Romanticism Ai
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Author | : John Claiborne Isbell |
Publisher | : Cambridge University Press |
Total Pages | : 315 |
Release | : 2023-08-17 |
Genre | : Literary Criticism |
ISBN | : 1009362747 |
Two centuries of sexism have hidden Staël's place in international history. Straddling the divides of the French Revolution, Napoleonic Europe, emergent nationalism, and European Romanticism, and playing pivotal roles in those movements, she was also a friend of Byron, Jefferson, and Tsar Alexander. Extensive archival research, and a complete contextual overview of Staël's writings, here restore Staël's canonical status as political philosopher, historian, European Romantic theorist, and Revolutionary. While the term stateswoman is not commonly used, it describes Staël aptly, acting as she necessarily did through men around her. The brilliant game of masks and proxies imposed on her by patriarchy is detailed here, alongside her unending fight for the oppressed, from the nations of Napoleon's subjugated Europe to the victims of the Atlantic slave trade. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author | : Irving Babbitt |
Publisher | : |
Total Pages | : 466 |
Release | : 1924 |
Genre | : Idealism in literature |
ISBN | : |
Author | : Anne Frey |
Publisher | : Stanford University Press |
Total Pages | : 215 |
Release | : 2009-12-17 |
Genre | : Literary Criticism |
ISBN | : 0804773483 |
British State Romanticism contends that changing definitions of state power in the late Romantic period propelled authors to revisit the work of literature as well as the profession of authorship. Traditionally, critics have seen the Romantics as imaginative geniuses and viewed the supposedly less imaginative character of their late work as evidence of declining abilities. Frey argues, in contrast, that late Romanticism offers an alternative aesthetic model that adjusts authorship to work within an expanding and bureaucratizing state. She examines how Wordsworth, Coleridge, Austen, Scott, and De Quincey portray specific state and imperial agencies to debate what constituted government power, through what means government penetrated individual lives, and how non-governmental figures could assume government authority. Defining their work as part of an expanding state, these writers also reworked Romantic structures such as the imagination, organic form, and the literary sublime to operate through state agencies and to convey membership in a nation.
Author | : Simon Swift |
Publisher | : A&C Black |
Total Pages | : 204 |
Release | : 2006-06-19 |
Genre | : Philosophy |
ISBN | : 9780826486448 |
A highly original and well researched monograph covering Romanticism and philosophy, focusing particularly on aesthetics and reason, now available in paperback.
Author | : |
Publisher | : BRILL |
Total Pages | : 320 |
Release | : 2021-12-28 |
Genre | : Literary Criticism |
ISBN | : 9004487670 |
Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.
Author | : Irving Babbitt |
Publisher | : |
Total Pages | : 464 |
Release | : 1947 |
Genre | : Romanticism |
ISBN | : |
Author | : Robert F. Gleckner |
Publisher | : Wayne State University Press |
Total Pages | : 356 |
Release | : 1975 |
Genre | : Literary Criticism |
ISBN | : 9780814315439 |
Author | : Sara Emilie Guyer |
Publisher | : Stanford University Press |
Total Pages | : 392 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9780804755245 |
Romanticism After Auschwitz reveals how one of the most insistently anti-romantic discourses, post-Holocaust testimony, remains romantic, and proceeds to show how this insight compels a thorough rethinking of romanticism.
Author | : Thomas McFarland |
Publisher | : Princeton University Press |
Total Pages | : 468 |
Release | : 2014-07-14 |
Genre | : Poetry |
ISBN | : 1400855969 |
Despite their hopeful aspirations to wholeness in life and spirit, Thomas McFarland contends, the Romantics were ruins amidst ruins," fragments of human existence in a disintegrating world. Focusing on Wordsworth and Coleridge, Professor McFarland shows how this was true not only for each of these Romantics in particular but also for Romanticism in general. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Michael Ferber |
Publisher | : John Wiley & Sons |
Total Pages | : 602 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405154535 |
This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.