Russian Masculinities In History And Culture
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| Author | : B. Clements |
| Publisher | : Springer |
| Total Pages | : 252 |
| Release | : 2001-12-18 |
| Genre | : Social Science |
| ISBN | : 0230501796 |
From the romantic liaisons of Peter the Great to the birth of the Russian 'queen', this collection of essays presents recent research from the new field of Russian masculinity studies. Peasant patriarchs, aristocratic dandies, anxious young bureaucrats, workers in search of father figures, heroic warriors, promiscuous bathhouse attendants and vodka-soaked athletic stars populate this volume. Its essays take as a starting point the notion that masculinity, like femininity, has a history.
| Author | : L. Edmondson |
| Publisher | : Springer |
| Total Pages | : 242 |
| Release | : 2001-07-11 |
| Genre | : History |
| ISBN | : 0230518923 |
This volume charts the changing aspects of gender in Russia's cultural and social history from the late seventeenth century to the Stalinist era and the collapse of the Soviet Union. The works, while focusing on women as a primary subject, highlight in particular gender difference, the construction of both femininity and masculinity in a culture that has undergone major transformation and disruptions over the period of three centuries.
| Author | : Marko Dumančić |
| Publisher | : University of Toronto Press |
| Total Pages | : 413 |
| Release | : 2020-12-16 |
| Genre | : History |
| ISBN | : 1487531850 |
Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as "The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists’ inability to navigate the challenges of postwar life. Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period’s most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin.
| Author | : Maya Eichler |
| Publisher | : Stanford University Press |
| Total Pages | : 400 |
| Release | : 2011-10-26 |
| Genre | : Political Science |
| ISBN | : 0804778361 |
A state's ability to maintain mandatory conscription and wage war rests on the idea that a "real man" is one who has served in the military. Yet masculinity has no inherent ties to militarism. The link between men and the military, argues Maya Eichler, must be produced and reproduced in order to fill the ranks, engage in combat, and mobilize the population behind war. In the context of Russia's post-communist transition and the Chechen wars, men's militarization has been challenged and reinforced. Eichler uncovers the challenges by exploring widespread draft evasion and desertion, anti-draft and anti-war activism led by soldiers' mothers, and the general lack of popular support for the Chechen wars. However, the book also identifies channels through which militarized gender identities have been reproduced. Eichler's empirical and theoretical study of masculinities in international relations applies for the first time the concept of "militarized masculinity," developed by feminist IR scholars, to the case of Russia.
| Author | : Eliot Borenstein |
| Publisher | : Duke University Press |
| Total Pages | : 372 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9780822325925 |
An analysis of the construction of masculinity in early Soviet culture that finds in the novels of Babel and others an utopian society composed exclusively of men.
| Author | : Andrew Baruch Wachtel |
| Publisher | : John Wiley & Sons |
| Total Pages | : 298 |
| Release | : 2013-05-08 |
| Genre | : Literary Criticism |
| ISBN | : 0745654576 |
For most English-speaking readers, Russian literature consists of a small number of individual writers - nineteenth-century masters such as Dostoevsky, Tolstoy and Turgenev - or a few well-known works - Chekhov's plays, Brodsky's poems, and perhaps Master and Margarita and Doctor Zhivago from the twentieth century. The medieval period, as well as the brilliant tradition of Russian lyric poetry from the eighteenth century to the present, are almost completely terra incognita, as are the complex prose experiments of Nikolai Gogol, Nikolai Leskov, Andrei Belyi, and Andrei Platonov. Furthermore, those writers who have made an impact are generally known outside of the contexts in which they wrote and in which their work has been received. In this engaging book, Andrew Baruch Wachtel and Ilya Vinitsky provide a comprehensive, conceptually challenging history of Russian literature, including prose, poetry and drama. Each of the ten chapters deals with a bounded time period from medieval Russia to the present. In a number of cases, chapters overlap chronologically, thereby allowing a given period to be seen in more than one context. To tell the story of each period, the authors provide an introductory essay touching on the highpoints of its development and then concentrate on one biography, one literary or cultural event, and one literary work, which serve as prisms through which the main outlines of a given period?s development can be discerned. Although the focus is on literature, individual works, lives and events are placed in broad historical context as well as in the framework of parallel developments in Russian art and music.
| Author | : Cimen Gunay-Erkol |
| Publisher | : Central European University Press |
| Total Pages | : 262 |
| Release | : 2016-10-10 |
| Genre | : Social Science |
| ISBN | : 6155225257 |
Broken Masculinities portrays the post-dictatorial novel of the 1970s in all its complexity, and introduces the reader to a 1968-era Turkey, a period which challenges Turkey?s now reinforced Islamic image by portraying the quest for sexual liberation and critical student uprisings. G?nay-Erkol argues that the literature written after the 1970 coup in Turkey constitutes a coherent sub-genre and needs to be considered together. These novels share a common ground which is rich in images of men and women craving for power: general isolation, sexual-emotional frustration, and a traumatic sense of solitude and alienation. This book is an original and significant contribution to two major fields of study: (1) gender and sexuality with respect to formation of subjectivity through literature, and (2) modern literature and history through the study of Turkish literature. The chief concern in this book is not only literature?s response to a particular period in Turkey, but also the role of literature in bearing witness to trauma and drastic political acts of violence?and coming to terms with them. ÿ
| Author | : Daniel Orlovsky |
| Publisher | : John Wiley & Sons |
| Total Pages | : 498 |
| Release | : 2020-10-19 |
| Genre | : History |
| ISBN | : 1118620895 |
A compendium of original essays and contemporary viewpoints on the 1917 Revolution The Russian revolution of 1917 reverberated throughout an empire that covered one-sixth of the world. It altered the geo-political landscape of not only Eurasia, but of the entire globe. The impact of this immense event is still felt in the present day. The historiography of the last two decades has challenged conceptions of the 1917 revolution as a monolithic entity— the causes and meanings of revolution are many, as is reflected in contemporary scholarship on the subject. A Companion to the Russian Revolution offers more than thirty original essays, written by a team of respected scholars and historians of 20th century Russian history. Presenting a wide range of contemporary perspectives, the Companion discusses topics including the dynamics of violence in war and revolution, Russian political parties, the transformation of the Orthodox church, Bolshevism, Liberalism, and more. Although primarily focused on 1917 itself, and the singular Revolutionary experience in that year, this book also explores time-periods such as the First Russian Revolution, early Soviet government, the Civil War period, and even into the 1920’s. Presents a wide range of original essays that discuss Brings together in-depth coverage of political history, party history, cultural history, and new social approaches Explores the long-range causes, influence on early Soviet culture, and global after-life of the Russian Revolution Offers broadly-conceived, contemporary views of the revolution largely based on the author’s original research Links Russian revolutions to Russian Civil Wars as concepts A Companion to the Russian Revolution is an important addition to modern scholarship on the subject, and a valuable resource for those interested in Russian, Late Imperial, or Soviet history as well as anyone interested in Revolution as a global phenomenon.
| Author | : Charlotte Hooper |
| Publisher | : Columbia University Press |
| Total Pages | : 311 |
| Release | : 2001-02-22 |
| Genre | : Political Science |
| ISBN | : 0231505205 |
Much has been written on how masculinity shapes international relations, but little feminist scholarship has focused on how international relations shape masculinity. Charlotte Hooper draws from feminist theory to provide an account of the relationship between masculinity and power. She explores how the theory and practice of international relations produces and sustains masculine identities and masculine rivalries. This volume asserts that international politics shapes multiple masculinities rather than one static masculinity, positing an interplay between a "hegemonic masculinity" (associated with elite, western male power) and other subordinated, feminized masculinities (typically associated with poor men, nonwestern men, men of color, and/or gay men). Employing feminist analyses to confront gender-biased stereotyping in various fields of international political theory—including academic scholarship, journals, and popular literature like The Economist—Hooper reconstructs the nexus of international relations and gender politics during this age of globalization.
| Author | : Kimberly A. Williams |
| Publisher | : State University of New York Press |
| Total Pages | : 303 |
| Release | : 2012-02-15 |
| Genre | : Social Science |
| ISBN | : 1438439776 |
Co-winner of the 2009 SUNY Press Dissertation/First Book Prize in Women's and Gender Studies, Imagining Russia uses U.S.–Russian relations between the fall of the Soviet Union in 1991 and the U.S.-led invasion of Iraq in 2003 as a case study to examine the deployment of gendered, racialized, and heteronormative visual and narrative depictions of Russia and Russians in contemporary narratives of American nationalism and U.S. foreign policy. Through analyses of several key post-Soviet American popular and political texts, including the hit television series The West Wing, Washington D.C.'s International Spy Museum, and the legislative hearings of the Freedom Support Act and the Trafficking Victims Protection Act, Williams calls attention to the production and operation of five types of "gendered Russian imaginaries" that were explicitly used to bolster support for and legitimize U.S. geopolitical unilateralism after the dissolution of the Soviet Union, demonstrating the ways that the masculinization of U.S. military, political, and financial power after 1991 paved the way for the invasion of Iraq in 2003.
