Catalogue of the Reference Library of the Royal Albert Memorial Museum, Exeter
Author | : University of Exeter. Museum and Library |
Publisher | : |
Total Pages | : 670 |
Release | : 1901 |
Genre | : Library catalogs |
ISBN | : |
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Author | : University of Exeter. Museum and Library |
Publisher | : |
Total Pages | : 670 |
Release | : 1901 |
Genre | : Library catalogs |
ISBN | : |
Author | : Royal Albert memorial Museum (Exeter, GB). |
Publisher | : |
Total Pages | : 124 |
Release | : 2004 |
Genre | : Bark |
ISBN | : 9781855229037 |
Author | : John Jolliffe |
Publisher | : Faber & Faber |
Total Pages | : 259 |
Release | : 2012-04-17 |
Genre | : Biography & Autobiography |
ISBN | : 0571294782 |
The journal of Benjamin Haydon was, Max Beerbohm reported to Siegfried Sassoon, the best diary Beerbohm had ever read. Harold Acton declared Haydon 'a more exciting figure than Ruskin.' H.H. Asquith compared him favourably with Rousseau, while Aldous Huxley declared that 'Never was anyone more clearly cut out to be an author.' Today Haydon's portraits and monumental historical paintings hang in almost all Britain's major collections. However in his own time (1786-1846) his reputation was less secure. Although an intimate of Wordsworth and Walter Scott, on friendly terms with lords and politicians, Haydon was also well acquainted with debtor's prison. Still he remained throughout a witty, brilliant diarist, vividly evidenced by this volume, expertly edited by John Jolliffe, which gathers opinions on everything from the Elgin Marbles and Turner's landscapes to Napoleon's digestion and Queen Victoria's complexion.
Author | : Tom Lawson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 186 |
Release | : 2014-01-27 |
Genre | : History |
ISBN | : 0857734725 |
Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.
Author | : Hannah Paddon |
Publisher | : Routledge |
Total Pages | : 184 |
Release | : 2016-04-08 |
Genre | : Art |
ISBN | : 131706982X |
This is the first book to examine, in depth, the multi-million pound redisplay and reinterpretation process in British museums in the early twenty-first century. Acknowledging the importance of the Heritage Lottery Fund (HLF) as project catalyst, Hannah Paddon explains and explores the complex process, from the initial stages of project conceptualisation to the final stages of museum re-opening and exhibition evaluation. She also provides an in-depth look, using three case study museums, at the factors which shape each museum redisplay project including topics such as museum architecture, government agendas and the exhibition team. Finally, the book offers discussions and conclusions around pitfalls and successes and thoughts about the future of collection redisplay.
Author | : Sheila Hoey Middleton |
Publisher | : |
Total Pages | : 178 |
Release | : 1998 |
Genre | : Amulets |
ISBN | : |
Author | : Samuel J. M. M. Alberti |
Publisher | : University of Virginia Press |
Total Pages | : 257 |
Release | : 2011 |
Genre | : Art |
ISBN | : 0813931673 |
This collection of essays comprises short "biographies" of a number of famous taxidermied animals. Each essay traces the life, death and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping.
Author | : Fabrizio Nevola |
Publisher | : Routledge |
Total Pages | : 277 |
Release | : 2022-03-02 |
Genre | : History |
ISBN | : 1000554953 |
This groundbreaking collection explores the convergence of the spatial and digital turns through a suite of smartphone apps (Hidden Cities) that present research-led itineraries in early modern cities as public history. The Hidden Cities apps have expanded from an initial case example of Renaissance Florence to a further five historic European cities. This collection considers how the medium structures new methodologies for site-based historical research, while also providing a platform for public history experiences that go beyond typical heritage priorities. It also presents guidelines for user experience design that reconciles the interests of researchers and end users. A central section of the volume presents the underpinning original scholarship that shapes the locative app trails, illustrating how historical research can be translated into public-facing work. The final section examines how history, delivered in the format of geolocated apps, offers new opportunities for collaboration and innovation: from the creation of museums without walls, connecting objects in collections to their original settings, to informing decision-making in city tourism management. Hidden Cities is a valuable resource for upper-level undergraduates, postgraduates, and scholars across a variety of disciplines including urban history, public history, museum studies, art and architecture, and digital humanities. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.