The French Revolution in Russian Intellectual Life

The French Revolution in Russian Intellectual Life
Author: James O'Connor
Publisher: Routledge
Total Pages: 220
Release: 2017-07-12
Genre: History
ISBN: 1351482556

Sandwiched between the East and West, Russian intellectuals have for centuries been divided geographically, politically, and culturally into two distinct groups: the Slavophiles, who rejected Western-style democracy, preferring a more holistic and abstract vision, and the more rational and scientific-minded Westernizers. These two ideologies cut across the political spectrum of late nineteenth-century Russia and competed for dominance in the country's intellectual life. The tension created between these two opposing groups caused the feeling that violent upheaval was Russia's future. In turn, many began to think that Russia was possibly following the path of France and that a French-style revolution might be possible on Russian soil. In The French Revolution in Russian Intellectual Life, Dmitry Shlapentokh describes the role that the French democratic revolution played in Russia's intellectual development by the end of the nineteenth century. The revolutionary upheaval in Russia at the beginning of twentieth century and the continuous expansion of the West convinced most Russian intellectuals that the French Revolution in its democratic reading was indeed the pathway of history. Yet the rise of totalitarian regimes and their expansion proved the validity of the sober vision of nineteenth-century Russian intellectuals. Some conservative Russian intellectuals believed that not only would Russia preserve its authoritarian regime but it would spread this regime all over the world. In this context, Shlapentokh argues the French Revolution with its democratic tradition was only a phenomenon of Western civilization and hence transitory. The flirtation with Western ideology, with its democratic polity and market economy that followed in the wake of the collapse of the communist regime, culminated in an increasing push for corporate authoritarianism and nationalism. This work helps explain why Russia turned away from democratic to autocratic stylesi?1

The Counter-revolution in Revolution

The Counter-revolution in Revolution
Author: Dmitry Shlapentokh
Publisher: Palgrave Macmillan
Total Pages: 183
Release: 1999
Genre: History
ISBN: 9780312215866

The collapse of the Imperial regime in Russia excited intellectuals of all political persuasions to compare pre-Revolutionary Russia with revolutionary France. Historian Dmitry Shlapentokh examines one of the most dramatic periods in European history and provides an insightful and original analysis of such subjects as counter-revolution, terror, and dictatorship.

Inventing Eastern Europe

Inventing Eastern Europe
Author: Larry Wolff
Publisher: Stanford University Press
Total Pages: 444
Release: 1994
Genre: History
ISBN: 9780804727020

Wolff explores how Western thinkers contributed to defining and characterizing Eastern Europe as half-civilized and barbaric.

Russia under Western Eyes

Russia under Western Eyes
Author: Martin E Malia
Publisher: Harvard University Press
Total Pages: 529
Release: 2009-06-30
Genre: History
ISBN: 0674040481

A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.

Global Ramifications of the French Revolution

Global Ramifications of the French Revolution
Author: Joseph Klaits
Publisher: Cambridge University Press
Total Pages: 228
Release: 2002-06-06
Genre: History
ISBN: 9780521524476

Essays on the French Revolution's historical and ongoing impact in different parts of the world.

Natasha's Dance

Natasha's Dance
Author: Orlando Figes
Publisher: Metropolitan Books
Total Pages: 544
Release: 2014-02-11
Genre: History
ISBN: 1466862890

History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.

Breaking Ground

Breaking Ground
Author: Sara Dickinson
Publisher: BRILL
Total Pages: 291
Release: 2006-01-01
Genre: Literary Criticism
ISBN: 9401202710

Breaking Ground examines travel writing’s contribution to the development of a Russian national culture from roughly 1700 to 1850, as Russia struggled to define itself against Western Europe. Russian examples of literary travel writing began with imitative descriptions of grand tours abroad, but progressive familiarity with the West and with its literary forms gradually enabled writers to find other ways of describing the experiences of Russians en route. Blending foreign and native cultural influences, writers responded to the pressures of the age—to Catherine II, Napoleon, and Nicholas I, for example—both by turning “inward” to focus on domestic touring and by rewriting their relationship to the West. This book tracks the evolution of literary travel writing in this period of its unprecedented popularity and demonstrates how the expression of national identity, the discovery of a national culture, and conceptions of place—both Russian and Western European-were among its primary achievements. These elements also constitute travel writing’s chief legacy to prose fiction, “breaking ground” for the later masterpieces of writers such as Turgenev, Dostoevsky, and Tolstoy. For literary scholars, historians, and other educated readers with interests in Russian culture, travel writing, comparative literature, and national identity.

Human Nature, Cultural Diversity, and the French Enlightenment

Human Nature, Cultural Diversity, and the French Enlightenment
Author: Henry Vyverberg
Publisher: Oxford University Press, USA
Total Pages: 236
Release: 1989
Genre: Enlightenment
ISBN: 019505864X

In this work, Henry Vyverberg traces the evolution and consequences of a crucial idea in French Enlightenment thought--the idea of human nature. Human nature was commonly seen as a broadly universal, unchanging entity, though perhaps modifiable by geographical, social, and historical factors. Enlightenment empiricism suggested a degree of cultural diversity that has often been underestimated in studies of the age. Evidence here is drawn from Diderot's celebrated Encyclopedia and from a vast range of writing by such Enlightenment notables as Voltaire, Rousseau, and d'Holbach. Vyverberg explains not only the age's undoubted fascination with uniformity in human nature, but also its acknowledgment of significant limitations on that uniformity. He shows that although the Enlightenment's historical sense was often blinkered by its notions of a uniform human nature, there were also cracks in this concept that developed during the Enlightenment itself.