Romantique
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Author | : Hannes Opelz |
Publisher | : Peter Lang |
Total Pages | : 338 |
Release | : 2011 |
Genre | : French literature |
ISBN | : 9783039119738 |
The work of French writer and essayist Maurice Blanchot (1907-2003) is without doubt among the most challenging the twentieth century has to offer. Contemporary debate in literature, philosophy, and politics has yet to fully acknowledge its discreet but enduring impact. Arising from a conference that took place in Oxford in 2009, this book sets itself a simple, if daunting, task: that of measuring the impact and responding to the challenge of Blanchot's work by addressing its engagement with the Romantic legacy, in particular (but not only) that of the Jena Romantics. Drawing upon a wide range of philosophers and poets associated directly or indirectly with German Romanticism (Kant, Fichte, Goethe, Jean Paul, Novalis, the Schlegels, Hölderlin), the authors of this volume explore how Blanchot's fictional, critical, and fragmentary texts rewrite and rethink the Romantic demand in relation to questions of criticism and reflexivity, irony and subjectivity, narrative and genre, the sublime and the neutre, the Work and the fragment, quotation and translation. Reading Blanchot with or against key twentieth-century thinkers (Benjamin, Foucault, de Man), they also examine Romantic and post-Romantic notions of history, imagination, literary theory, melancholy, affect, love, revolution, community, and other central themes that Blanchot's writings deploy across the century from Jean-Paul Sartre to Jean-Luc Nancy. This book contains contributions in both English and French.
Author | : |
Publisher | : |
Total Pages | : 224 |
Release | : 2001 |
Genre | : Erotic art |
ISBN | : 9781590200001 |
Author | : |
Publisher | : Editions Bréal |
Total Pages | : 259 |
Release | : |
Genre | : |
ISBN | : 2749523028 |
Author | : Irving Babbitt |
Publisher | : |
Total Pages | : 472 |
Release | : 1919 |
Genre | : Romanticism |
ISBN | : |
Author | : Logan Pearsall Smith |
Publisher | : Boston, Houghton Mifflin |
Total Pages | : 320 |
Release | : 1925 |
Genre | : English language |
ISBN | : |
Author | : Irving Babbitt |
Publisher | : DigiCat |
Total Pages | : 367 |
Release | : 2022-09-04 |
Genre | : Fiction |
ISBN | : |
DigiCat Publishing presents to you this special edition of "Rousseau and Romanticism" by Irving Babbitt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Maxime Foerster |
Publisher | : University of New Hampshire Press |
Total Pages | : 258 |
Release | : 2018-04-03 |
Genre | : Literary Criticism |
ISBN | : 1512601713 |
What would love be if heterosexual couples were no longer assigned gender and sexual norms? Maxime Foerster examines the Òheterosexual troubleÓ between men and women in nineteenth-century French Romantic and Decadent literature. Key works by authors ranging from George Sand to Charles Baudelaire persistently demonstrate that heterosexuality did not work: these authors, and many others, investigated the struggle that men and women alike waged against patriarchal norms. Whereas Romantic fiction dedicated itself to the reinvention of love, Decadence promoted sexual and gender deviance. In expertly evaluating the discord afflicting fictional heterosexual couples, male and female dandies, and doctors and their female patients, Foerster shows the crucial role that literature played in the fashioning of alternative identities. A concluding look at ProustÕs Ë la recherche du temps perdu traces the legacy of heterosexual trouble in the twentieth century.
Author | : Paul E Corcoran |
Publisher | : Springer |
Total Pages | : 241 |
Release | : 1983-08-25 |
Genre | : Political Science |
ISBN | : 1349171468 |
Author | : Stephen Prickett |
Publisher | : A&C Black |
Total Pages | : 1065 |
Release | : 2014-04-14 |
Genre | : Literary Collections |
ISBN | : 1441154027 |
Romanticism was always culturally diverse. Though English-language anthologies have previously tended to see Romanticism as predominantly British, the term itself actually originated in Germany, where it became the banner of a Europe-wide movement involving the profound intellectual and aesthetic changes which we now associate with modernity. This anthology is the first to place British Romanticism within a comprehensive and multi-lingual European context, showing how ideas and writers interconnected across national and linguistic boundaries. By reprinting everything in the original languages, together with an English translation of all non-English material in parallel on the opposite page, it offers a new intellectual map of Romanticism. Material is thematically arranged as follows: - Art & Aesthetics - The Self - History - Language - Hermeneutics & Theology - Nature - The Exotic - Science While focusing on European texts, the inclusion of essays on their North American and Japanese reception means that Romanticism can be seen as a global phenomenon, influencing a surprising number of the ways in which the modern world sees itself.
Author | : Valentina Gosetti |
Publisher | : Routledge |
Total Pages | : 183 |
Release | : 2016-03-22 |
Genre | : Foreign Language Study |
ISBN | : 1317198611 |
Aloysius Bertrand’s Gaspard de la Nuit (1842) is a familiar title to music lovers, thanks to Ravel’s piano work of the same name, and to specialists of French literature, especially those interested in Baudelaire’s prose poetry. Yet until very recently the collection and its author have generally been viewed almost exclusively through the prism of their pioneering role in the development of the prose poem. By placing Bertrand back in his original context, adopting a comparative approach and engaging with recent critical work on the collection, Valentina Gosetti proposes a substantial reassessment of Gaspard de la Nuit and promotes a new understanding of Bertrand in his own terms, rather than those of his successors. Through his playful and ironic reinterpretation of Romantic clichés, and his overt defiance of the boundaries of poetry and beauty, Bertrand emerges as a fascinating figure in his own right. This book is one of the first full-length studies of Bertrand’s work, and it will be of particular interest to specialists of the nineteenth century and of provincial literature, and to students of nineteenth-century poetry or the fantastic.