Rudolf Stingel
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| Author | : Rudolf Stingel |
| Publisher | : Hatje Cantz Verlag |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : |
| ISBN | : 9783775723398 |
New York-based, Italian-born artist Rudolf Stingel radically questions contemporary painting through his use of unusual materials like carpet, aluminum insulation paneling and Styrofoam. For example, for his 1991 New York debut at Daniel Newburg Gallery, Stingel exhibited a bright orange rug in the otherwise empty space. Conceived by Stingel, and photographed and designed under his direction, this volume presents images from Stingel's 2007 solo exhibitions at the Museum of Contemporary Art in Chicago and the Whitney Museum of American Art in New York, with work spanning the last 20 years of his career. A highlight of each show was the entry gallery, clad in silver aluminum insulation paneling and lit by a crystal chandelier. Over the course of the exhibition, visitors inscribed all manner of graffiti on the surface, creating an amazing network of scrawls, scratches and patterns. Also included are Stingel's photorealist self-portraits and smaller Styrofoam pieces, among other works.
| Author | : |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2020-09-15 |
| Genre | : Art |
| ISBN | : 0847869075 |
A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting.
| Author | : Jeffrey Deitch |
| Publisher | : Skira |
| Total Pages | : 242 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0847839052 |
The first large-scale exhibition exploring contemporary abstract painting. In a major exhibition at the Museum of Contemporary Art, Los Angeles, director Jeffrey Deitch considers the reemergence of abstract painting among a broad range of artists whose work is as diverse conceptually as it is aesthetically. Looking back to Andy Warhol’s seminal Shadow, Oxidation, and Rorschach paintings as among the many touchstones that underwrite the contemporary impulse to abstraction, the show features artists such as Julie Mehretu, whose large-scale works densely layer maplike markings; Josh Smith, whose lush canvases often explore a single theme repeatedly, such as his signature; and Tauba Auerbach, whose highly formal explorations of materials challenge conventional modes of perception. Additional artists include Rudolf Stingel, Christopher Wool, Glenn Ligon, Urs Fischer, Mark Bradford, Wade Guyton, Kelley Walker, Seth Price, Kerstin Brätsch and Adele Röder, and Sterling Ruby. The exhibition catalogue features a roundtable discussion between Jeffrey Deitch, art historian Johanna Burton, and curators James Meyer and Scott Rothkopf.
| Author | : DAMIEN. HIRST |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : |
| ISBN | : 9781912122295 |
| Author | : Scott Rothkopf |
| Publisher | : Yale University Press |
| Total Pages | : 238 |
| Release | : 2012-11-06 |
| Genre | : Art |
| ISBN | : 0300185324 |
This catalogue was produced on the occasion of the exhibition Wade Guyton at the Whitney Museum of American Art, New York, October 4, 2012-February 2013.
| Author | : Douglas Fogle |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
Catalog of an exhibition held May 3, 2008-Jan. 11, 2009.
| Author | : James Rondeau |
| Publisher | : Contemporary Collecting |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780300170245 |
Published in conjunction with an exhibition organized by and presented at the Art Institute of Chicago from February 13 to May 22, 2011.
| Author | : Vija Celmins |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2015 |
| Genre | : Art, American |
| ISBN | : 9783902592927 |
| Author | : Priya Bhatnagar |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9780984721085 |
Painter, DJ and nightlife promoter Spencer Sweeney (born 1973) has been an indelible and essential part of New York City's cultural landscape for almost two decades, connecting to longstanding roots in the city's music, art and life after dark. While many mourn the loss of the NYC they love, Sweeney has never fallen out of love with his city. This huge but affordable volume is filled with the evidence: pages of fascinating interviews with fellow faithfuls such as Alex Bag, Larry Clark, Abel Ferrara, John Giorno, Mary Heilmann, Harmony Korine, Johan Kugelberg, Jim Lambie, Glenn O'Brien, Will Oldham, Elizabeth Peyton, Rob Pruitt and Tony Shafrazi; archival photos documenting the countless moments, both legendary and obscure; and of course, hundreds of Sweeney's colorful paintings that synthesize life in New York in the second decade of the new century.
| Author | : Joshua Chuang |
| Publisher | : Cahiers D'Art |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Cataloging of pictures |
| ISBN | : 9782851173140 |
Taryn Simon?s 'The Color of a Flea?s Eye' presents a history of the New York Public Library?s Picture Collection?a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals. Since its inception in 1915, the Picture Collection has been a vital resource for writers, historians, artists, filmmakers, fashion designers and advertising agencies.0In her work 'The Picture Collection' (2012-20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon?s photographs is made up of an array of images selected from a given subject folder, such as Chiaroscuro, Handshaking, Haircombing, Express Highways, Financial Panics, Israel, and Beards and Mustaches. In artfully overlapped compositions, only slices of the individual images are visible, each fragment suggesting its whole. Simon sees this extensive archive of images as the precursor to internet search engines. Such an unlikely futurity in the past is at the core of the Picture Collection. The digital is foreshadowed in the analogue, at the same time that history?its classifications, its contents?seems the stuff of projection.
