Romanticism Realism And The Nineteenth Century World
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Author | : Gloria K. Fiero |
Publisher | : McGraw-Hill Humanities, Social Sciences & World Languages |
Total Pages | : 0 |
Release | : 2002 |
Genre | : Civilization |
ISBN | : 9780072317343 |
Book 4: Faith, Reason, And Power In The Early Modern World - Book 5: Romanticism, Realism, And The Nineteenth-Century World--Book 6: Modernism, Globalism, And The Information Age.
Author | : Charles Rosen |
Publisher | : W. W. Norton |
Total Pages | : 244 |
Release | : 1985 |
Genre | : Art, Modern |
ISBN | : 9780393301960 |
Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art
Author | : Carl Dahlhaus |
Publisher | : CUP Archive |
Total Pages | : 152 |
Release | : 1985-06-13 |
Genre | : Music |
ISBN | : 9780521261159 |
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Author | : Charles Moser |
Publisher | : Cambridge University Press |
Total Pages | : 724 |
Release | : 1992-04-30 |
Genre | : Literary Criticism |
ISBN | : 9780521425674 |
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
Author | : Colta Feller Ives |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 266 |
Release | : 2000 |
Genre | : Art |
ISBN | : 0870999648 |
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
Author | : Ernest Bernbaum |
Publisher | : |
Total Pages | : 554 |
Release | : 1930 |
Genre | : English literature |
ISBN | : |
Author | : Alison Byerly |
Publisher | : Cambridge University Press |
Total Pages | : 250 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780521581165 |
This book confronts a significant paradox in the development of literary realism: the very novels that present themselves as purveyors and celebrants of direct, ordinary human experience also manifest an obsession with art that threatens to sabotage their Realist claims. Unlike previous studies of the role of visual art, or music, or theatre in Victorian literature, Realism, Representation, and the Arts in Nineteenth-Century Literature examines the juxtaposition of all of these arts in the works of Charlotte Brontë, William Thackeray, George Eliot, Thomas Hardy, and others. Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to illuminate the place of different arts within nineteenth-century British culture. Her book, which also contains sixteen illustrations, represents an effort to bridge the growing gap between aesthetics and cultural studies.
Author | : Gloria K. Fiero |
Publisher | : McGraw-Hill Humanities, Social Sciences & World Languages |
Total Pages | : 164 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780697340726 |
This text is part of a six-volume work which offers an overview of art, music, literature, history and philosophy. Book 5 explores Romanticism, Realism and the 19th-century world. It looks at the Romantic view of the world, industry and empire and the move towards modernism. The text focuses on the Western tradition, but also includes strong coverage of other cultures, setting the arts of the West in the larger arena of world cultures including India, the East, Africa and Native America. Throughout the chronological narrative there is a focus on universal themes, integrating ideas and issues that relate to the human condition. The coverage of literature, art, music and architecture is integrated into discussions of cultural and political influences, aiming to create a logical presentation of broad subject matter.
Author | : Gloria K. Fiero |
Publisher | : WCB/McGraw-Hill |
Total Pages | : 164 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780697242211 |
Author | : Geoffrey Baker |
Publisher | : |
Total Pages | : 264 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : |
If realist novels are the literary avatars of secular science and rational progress, then why are so many canonical realist works organized around a fear of that progress? Realism is openly indebted, at the level of form and content, to imperialist and scientific advances. However, critical emphasis on this has obscured the extent to which major novelists of the period openly worried about the fate of mystery and the dissolution of tradition that accompanied science's shrinking of the world. Realism's modernization is inseparable from nostalgia. In Realism's Empire: Empiricism and Enchantment in the Nineteenth-Century Novel, Geoffrey Baker demonstrates that realist fiction's stance toward both progress and the foreign or supernatural is much more complex than established scholarship has assumed. The work of Honoré de Balzac, Anthony Trollope, and Theodor Fontane explicitly laments the loss of mystery in the world due to increased knowledge and exploration. To counter this loss and to generate the complications required for narrative, these three authors import peripheral, usually colonial figures into the metropolitan centers they otherwise depict as disenchanted and rationalized: Paris, London, and Berlin. Baker's book examines the consequences of this duel for realist narrative and readers' understandings of its historical moment. In so doing, Baker shows Balzac, Trollope, and Fontane grappling with new realities that frustrate their inherited means of representation and oversee a significant shift in the development of the novel.