Russian Utopia
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| Author | : Mark D. Steinberg |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 153 |
| Release | : 2021-10-21 |
| Genre | : History |
| ISBN | : 1350127205 |
Mark D. Steinberg explores the work of individuals he recognizes as utopians during the most dramatic period in Russian and Soviet history. It has long been a cliché to argue that Russian revolutionary movements have been inspired by varieties of 'utopian dreaming' – claims which, although not wrong, are too often used uncritically. For the first time, Russian Utopian digs deeper and asks what utopians meant at the level of ideas, emotions, and lived experience. Despite the fact that many would have resisted the 'utopian' label at the time because of its dismissive meanings, Steinberg's comprehensive approach sees him take in political leaders, intellectuals, writers, and artists (visual, material, and musical), as well as workers, peasants, soldiers, students and others. Ideologically, the figures discussed range from reactionaries to anarchists, nationalists (including non-Russians) to feminists, both religious believers and 'the militant godless'. This innovative text dissects the very notion of the Russian utopian and examines its significance in its various fascinating contexts.
| Author | : Faith Hillis |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2021 |
| Genre | : History |
| ISBN | : 0190066334 |
Utopia's Discontents provides the first synthetic treatment of the Russian revolutionary emigration before the Revolution. It argues that neighborhoods created by Russian exiles became sites of revolutionary experimentation that offered their residents a taste of their anticipated utopian future.
| Author | : Olga Matich |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 356 |
| Release | : 2005-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0299208834 |
The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence. 2006 Winner, CHOICE Award for Outstanding Academic Titles, Current Reviews for Academic Libraries Honorable Mention, Aldo and Jean Scaglione Prize for Studies in Slavic Languages and Literatures, Modern Language Association “Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal “Thoroughly entertaining.”—Avril Pyman, Slavic Review
| Author | : Solomon R. Guggenheim Museum |
| Publisher | : ABRAMS |
| Total Pages | : 0 |
| Release | : 1992 |
| Genre | : Art, Modern |
| ISBN | : 9780810968684 |
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."
| Author | : Mark D. Steinberg |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 153 |
| Release | : 2021-09-23 |
| Genre | : History |
| ISBN | : 1350127191 |
Winner of the 2022 Choice Outstanding Academic Titles Mark D. Steinberg explores the work of individuals he recognizes as utopians during the most dramatic period in Russian and Soviet history. It has long been a cliché to argue that Russian revolutionary movements have been inspired by varieties of 'utopian dreaming' – claims which, although not wrong, are too often used uncritically. For the first time, Russian Utopian digs deeper and asks what utopians meant at the level of ideas, emotions, and lived experience. Despite the fact that many would have resisted the 'utopian' label at the time because of its dismissive meanings, Steinberg's comprehensive approach sees him take in political leaders, intellectuals, writers, and artists (visual, material, and musical), as well as workers, peasants, soldiers, students and others. Ideologically, the figures discussed range from reactionaries to anarchists, nationalists (including non-Russians) to feminists, both religious believers and 'the militant godless'. This innovative text dissects the very notion of the Russian utopian and examines its significance in its various fascinating contexts.
| Author | : Mark D. Steinberg |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 152 |
| Release | : 2021-09-23 |
| Genre | : History |
| ISBN | : 1350127221 |
Mark D. Steinberg explores the work of individuals he recognizes as utopians during the most dramatic period in Russian and Soviet history. It has long been a cliché to argue that Russian revolutionary movements have been inspired by varieties of 'utopian dreaming' – claims which, although not wrong, are too often used uncritically. For the first time, Russian Utopian digs deeper and asks what utopians meant at the level of ideas, emotions, and lived experience. Despite the fact that many would have resisted the 'utopian' label at the time because of its dismissive meanings, Steinberg's comprehensive approach sees him take in political leaders, intellectuals, writers, and artists (visual, material, and musical), as well as workers, peasants, soldiers, students and others. Ideologically, the figures discussed range from reactionaries to anarchists, nationalists (including non-Russians) to feminists, both religious believers and 'the militant godless'. This innovative text dissects the very notion of the Russian utopian and examines its significance in its various fascinating contexts.
| Author | : Marina Balina |
| Publisher | : Anthem Press |
| Total Pages | : 335 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0857283901 |
Taken together, these essays redefine the preconceived notion of Soviet happiness as the product of official ideology imposed from above and expressed predominantly through collective experience, and provide evidence that the formation of the concept of individual happiness was not contained by the limitations of important state projects, controlled by state policies and aimed toward the creation of a new society.
| Author | : Roland Elliott Brown |
| Publisher | : Fuel Publishing |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 9780995745575 |
Drawing on the early Soviet atheist magazines Godless and Godless atthe Machine, and postwar posters by Communist Party publishers, the authorpresents an unsettling tour of atheist ideology in the USSR.
| Author | : Anna Alekseyeva |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2019-02-07 |
| Genre | : Social Science |
| ISBN | : 1351019767 |
This book explores how intellectuals of the later Soviet decades – the 1970s and 1980s – sought to bring about the socialist utopian world. It argues that the last two decades of the Soviet Union were not characterised by state withdrawal and malaise, as some scholars have argued; attempts to envisage and enact Utopia remained as imaginative and creative as ever. The book considers what these utopian ideas looked like through housing schemes, layouts of districts and cities, design of objects and interiors, and proposals for the organisation of family and social life. Relating developments in the Soviet Union to evolving social theory and postmodernism more broadly, the book draws transnational parallels between the intellectual history of east and west in the late twentieth century.
| Author | : Raffaella Faggionato |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 316 |
| Release | : 2006-01-18 |
| Genre | : Philosophy |
| ISBN | : 1402034873 |
This is the first investigation of the history of Russian Freemasonry, based on the premise that the facts of the Russian Enlightenment preclude application of the interpretative framework commonly used for the history of western thought. Coverage includes the development of early Russian masonry, the formation of the Novikov circle in Moscow, the ‘programme’ of Rosicrucianism and its Russian variant and, finally, the clash between the Rosicrucians and the State.
