Russian Through Art
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Author | : Anna S. Kudyma |
Publisher | : Routledge |
Total Pages | : 276 |
Release | : 2018-07-20 |
Genre | : Foreign Language Study |
ISBN | : 131531570X |
Russian Through Art: For Intermediate to Advanced Students develops all four language skills while enhancing students’ cultural knowledge through exposure to Russian visual arts. Each of the six thematically organised chapters is accompanied by online resources, available at https://ccle.ucla.edu/course/view/russnart. These supporting materials include online lectures, readings, audio and video clips and assignments of varying levels of difficulty, starting with description and narration tasks and progressing to discussion and debate. Each chapter contains a number of task-based and project-based assignments. The book and website’s modular design make it easy to adapt this comprehensive resource to different course needs and different levels. By the end of the course students will have broadened their active vocabulary, enhanced their grammatical skills while familiarising themselves with Russian art in its various representations and periods.
Author | : Nancy Perloff |
Publisher | : Getty Publications |
Total Pages | : 210 |
Release | : 2017-01-21 |
Genre | : Art |
ISBN | : 1606065084 |
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author | : John E. Bowlt |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9780500293058 |
A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution
Author | : Louise Hardiman |
Publisher | : Open Book Publishers |
Total Pages | : 243 |
Release | : 2017-11-13 |
Genre | : Art |
ISBN | : 1783743417 |
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author | : Evgueny Kovtun |
Publisher | : Parkstone International |
Total Pages | : 275 |
Release | : 2014-05-10 |
Genre | : Art |
ISBN | : 1783103817 |
The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Author | : Vsevolod Petrov |
Publisher | : |
Total Pages | : 0 |
Release | : 1997 |
Genre | : Art nouveau |
ISBN | : 9781859953501 |
The Art Nouveau movement in Russia was known under the name of The World of Art. This association grouped a remarkable collection of artist and poets at the end of the 19th century. Inspired by the poetic ideals of neo-Romanticism and Symbolism, they extended their influence into all forms of plastic and literary composition. Certain members of the group became world famous for book illustrations and theatrical decors. The illustrations include paintings, book illustrations, theatrical costumes and decors of such members as: Alexander Benois, Leon Bakst, Mstislav Dobujinsky, Boris Kustodiev, Evgeni Lanceray, Anna Ostrumova-Lebedeva, Konstantin Somov, Alexandre Golovin, Mikhail Vrubel, Valentin Serov Ivan Bilibin, Dimitri Mitrokin, Sergei Tchekonin and others.
Author | : John McPhee |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 198 |
Release | : 2011-04-01 |
Genre | : Art |
ISBN | : 0374708487 |
John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse. In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched.
Author | : Galina Mardilovich |
Publisher | : Routledge |
Total Pages | : 228 |
Release | : 2019-12-20 |
Genre | : Art |
ISBN | : 0429639783 |
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
Author | : Mark Pettus |
Publisher | : Lulu.com |
Total Pages | : 312 |
Release | : 2017-12-06 |
Genre | : Art |
ISBN | : 1387423525 |
Russian, Book 1: Russian Through Propaganda is the first volume in a new series of Russian textbooks with a rigorous but rewarding approach to the language. It assumes no prior knowledge of Russian, and is intended for ambitious beginners, or more advanced students seeking a highly structured review of the language. It assumes that its readers are interested in long-term mastery of the language, within the rich historical, cultural, and literary contexts that often draw students to Russian in the first place. It therefore takes the time to explain challenging grammar topics in depth, striving to provide the full picture as clearly as possible. It is richly illustrated with Soviet-era propaganda posters, whose slogans serve as examples of each lesson's grammar. It is structured as a series of 50 daily lessons, which build upon one another and give a clear sense of progress. It is the equivalent of a semester of intensive college-level study of Russian. Free video lessons and a number of Russian-culture resources are available online at www.russianthroughpropaganda.com.
Author | : John E. Bowlt |
Publisher | : |
Total Pages | : 0 |
Release | : 2020-04-21 |
Genre | : Art |
ISBN | : 9780865653788 |
"First published in hardcover by The Vendome Press in 2008"--Copyright page.