Royalist and Realist
Author | : Mark Stocker |
Publisher | : Dissertations-G |
Total Pages | : 776 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
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Author | : Mark Stocker |
Publisher | : Dissertations-G |
Total Pages | : 776 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
Author | : Helmer J. Helmers |
Publisher | : Cambridge University Press |
Total Pages | : 343 |
Release | : 2015-01-08 |
Genre | : History |
ISBN | : 1107087619 |
This book traces the impact of the English Civil Wars and the resulting support for the royalist cause in the Dutch Republic.
Author | : Eva L. Corredor |
Publisher | : Post-Contemporary Intervention |
Total Pages | : 234 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : |
Since the collapse of communism in Eastern Europe, the validity of Marxism and Marxist theory has undergone intense scrutiny both within and outside the academy. In Lukács After Communism, Eva L. Corredor conducts ten lively and engaging interviews with a diverse group of international scholars to address the continued relevance of György Lukács's theories to the post-communist era. Corredor challenges these theoreticians, who each have been influenced by the man once considered the foremost theoretician of Marxist aesthetics, to reconsider the Lukácsean legacy and to speculate on Marxist theory's prospects in the coming decades. The scholars featured in this collection--Etienne Balibar, Peter Bürger, Terry Eagleton, Fredric Jameson, Jacques Leenhardt, Michael Löwy, Roberto Schwarz, George Steiner, Susan Suleiman, and Cornel West--discuss a broad array of literary and political topics and present provocative views on gender, race, and economic relations. Corredor's introduction provides a biographical synopsis of Lukács and discusses a number of his most important theoretical concepts. Maintaining the ongoing vitality of Lukács's work, these interviews yield insights into Lukács as a philosopher and theorist, while offering anecdotes that capture him in his role as a teacher-mentor.
Author | : Ian Aitken |
Publisher | : Manchester University Press |
Total Pages | : 255 |
Release | : 2019-01-04 |
Genre | : Performing Arts |
ISBN | : 1526141744 |
‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken’s work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
Author | : Eric Carl Link |
Publisher | : University of Alabama Press |
Total Pages | : 239 |
Release | : 2016-10-18 |
Genre | : Literary Collections |
ISBN | : 0817358854 |
A broad treatment of the cultural, social, political, and literary under-pinnings of an entire period and movement in American letters The Vast and Terrible Drama is a critical study of the context in which authors such as Oliver Wendell Holmes, Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London created their most significant work. In 1896 Frank Norris wrote: "Terrible things must happen to the characters of the naturalistic tale. They must be twisted from the ordinary . . . and flung into the throes of a vast and terrible drama." There could be "no teacup tragedies here." This volume broadens our understanding of literary naturalism as a response to these and other aesthetic concerns of the 19th century. Themes addressed include the traditionally close connection between French naturalism and American literary naturalism; relationships between the movement and the romance tradition in American literature, as well as with utopian fictions of the 19th century; narrative strategies employed by the key writers; the dominant naturalist theme of determinism; and textual readings that provide broad examples of the role of the reader. By examining these and other aspects of American literary naturalism, Link counters a century of criticism that has perhaps viewed literary naturalism too narrowly, as a subset of realism, bound by the conventions of realistic narration.
Author | : Paul L. Dawson |
Publisher | : Pen and Sword |
Total Pages | : 417 |
Release | : 2019-12-19 |
Genre | : History |
ISBN | : 1526749289 |
“For anyone seeking a full understanding of the end of the Napoleonic era this book is a must read . . . [a] tour de force of research.” —Clash of Steel On the morning of 3 July 1815, the French General Rémi Joseph Isidore Exelmans, at the head of a brigade of dragoons, fired the last shots in the defense of Paris until the Franco-Prussian War sixty-five years later. Why did he do so? Traditional stories of 1815 end with Waterloo, that fateful day of 18 June, when Napoleon Bonaparte fought and lost his last battle, abdicating his throne on 22 June. But Waterloo was not the end; it was the beginning of a new and untold story. Seldom studied in French histories and virtually ignored by English writers, the French Army fought on after Waterloo. Many commanders sought to reverse that defeat—at Versailles, Sevres, Rocquencourt, and La Souffel, the last great battle and the last French victory of the Napoleonic Wars. Marshal Grouchy, much maligned, fought his army back to Paris by 29 June, with the Prussians hard on his heels. On 1 July, Vandamme, Exelmans and Marshal Davout began the defense of Paris. Davout took to the field in the north-eastern suburbs of Paris along with regiments of the Imperial Guard and battalions of National Guards. For the first time ever, using the wealth of material held in the French Army archives in Paris, along with eyewitness testimonies from those who were there, Paul Dawson brings alive the bitter and desperate fighting in defense of the French capital. The 100 Days Campaign did not end at Waterloo, it ended under the walls of Paris fifteen days later.
Author | : Luc Herman |
Publisher | : Camden House |
Total Pages | : 262 |
Release | : 1996 |
Genre | : Literary Collections |
ISBN | : 9781571130532 |
Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment.
Author | : Sandy Petrey |
Publisher | : Cornell University Press |
Total Pages | : 196 |
Release | : 2018-07-05 |
Genre | : Literary Criticism |
ISBN | : 150172939X |
The period 1830–1832 witnessed a remarkable series of cultural and political milestones in France. In 1830, a revolution overturned one monarchy, only to replace it with another. In 1831, Charles Philippon's caricature of Louis-Philippe, the new monarch, as a pear achieved extraordinary popularity. Drawn on walls from one end of France to another, the pear caricature became a national obsession. In that same year, George Sand moved from the provinces to Paris and challenged gender stereotypes by adopting men's clothes and writing fiction in a man's voice. During 1830–1832, Stendhal and Balzac developed the techniques of the realist novel that still dominate much of the world's fiction. Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real.Petrey's first two chapters explore the popularity of the pear caricature. The remaining chapters focus on Balzac, Stendhal, and Sand, addressing these writers' concern with society's power to define and transform the identity of its members. For Petrey their work continually recalls the hybrid character of Philippon's pear, both totally unlike the king and the king's spitting image. While the French government declared the July Revolution a nonevent and the July Monarchy an incontrovertible fact, French fiction concentrated on society's power to declare an individual a nonperson or to make presence out of absence, plenitude out of emptiness.
Author | : Anita Seymour |
Publisher | : Casemate Publishers |
Total Pages | : 468 |
Release | : 2013-01-01 |
Genre | : Fiction |
ISBN | : 1781590680 |
Based on the story of the real historical figure of notorious Elizabeth Murray, Countess Dysart and Duchess of Lauderdale, who lived at Ham House, a Jacobean mansion built on the River Thames at Petersham, throughout the reigns of Charles I, Cromwell's Protectorate, Charles II, James II, and William and Mary, and who was deeply embroiled in the politics of the Civil War.
Author | : Alfred Elwes |
Publisher | : |
Total Pages | : 624 |
Release | : 1884 |
Genre | : English language |
ISBN | : |