Romanticism And Slave Narratives
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Author | : Helen Thomas |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 2000-04-27 |
Genre | : Literary Criticism |
ISBN | : 0521662346 |
The first major attempt to relate canonical Romantic texts to writings of the African diaspora.
Author | : John Ernest |
Publisher | : Oxford Handbooks |
Total Pages | : 497 |
Release | : 2014 |
Genre | : Literary Collections |
ISBN | : 0199731489 |
This volume approaches the history of slave testimony in three ways: by prioritising the broad tradition over individual authors; by representing inter-disciplinary approaches to slave narratives; and by highlighting emerging scholarship on slave narratives, concerning both established debates over concerns of authorship and agency, for example, and developing concerns like eco-critical readings of slave narratives.
Author | : Audrey Fisch |
Publisher | : Cambridge University Press |
Total Pages | : 230 |
Release | : 2007-05-31 |
Genre | : Literary Criticism |
ISBN | : 1139827596 |
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Author | : Debbie Lee |
Publisher | : University of Pennsylvania Press |
Total Pages | : 311 |
Release | : 2004-02-27 |
Genre | : Literary Criticism |
ISBN | : 0812218825 |
Rather than categorizing Romantic literature as resistant to, complicit with, or ambivalent about the workings of empire, Slavery and the Romantic Imagination views the creative process in light of the developing concept of empathy.
Author | : Matt Sandler |
Publisher | : Verso Books |
Total Pages | : 273 |
Release | : 2020-09-08 |
Genre | : Literary Criticism |
ISBN | : 1788735447 |
The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors like Frances Ellen Watkins Harper, George Moses Horton, Albery Allson Whitman, and Joshua McCarter Simpson conceived the Civil War as a revolutionary upheaval on par with Europe's stormy Age of Revolutions. The Black Romantic Revolution proposes that the Black Romantics' cultural innovations have shaped Black radical culture to this day, from the blues and hip hop to Black nationalism and Black feminism. Their expressions of love and rage, grief and determination, dreams and nightmares, still echo into our present.
Author | : Devon W. Carbado |
Publisher | : Beacon Press |
Total Pages | : 273 |
Release | : 2012-08-21 |
Genre | : History |
ISBN | : 0807069132 |
In this groundbreaking compilation of first-person accounts of the runaway slave phenomenon, editors Devon Carbado and Donald Weise have recovered twelve narratives spanning eight decades—more than half of which have been long out of print. Told in the voices of the runaway slaves themselves, these narratives reveal the extraordinary and often innovative ways that these men and women sought freedom and demanded citizenship.
Author | : Janet Neary |
Publisher | : Fordham Univ Press |
Total Pages | : 322 |
Release | : 2016-11-01 |
Genre | : Social Science |
ISBN | : 0823272915 |
Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony. Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division.
Author | : Dwight McBride |
Publisher | : NYU Press |
Total Pages | : 267 |
Release | : 2005-02 |
Genre | : Psychology |
ISBN | : 0814756859 |
Reflections on the ways discriminatory hiring practices and racist ad campaigns seep into American life Why hate Abercrombie? In a world rife with human cruelty and oppression, why waste your scorn on a popular clothing retailer? The rationale, Dwight A. McBride argues, lies in “the banality of evil,” or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture. McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar. As adept at analyzing affirmative action as dissecting Queer Eye for the Straight Guy, McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.
Author | : Duncan Wu |
Publisher | : Wiley-Blackwell |
Total Pages | : 566 |
Release | : 1999-10-29 |
Genre | : Literary Criticism |
ISBN | : 9780631218777 |
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
Author | : Mary Prince |
Publisher | : Courier Corporation |
Total Pages | : 82 |
Release | : 2012-04-26 |
Genre | : History |
ISBN | : 0486146936 |
Prince — a slave in the British colonies — vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England.