Romantic Comedy In Hollywood
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| Author | : James Harvey |
| Publisher | : Da Capo Press |
| Total Pages | : 738 |
| Release | : 1998-03-22 |
| Genre | : Performing Arts |
| ISBN | : 9780306808326 |
In 1934 four movies—It Happened One Night, Twentieth Century, The Thin Man, and The Gay Divorcee—ushered in the golden age of the Hollywood romantic ("screwball") comedy. Slangy, playful, and "powerfully, glamorously in love with love," the films that followed were unique in their combination of swank and slapstick. Here are the directors—Lubitsch (Trouble in Paradise), Capra (It Happened One Night), Hawks (Bringing Up Baby, His Girl Friday), McCarey (The Awful Truth), La Cava (My Man Godfrey, Stage Door), Sturges (The Lady Eve, The Palm Beach Story, The Miracle at Morgan's Creek)—and their stars—Carole Lombard, Irene Dunne, Cary Grant, Fred Astaire, Clark Gable, Barbara Stanwyck, William Powell, Myrna Loy, among others—all described and analyzed in one comprehensive and delightful volume.
| Author | : Leger Grindon |
| Publisher | : John Wiley & Sons |
| Total Pages | : 242 |
| Release | : 2011-04-18 |
| Genre | : Performing Arts |
| ISBN | : 1405182652 |
The most up-to-date study of the Hollywood romantic comedy film, from the development of sound to the twenty-first century, this book examines the history and conventions of the genre and surveys the controversies arising from the critical responses to these films. Provides a detailed interpretation of important romantic comedy films from as early as 1932 to movies made in the twenty-first century Presents a full analysis of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor Develops a survey of romantic comedy movies and builds a canon of key films from Hollywood's classical era right up to the present day Chapters work as discrete studies as well as within the larger context of the book
| Author | : Scott Meslow |
| Publisher | : HarperCollins |
| Total Pages | : 432 |
| Release | : 2022-02-01 |
| Genre | : Performing Arts |
| ISBN | : 0063026317 |
An in-depth celebration of the romantic comedy’s modern golden era and its role in our culture, tracking the genre from its heyday in the ’80s and the ’90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. No Hollywood genre has been more misunderstood—or more unfairly under-appreciated—than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood’s most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite—or perhaps because of—all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. In From Hollywood with Love, culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they’ve always deserved. Beginning with the golden era of the romantic comedy—spanning from the late ’80s to the mid-’00s with the breakthrough of films such as When Harry Met Sally—to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood’s beloved yet most under-appreciated genre.
| Author | : Tamar Jeffers McDonald |
| Publisher | : Columbia University Press |
| Total Pages | : 145 |
| Release | : 2007-04-10 |
| Genre | : Performing Arts |
| ISBN | : 0231503385 |
Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
| Author | : Claire Mortimer |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2010-04-05 |
| Genre | : Performing Arts |
| ISBN | : 113696939X |
Romantic comedy is an enduringly popular genre which has maintained its appeal by constantly evolving, from the screwball comedy to the recent emergence of the bromance. Romantic Comedy examines the history of the genre, considering the social and cultural context for key developments in new genre cycles. It studies the key themes and issues at work within romantic comedy films, focusing in particular on the representation of gender and how the genre acts as a barometer for gender politics in the course of the twentieth century. Claire Mortimer provides the reader with a comprehensive overview of the genre, tracing its development, enduring appeal, stars and the nature of its comedy. Mortimer discusses both British and Hollywood classic and contemporary romantic comedies, ranging from canonical films to more recent examples which have taken the genre in new directions. In-depth case studies span a wide variety of films, including: It Happened One Night Bringing Up Baby Annie Hall Four Weddings and a Funeral Bridget Jones’s Diary Wimbledon Knocked Up Sex and the City This book is the perfect introduction to the romantic comedy genre and will be particularly useful for all those investigating this area within film, media or women's studies.
| Author | : Billy Mernit |
| Publisher | : Harper Collins |
| Total Pages | : 308 |
| Release | : 2001-07-31 |
| Genre | : Performing Arts |
| ISBN | : 0060935030 |
From the slapstick shenanigans of Hepburn and Grant in Bringing Up Baby to the sexy repartee of Shakespeare in Love, romantic comedies have delighted filmgoers -- and challenged screenwriters -- since Hollywood's Golden Age. Whether you're a first time screenwriter, or an intermediate marooned in the rewriting process, this thoroughly charming and insightful guide to the basics of crafting a winning script will take you step by step from "cute meet" all the way to "joyous defeat." You'll learn the screenwriting secrets behind some of the funniest scenes ever written; how to create characters and dialogue that set the sparks flying; why some bedroom scenes sizzle and others fall flat; and much more. Writing the Romantic Comedy features case studies drawn from beloved romantic comedies such as When Harry Met Sally, Annie Hall, Tootsie, and The Lady Eve, as well as field-tested writing exercises guaranteed to short-circuit potential mistakes and ensure inspiration.
| Author | : P.J. Ruditis |
| Publisher | : Simon and Schuster |
| Total Pages | : 276 |
| Release | : 2009-10-27 |
| Genre | : Young Adult Fiction |
| ISBN | : 1442407506 |
True love doesn't always follow a script.... Tracy Vance's love life is a total flop. Sure, she has a cool job as a tour guide at a real Hollywood movie studio, but when it comes to her personal life, she can barely get her crush, Connor, to notice her. Then Tracy gets a brilliant idea: Why not win Connor's heart with some help from the big screen? Taking her cues from her favorite chick flicks, Tracy puts Operation Ro Com into action, and it actually seems to work! But Tracy soon realizes that getting the leading man isn't the same as keeping him. Maybe things never work out like they do in the movies--or do they?
| Author | : Peter William Evans |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : |
This book explores the complex ways in which recent cultural discourses on gender and sexuality have found their way into the apparently inflexible structure of romantic comedy.
| Author | : Grégoire Halbout |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 401 |
| Release | : 2022-01-13 |
| Genre | : Performing Arts |
| ISBN | : 1501347624 |
A 2022 CHOICE Outstanding Academic Title Love at first sight, whirlwind marriages, break-ups, divorces, remarriage... What accounts for the enduring success of the Hollywood madcap comedies of the 1930s? Directed by masters of comedy (Hawks, LaCava, Leisen, Ruggles...) and featuring the decade's most iconic stars (Colbert, Dunne, Grant, Hepburn...), these films set romantic comedy standards for decades to come. Screwball comedy embarked on two challenging missions: to poke fun at established social norms and to undermine stereotypical depictions of gender roles, putting forward a discourse that postulated the possibility of equality between men and women. Grégoire Halbout's reexamination of screwball comedy provides a comprehensive overview of this (sub)genre, eschewing the auteurist approach and including “minor” works never before analyzed through the screwball lens. His book explains how these screwball stories met the expectations of a booming American middle class eager for the liberalization of morals, with daring plots, verbal humor and slapstick techniques. Building on the work of Cavell, Altman and Gehring, as well as international and French scholarship, Halbout's investigation unfolds in three parts. He first establishes a definition of Hollywood screwball comedy through a cross-sectional analysis of its socio-historical context and an in-depth examination of the genre. He then situates screwball comedy in relation to its institutional context. An exclusive study of archival material explains the emergence of a screwball aesthetic meant to subvert the prohibitions of the 1934 Hollywood Production Code through a verbal and visual rhetoric of diversion and mitigation. Finally, Halbout explores the social function of the genre's placement of romantic intimacy at the center of the public sphere and the democratic debate, confirming that screwball eccentricity upholds America's founding values: freedom of speech, free consent, and contractual engagement.
| Author | : Ed Sikov |
| Publisher | : Crown |
| Total Pages | : 248 |
| Release | : 1989 |
| Genre | : Performing Arts |
| ISBN | : |
Screwball is the first richly illustrated tribute to the movies that tells one mad, illogical truth: Mutual loathing is no reason to give up on love. More than 240 pictures in striking duotone celebrate these exhilarating comedies.
