Though related to the ubiquitous selfie, the participants didn't have the benefit of seeing the image before they clicked the shutter. Furthermore, McGinley would make the selection of the final image to represent the photo session. The experiment yielded scores of intimate and psychologically revealing photos that--even though not done by his own hand--bear some signature McGinley flourishes in their emotional depth and resonance.
| Author | : Allen Ginsberg |
| Publisher | : Chronicle Books (CA) |
| Total Pages | : 104 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : |
A glorious collection of some 70 remarkable photographs of Beat writers and personalities taken by Ginsberg between 1953 and 1991 in venues from San Francisco to New York to Tangier. Originally published in Germany and re-edited for the present edition. Annotation copyright by Book News, Inc., Portland, OR
| Author | : |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2015-11-03 |
| Genre | : Art |
| ISBN | : 0847845796 |
A visually arresting collection of new works by emerging artists and celebrated names, united around a simple premise. The first in an exciting new series, Feelings: Soft Art is an intimate exploration of contemporary art today. Focused on material qualities and the feelings evoked by a work, this thematic approach returns to the basic pleasure of experiencing art. An easy, evocative look at artists and their projects, this heavily illustrated publication features hands-on insight from within the art world and without. Drawing on hundreds of new paintings, sculptures, photographs, and other practices, extended essays develop common threads. Brief texts and interviews reveal the making of soft works and artists’ relationships with the materials they use.
| Author | : Jérôme Sans |
| Publisher | : Damiani Limited |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Photography |
| ISBN | : 9788862084260 |
This book edited by Jérôme Sans draws a Lipstick panorama within the world of contemporary art photography. Fully illustrated it is conceived as a magazine or a rhapsody without any beginning or end. Throughout the pages unfurls a new history of the relationship with Lipstick. A story that shows how this feminine symbol with particular flavor has pervaded our culture and its imagery. The book brings together more than 40 international artists and their work from Andy Warhol's self-portrait to intimate pictures of Araki and Nan Goldin, collapsed compositions of Maurizio Cattelan and Pier Paolo Ferrari. Sublimed, made-up, eroticized, parodied ... these traces of contemporary cult accoutrement has become an iconic element of contemporary values. A sexy book to be kissed.
| Author | : Joel Meyerowitz |
| Publisher | : Phaidon |
| Total Pages | : 344 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : |
A unique visual archive by master photographer Joel Meyerowitz.
| Author | : |
| Publisher | : powerHouse Books |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Female impersonators |
| ISBN | : 9781576875858 |
An authentic compendium of 1970s' New York style and attitude and a confirmed masterpiece. Idols began with an awestruck Larrain visiting Kansas City in the explosively liberating early years of the gay rights movement and befriending Taylor Meade and John Noble. Once they had been photographed, the rest of the troupe followed suit. The result is a collection of photographs of a generation of New York's most talented, outrageous, glamorous and mostly gay personalities who posed for Larrain in his now legendary Soho studio.
| Author | : William Eggleston |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Photography |
| ISBN | : 9783869307923 |
"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.
| Author | : DB Burkeman |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2021-03-23 |
| Genre | : Music |
| ISBN | : 0847868877 |
Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination. The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history. This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.
| Author | : Vice Magazine |
| Publisher | : Vice Books |
| Total Pages | : 336 |
| Release | : 2008-03-01 |
| Genre | : Photojournalism |
| ISBN | : 9780955801501 |
After 13 years of cutting-edge gonzo journalism (or immersionism), Vice Magazine has amassed a world-famous collection of photographs - including never before-seen work by Terry Richardson, Richard Kern, Juergen Teller and Vice alumni including Ryan McGinley and Dash Snow. The first section of the photo book juxutaposes big names with newcomers, the second contains photojournalistic highlights from Vice, the third contains Vice's novel take on fashion and the final two are a collage of Vice favourites - new and old.
