Romantic Women Poets 1788 1848
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Author | : Andrew Ashfield |
Publisher | : Manchester University Press |
Total Pages | : 324 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : 9780719052934 |
In this new volume, Andrew Ashfield illustrates how women extended the horizons of Romanticism by their insistent engagement with social issues such as slavery, child labor and women workers. His previous volume, "Romantic Women Poets 1770-1838," explored how women poets made important contributions to major areas of Romanticism such as landscape and seascape. Together these two volumes add new dimensions to the study of Romanticism by showing how the solitary meditation by the sea developed concurrently with major social concerns. Ashfield exposes a much more complicated relationship between the self and society than has previously prevailed in our assessments of Romanticism.
Author | : |
Publisher | : BRILL |
Total Pages | : 355 |
Release | : 2021-11-22 |
Genre | : Literary Criticism |
ISBN | : 9004486321 |
From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
Author | : Devoney Looser |
Publisher | : Cambridge University Press |
Total Pages | : 275 |
Release | : 2015-03-12 |
Genre | : Literary Criticism |
ISBN | : 1107016681 |
A wide-ranging and accessible account of the pioneering professional women writers who flourished during the Romantic period.
Author | : Magdalena Ożarska |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 335 |
Release | : 2014-01-08 |
Genre | : Literary Criticism |
ISBN | : 1443855731 |
Lacework or Mirror? Diary Poetics of Frances Burney, Dorothy Wordsworth and Mary Shelley sets out to determine whether each of the diaries by three female writers – namely, Frances Burney, Dorothy Wordsworth, and Mary Shelley – approximates the Philippe-Lejeunean concept of the diary as lacework or the more sweeping view, typical of the broadly conceived autobiography, which Georges Gusdorf famously likened to the mirror. The author explores Burney’s, Wordsworth’s and Shelley’s attempts at concealing the gaps between their narrating and narrated ‘I’s, as well as examining their diary lacunae, especially helpful for illustrating the gradual emergence of the diarists’ individual selves. Broader issues, connected with diary poetics, such as the use of metaphors and symbols, the degree of reliance on dialogue and ensuing narrativity, down to handling the past by means of anachronous eccentricities, are also subject to examination. The study is based on the assumption that the journal is a literary genre, which can be investigated with tools routinely used for the examination of literary texts. Yet, beyond the issues of literariness, in accordance with Philippe Lejeune’s dictum, the three journals reveal the writers’ diaristic practices. In fact, it seems that issues of the journal genre and the journal practice cannot be divorced, and neither can their lacework and mirror aspects.
Author | : Anya Heise-von der Lippe |
Publisher | : transcript Verlag |
Total Pages | : 275 |
Release | : 2024-06-30 |
Genre | : Literary Criticism |
ISBN | : 383947275X |
In the Romantic period, women writers developed specific aesthetics and writing strategies in their engagements with climate change and climate catastrophe. Anya Heise-von der Lippe draws on intersectional feminist and ecocritical approaches to highlight gender as a complicating category in Romantic engagements with these topics. She addresses the ways in which gendered critical framings continue to resonate in current Anthropocene discourses that use Romantic conceptualizations of »Nature«, impacting contemporary approaches to the relationship between humans and non-humans in the ongoing climate catastrophe.
Author | : Paula R. Backscheider |
Publisher | : JHU Press |
Total Pages | : 957 |
Release | : 2009-10-30 |
Genre | : Literary Criticism |
ISBN | : 0801892775 |
This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of life; and by the poems’ more specific focus on the women’s experiences as writers. Backscheider and Ingrassia have selected poems that represent the best work of skilled poets, creating a wonderful mix of canonical and little-known pieces. They include the complete texts of longer poems that are abridged or omitted in other collections. Their substantial part introductions, textual notes, bibliographical information, and biographical sketches situate the poets and their writings within the cultural and political milieu in which they appeared. To generate further scholarship on this subject, this essential anthology puts primary texts in front of students, scholars, and general readers. It fills the persistent need to document women’s poetic expression during the long eighteenth century and to rewrite the literary history of the period, a history from which women have largely been excluded.
Author | : Josephine McDonagh |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 2003-12-08 |
Genre | : Literary Criticism |
ISBN | : 9780521781930 |
In this wide-ranging study, Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She places literary works within social, political and cultural contexts, including debates on luxury, penal reform campaigns, slavery, the treatment of the poor, and birth control. She traces a trajectory from Swift's A Modest Proposal through to the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others. McDonagh demonstrates the haunting persistence of the notion of child murder within British culture in a volume that will be of interest to cultural and literary scholars alike.
Author | : Elizabeth Eger |
Publisher | : Cambridge University Press |
Total Pages | : 348 |
Release | : 2001-01-04 |
Genre | : History |
ISBN | : 9780521771061 |
An international team of specialists examine the dynamic relation between women and the public sphere.
Author | : E. Eger |
Publisher | : Springer |
Total Pages | : 289 |
Release | : 2010-01-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 0230250505 |
This studyargues that female networks of conversation, correspondenceand patronage formed the foundation for women's work in the 'higher' realms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women's writing.
Author | : A. Ingram |
Publisher | : Springer |
Total Pages | : 256 |
Release | : 2004-11-30 |
Genre | : Literary Criticism |
ISBN | : 0230510892 |
Cultural Constructions of Madness in the Eighteenth Century deals with the (mis)representation of insanity through a substantial range of literary forms and figures from across the eighteenth century and beyond. Chapters cover the representation, distortion, sentimentalization and elevation of insanity, and such associated issues as gender, personal identity, and performance, in some of the best, as well as some of the least, known writers of the period. A selection of visual material, including works by Hogarth, Rowlandson, and Gillray, is also discussed. While primarily adopting a literary focus, the work is informed throughout by an alertness to significant issues of medical and psychiatric history.